TY  - JOUR
AU  - Gavrilović, Dragana
PY  - 2023
UR  - http://rai.ai.ac.rs/handle/123456789/1421
AB  - This paper will present methods of protection and presentation, i.e., conservation-restoration approaches, applied to the remains of wall paintings found within the archaeological site of Viminacium, from the Roman period, that have been applied since 2006. The material was conserved in the conservation and restoration studio on the site itself by conservators and associates of the Institute of Archaeology, while in the previous period it was carried out by the conservators of the Institute for the Protection of Cultural Monuments of Serbia – Belgrade. The found paintings diered in their degree of preservation, which gave rise to the reasons for the chosen method of conservation and presentation. The presentation of one of the found painted graves and the partially preserved painted composition on one of the walls of the city baths enabled the preservation of examples of painting in its original context, providing visitors with a unique experience. Viminacium is one of the few archaeological sites in Serbia where conservators pay special attention to fragmented wall paintings, and to the restoration of the units that the fragments formerly created.
 
With the help of conservation works carried out on the fragments of the painting, several units were obtained that can allow us to see what the wall decoration looked like in a historical environment. Some of the fragments throughout the presentation remained unrelated to the context from which they originate, so the contribution of hypothetical reconstructions carried out by restorers as well as the use of modern digital technologies is important for their comprehension. The aim of the work being done by conservators in Viminacium since 2006 is, therefore, that all the remains of the wall paintings of Viminacium are physically preserved and protected, but also that their artistic content, materials and production technology are in some way visible outside the space of the studio, that is presented to other researchers and conservators, as well as the museum audience.
PB  - Beograd : Arheološki institut
PB  - Beograd : Centar za nove tehnologije Viminacium
T2  - Arheologija i prirodne nauke
T1  - Overview of conservation and restoration approaches to the protection and presentation of Viminacium wall paintings
EP  - 152
IS  - 19
SP  - 129
DO  - 10.18485/arhe_apn.2023.19.8
ER  - 

@article{
author = "Gavrilović, Dragana",
year = "2023",
abstract = "This paper will present methods of protection and presentation, i.e., conservation-restoration approaches, applied to the remains of wall paintings found within the archaeological site of Viminacium, from the Roman period, that have been applied since 2006. The material was conserved in the conservation and restoration studio on the site itself by conservators and associates of the Institute of Archaeology, while in the previous period it was carried out by the conservators of the Institute for the Protection of Cultural Monuments of Serbia – Belgrade. The found paintings diered in their degree of preservation, which gave rise to the reasons for the chosen method of conservation and presentation. The presentation of one of the found painted graves and the partially preserved painted composition on one of the walls of the city baths enabled the preservation of examples of painting in its original context, providing visitors with a unique experience. Viminacium is one of the few archaeological sites in Serbia where conservators pay special attention to fragmented wall paintings, and to the restoration of the units that the fragments formerly created.
 
With the help of conservation works carried out on the fragments of the painting, several units were obtained that can allow us to see what the wall decoration looked like in a historical environment. Some of the fragments throughout the presentation remained unrelated to the context from which they originate, so the contribution of hypothetical reconstructions carried out by restorers as well as the use of modern digital technologies is important for their comprehension. The aim of the work being done by conservators in Viminacium since 2006 is, therefore, that all the remains of the wall paintings of Viminacium are physically preserved and protected, but also that their artistic content, materials and production technology are in some way visible outside the space of the studio, that is presented to other researchers and conservators, as well as the museum audience.",
publisher = "Beograd : Arheološki institut, Beograd : Centar za nove tehnologije Viminacium",
journal = "Arheologija i prirodne nauke",
title = "Overview of conservation and restoration approaches to the protection and presentation of Viminacium wall paintings",
pages = "152-129",
number = "19",
doi = "10.18485/arhe_apn.2023.19.8"
}

Gavrilović, D.. (2023). Overview of conservation and restoration approaches to the protection and presentation of Viminacium wall paintings. in Arheologija i prirodne nauke
Beograd : Arheološki institut.(19), 129-152.
https://doi.org/10.18485/arhe_apn.2023.19.8

Gavrilović D. Overview of conservation and restoration approaches to the protection and presentation of Viminacium wall paintings. in Arheologija i prirodne nauke. 2023;(19):129-152.
doi:10.18485/arhe_apn.2023.19.8 .

Gavrilović, Dragana, "Overview of conservation and restoration approaches to the protection and presentation of Viminacium wall paintings" in Arheologija i prirodne nauke, no. 19 (2023):129-152,
https://doi.org/10.18485/arhe_apn.2023.19.8 . .

TY  - JOUR
AU  - Ponjavić, Kristina
AU  - Gajić-Kvaščev, Maja
AU  - Milutinović, Vojkan
AU  - Gavrilović, Dragana
PY  - 2022
UR  - http://rai.ai.ac.rs/handle/123456789/616
AB  - During the archaeological research of the Church of St. Nicholas, in Baljevac, Serbia, fragments of wall
paintings were found in Pit no. 1, located in the nave area. The fragments were determined to be from the
second phase of the construction of the church (13th century). Several fragments of different and pure tones
were selected to examine the composition of the mortar and pigments, as well as the painting technique.
Analytical techniques and the results obtained by their use during the examination of the selected fragments
are presented in this paper. With a suitable selection of analytical techniques, all the pigments that
had been used were identified, the chemical composition of the mortar determined and a parallel made
with the materials analysed so far from wall paintings from similar periods. The importance of modern archaeometric
tests in modern conservation-restoration practice is highlighted and guidelines for continuing
research are presented.
AB  - U radu su prikazane analitičke tehnike i rezultati koji su dobijeni njihovim korišćenjem prilikom ispitivanja izabranih fragmenata zidnih slika, pronađenih u Crkvi Sv. Nikole u Baljevcu. Prilikom arheoloških istraživanja crkve, u Jami br. 1, koja se nalazila u prostoru naosa, pronađeni su fragmenti zidnog slikarstva datovani u XIII vek. Odabrano je nekoliko fragmenata različitih i čistih tonova za ispitivanje sastava maltera i pigmenata, kao i tehnike oslikavanja. Analitičke tehnike koje se primenjuju u ispi- tivanju zidnog slikarstva mogu biti nedestruktivne, mikrodestruktivne i destruktivne. Nedestruktivne i mikrodestruktivne analitičke tehnike su poželjne u radu sa arheološkim i muzejskim materijalom. Tehnike koje se primenjuju za analizu bojenih slojeva su raznovrsne, a u ovom radu su korišćene: pEDXRF, FTIR, i Ramanska spektrometrija, kao i OM. Za stručnjake koji se bave zaštitom kulturnog nasleđa najbitnije je da znaju šta pojedine anali- tičke tehnike mogu otkriti. Često nije neophodno primeniti veliki broj različitih tehnika, već imati jasan cilj i izabrati one tehnike koje nam mogu obezbediti potrebne podatke. Da bi rezultati bili što tačniji, važno je odabrati adekvatan uzorak. Poznato je da su uzorci čistih, intenzivnih i debljih slojeva boja daju jasnije razultate nego oni sa la- zurnim slojevima. Kod fragmenata iz Crkve Svetog Nikole u Baljevcu, upotrebom analitičkih tehnika pEDXRF, Ramanska i FTIR spektrometrija, zaključeno je da su pri oslikavanju druge faze crkve korišćeni sle- deći pigmenti: žuti oker, crvena zemlja, cinober, olovno crvena, zelena zemlja, krečno bela i crna od uglja. Malter je po sastavu krečni (kalcijum karbonat) i sadrži agregate istog hemijskog sastava. Kalcijum karbonat je korišćen i za posvetljavanje tona nekih pigmenata, tako što je mešan s njima. Na osnovu poprečnog preseka fragmenata i snimanja pod mikroskopom može se zaključiti da je primenjena fresko tehnika slikanja. Kod dva uzorka plave boje dobijeni su ne- očekivani rezultati. Kod jednog od njih je detektovana zelena zemlja. Kod drugog uzorka, čija je boja označena kao plava, na osnovu dobijenih rezultata zaključeno je da je korišćena crna-ugljenik, koja zbog fresko tehnike i kalcijum karbonata stvara privid plave boje. Crvena boja – od oksida gvožđa je kombinovana sa cinoberom i olovno crvenom bojom. Najbolju analogiju za poređenje sa pigmentima iz sličnog perioda predstavljaju pigmenti korišćeni za oslikavanje manastira Žiča. U ovom manastiru su detektovani skoro isti pigmenti kao na ispitivanim fragmentima, osim lapis lazulija, koji je odsutan na fragmentima crkve u Baljevcu.
PB  - Beograd : Centar za nove tehnologije Viminacium
PB  - Beograd : Arheološki institut
T2  - Arheologija i prirodne nauke / Archaeology and Science
T1  - Application of Archaeometric Techniques in the Study of Wall Painting on the Example of Fragments of Frescoe Paintings from the Church of St.Nicholas (Crkva svetog Nikole) in Baljevac, Serbia
EP  - 164
IS  - 18
SP  - 145
DO  - 10.18485/arhe_apn.2022.18.11
ER  - 

@article{
author = "Ponjavić, Kristina and Gajić-Kvaščev, Maja and Milutinović, Vojkan and Gavrilović, Dragana",
year = "2022",
abstract = "During the archaeological research of the Church of St. Nicholas, in Baljevac, Serbia, fragments of wall
paintings were found in Pit no. 1, located in the nave area. The fragments were determined to be from the
second phase of the construction of the church (13th century). Several fragments of different and pure tones
were selected to examine the composition of the mortar and pigments, as well as the painting technique.
Analytical techniques and the results obtained by their use during the examination of the selected fragments
are presented in this paper. With a suitable selection of analytical techniques, all the pigments that
had been used were identified, the chemical composition of the mortar determined and a parallel made
with the materials analysed so far from wall paintings from similar periods. The importance of modern archaeometric
tests in modern conservation-restoration practice is highlighted and guidelines for continuing
research are presented., U radu su prikazane analitičke tehnike i rezultati koji su dobijeni njihovim korišćenjem prilikom ispitivanja izabranih fragmenata zidnih slika, pronađenih u Crkvi Sv. Nikole u Baljevcu. Prilikom arheoloških istraživanja crkve, u Jami br. 1, koja se nalazila u prostoru naosa, pronađeni su fragmenti zidnog slikarstva datovani u XIII vek. Odabrano je nekoliko fragmenata različitih i čistih tonova za ispitivanje sastava maltera i pigmenata, kao i tehnike oslikavanja. Analitičke tehnike koje se primenjuju u ispi- tivanju zidnog slikarstva mogu biti nedestruktivne, mikrodestruktivne i destruktivne. Nedestruktivne i mikrodestruktivne analitičke tehnike su poželjne u radu sa arheološkim i muzejskim materijalom. Tehnike koje se primenjuju za analizu bojenih slojeva su raznovrsne, a u ovom radu su korišćene: pEDXRF, FTIR, i Ramanska spektrometrija, kao i OM. Za stručnjake koji se bave zaštitom kulturnog nasleđa najbitnije je da znaju šta pojedine anali- tičke tehnike mogu otkriti. Često nije neophodno primeniti veliki broj različitih tehnika, već imati jasan cilj i izabrati one tehnike koje nam mogu obezbediti potrebne podatke. Da bi rezultati bili što tačniji, važno je odabrati adekvatan uzorak. Poznato je da su uzorci čistih, intenzivnih i debljih slojeva boja daju jasnije razultate nego oni sa la- zurnim slojevima. Kod fragmenata iz Crkve Svetog Nikole u Baljevcu, upotrebom analitičkih tehnika pEDXRF, Ramanska i FTIR spektrometrija, zaključeno je da su pri oslikavanju druge faze crkve korišćeni sle- deći pigmenti: žuti oker, crvena zemlja, cinober, olovno crvena, zelena zemlja, krečno bela i crna od uglja. Malter je po sastavu krečni (kalcijum karbonat) i sadrži agregate istog hemijskog sastava. Kalcijum karbonat je korišćen i za posvetljavanje tona nekih pigmenata, tako što je mešan s njima. Na osnovu poprečnog preseka fragmenata i snimanja pod mikroskopom može se zaključiti da je primenjena fresko tehnika slikanja. Kod dva uzorka plave boje dobijeni su ne- očekivani rezultati. Kod jednog od njih je detektovana zelena zemlja. Kod drugog uzorka, čija je boja označena kao plava, na osnovu dobijenih rezultata zaključeno je da je korišćena crna-ugljenik, koja zbog fresko tehnike i kalcijum karbonata stvara privid plave boje. Crvena boja – od oksida gvožđa je kombinovana sa cinoberom i olovno crvenom bojom. Najbolju analogiju za poređenje sa pigmentima iz sličnog perioda predstavljaju pigmenti korišćeni za oslikavanje manastira Žiča. U ovom manastiru su detektovani skoro isti pigmenti kao na ispitivanim fragmentima, osim lapis lazulija, koji je odsutan na fragmentima crkve u Baljevcu.",
publisher = "Beograd : Centar za nove tehnologije Viminacium, Beograd : Arheološki institut",
journal = "Arheologija i prirodne nauke / Archaeology and Science",
title = "Application of Archaeometric Techniques in the Study of Wall Painting on the Example of Fragments of Frescoe Paintings from the Church of St.Nicholas (Crkva svetog Nikole) in Baljevac, Serbia",
pages = "164-145",
number = "18",
doi = "10.18485/arhe_apn.2022.18.11"
}

Ponjavić, K., Gajić-Kvaščev, M., Milutinović, V.,& Gavrilović, D.. (2022). Application of Archaeometric Techniques in the Study of Wall Painting on the Example of Fragments of Frescoe Paintings from the Church of St.Nicholas (Crkva svetog Nikole) in Baljevac, Serbia. in Arheologija i prirodne nauke / Archaeology and Science
Beograd : Centar za nove tehnologije Viminacium.(18), 145-164.
https://doi.org/10.18485/arhe_apn.2022.18.11

Ponjavić K, Gajić-Kvaščev M, Milutinović V, Gavrilović D. Application of Archaeometric Techniques in the Study of Wall Painting on the Example of Fragments of Frescoe Paintings from the Church of St.Nicholas (Crkva svetog Nikole) in Baljevac, Serbia. in Arheologija i prirodne nauke / Archaeology and Science. 2022;(18):145-164.
doi:10.18485/arhe_apn.2022.18.11 .

Ponjavić, Kristina, Gajić-Kvaščev, Maja, Milutinović, Vojkan, Gavrilović, Dragana, "Application of Archaeometric Techniques in the Study of Wall Painting on the Example of Fragments of Frescoe Paintings from the Church of St.Nicholas (Crkva svetog Nikole) in Baljevac, Serbia" in Arheologija i prirodne nauke / Archaeology and Science, no. 18 (2022):145-164,
https://doi.org/10.18485/arhe_apn.2022.18.11 . .

TY  - JOUR
AU  - Gavrilović, Dragana
AU  - Milovanović, Bebina
PY  - 2021
UR  - http://rai.ai.ac.rs/handle/123456789/917
AB  - This paper focuses on the remains of wall paintings from residences of
the area of antique Viminacium (capital of Roman province of Upper Moesia). The
largest number of specimens comes from the residences researched during the reexcavations
in 2007 at the site of Čair, while a smaller portion comes from the public
bath (thermae) and amphitheater. Detailed analysis of the fragments of wall painting
showed that these buildings were once meticulously maintained since the materials
show traces of renovation. These fragments revealed an entirely new image of plaster
composition, which differs significantly from that found in the funerary painting of
Viminacium. Highly polished surfaces of certain specimens, as well as possible figurative
representations, indicate luxurious buildings which were in use during the 2nd and
3rd century.
PB  - NOUS Publishers LTD
T2  - Archaeologia Bulgarica
T1  - Fragments of Wall Painting from Residential Buildings at the Site of Čair (Viminacium)
EP  - 25
IS  - XXV
SP  - 15
VL  - 1
UR  - https://hdl.handle.net/21.15107/rcub_rai_917
ER  - 

@article{
author = "Gavrilović, Dragana and Milovanović, Bebina",
year = "2021",
abstract = "This paper focuses on the remains of wall paintings from residences of
the area of antique Viminacium (capital of Roman province of Upper Moesia). The
largest number of specimens comes from the residences researched during the reexcavations
in 2007 at the site of Čair, while a smaller portion comes from the public
bath (thermae) and amphitheater. Detailed analysis of the fragments of wall painting
showed that these buildings were once meticulously maintained since the materials
show traces of renovation. These fragments revealed an entirely new image of plaster
composition, which differs significantly from that found in the funerary painting of
Viminacium. Highly polished surfaces of certain specimens, as well as possible figurative
representations, indicate luxurious buildings which were in use during the 2nd and
3rd century.",
publisher = "NOUS Publishers LTD",
journal = "Archaeologia Bulgarica",
title = "Fragments of Wall Painting from Residential Buildings at the Site of Čair (Viminacium)",
pages = "25-15",
number = "XXV",
volume = "1",
url = "https://hdl.handle.net/21.15107/rcub_rai_917"
}

Gavrilović, D.,& Milovanović, B.. (2021). Fragments of Wall Painting from Residential Buildings at the Site of Čair (Viminacium). in Archaeologia Bulgarica
NOUS Publishers LTD., 1(XXV), 15-25.
https://hdl.handle.net/21.15107/rcub_rai_917

Gavrilović D, Milovanović B. Fragments of Wall Painting from Residential Buildings at the Site of Čair (Viminacium). in Archaeologia Bulgarica. 2021;1(XXV):15-25.
https://hdl.handle.net/21.15107/rcub_rai_917 .

Gavrilović, Dragana, Milovanović, Bebina, "Fragments of Wall Painting from Residential Buildings at the Site of Čair (Viminacium)" in Archaeologia Bulgarica, 1, no. XXV (2021):15-25,
https://hdl.handle.net/21.15107/rcub_rai_917 .

TY  - CHAP
AU  - Anđelković Grašar, Jelena
AU  - Rogić, Dragana
AU  - Nikolić, Emilija
PY  - 2020
UR  - http://rai.ai.ac.rs/handle/123456789/708
AB  - During Late Antiquity the territory of present day Serbia was part of the Roman Empire and was included in the prefecture of Illyricum.  This area is well-known not only as the homeland of several Roman Emperors, but as a border territory on the Danube limes situated on the crossroads of important ancient communication routes that enabled the encounters of various cultures, cults and religious beliefs coming from east and west. Tombs and graves with wall paintings have been discovered in several Roman necropoleis at Viminacium, belonging to the period between the 3rd and 4th century. These sepulchral paintings represent an exceptional body of evidence regarding the artistic tendencies and achievements in the Roman provinces, since monumental painted art is usually not preserved due to the destruction of its architectural supports.  However, discovered fragments testify that painted decoration also existed in both private residences and public buildings of at Viminacium, such as the baths or the amphitheatre, during the periods preceding Late Antiquity, when there was also an active artistic production in funerary painting. This paper will analyse some of the most popular and widely represented motifs, in order to trace various influences on their iconography and style as well as certain compositional solutions. Graves and tombs were sacred spaces in Roman culture, and masonry funerary structures with wall paintings were no exception. Their architectural structure and painted decoration testify to the social status, often also the origin and religious thoughts of the deceased. This space was important for the deceased due to its meaning as eternal dwelling in the world of death, as well as for their living loved ones during the subsequent ritual practices.
PB  - Oxford: Oxbow Books
T2  - A Globalised Visual Culture?: Towards a Geography of Late Antique Art
T1  - Act locally, think globally: Late antique funerary painting from the territory of present-day Serbia
EP  - 90
SP  - 63
DO  - 10.2307/j.ctv13pk7vx.6
ER  - 

@inbook{
author = "Anđelković Grašar, Jelena and Rogić, Dragana and Nikolić, Emilija",
year = "2020",
abstract = "During Late Antiquity the territory of present day Serbia was part of the Roman Empire and was included in the prefecture of Illyricum.  This area is well-known not only as the homeland of several Roman Emperors, but as a border territory on the Danube limes situated on the crossroads of important ancient communication routes that enabled the encounters of various cultures, cults and religious beliefs coming from east and west. Tombs and graves with wall paintings have been discovered in several Roman necropoleis at Viminacium, belonging to the period between the 3rd and 4th century. These sepulchral paintings represent an exceptional body of evidence regarding the artistic tendencies and achievements in the Roman provinces, since monumental painted art is usually not preserved due to the destruction of its architectural supports.  However, discovered fragments testify that painted decoration also existed in both private residences and public buildings of at Viminacium, such as the baths or the amphitheatre, during the periods preceding Late Antiquity, when there was also an active artistic production in funerary painting. This paper will analyse some of the most popular and widely represented motifs, in order to trace various influences on their iconography and style as well as certain compositional solutions. Graves and tombs were sacred spaces in Roman culture, and masonry funerary structures with wall paintings were no exception. Their architectural structure and painted decoration testify to the social status, often also the origin and religious thoughts of the deceased. This space was important for the deceased due to its meaning as eternal dwelling in the world of death, as well as for their living loved ones during the subsequent ritual practices.",
publisher = "Oxford: Oxbow Books",
journal = "A Globalised Visual Culture?: Towards a Geography of Late Antique Art",
booktitle = "Act locally, think globally: Late antique funerary painting from the territory of present-day Serbia",
pages = "90-63",
doi = "10.2307/j.ctv13pk7vx.6"
}

Anđelković Grašar, J., Rogić, D.,& Nikolić, E.. (2020). Act locally, think globally: Late antique funerary painting from the territory of present-day Serbia. in A Globalised Visual Culture?: Towards a Geography of Late Antique Art
Oxford: Oxbow Books., 63-90.
https://doi.org/10.2307/j.ctv13pk7vx.6

Anđelković Grašar J, Rogić D, Nikolić E. Act locally, think globally: Late antique funerary painting from the territory of present-day Serbia. in A Globalised Visual Culture?: Towards a Geography of Late Antique Art. 2020;:63-90.
doi:10.2307/j.ctv13pk7vx.6 .

Anđelković Grašar, Jelena, Rogić, Dragana, Nikolić, Emilija, "Act locally, think globally: Late antique funerary painting from the territory of present-day Serbia" in A Globalised Visual Culture?: Towards a Geography of Late Antique Art (2020):63-90,
https://doi.org/10.2307/j.ctv13pk7vx.6 . .

TY  - JOUR
AU  - Gavrilović, Dragana
AU  - Anđelković Grašar, Jelena
PY  - 2020
UR  - http://rai.ai.ac.rs/handle/123456789/922
AB  - Research on Roman funerary painting is inevitably associated with the
reminiscences of real-life events – customs, practices and rites, and shaped by
the overall concept of the philosophy of death and artistic traditions. In the
case of provincial funerary painting, specific, local interpretations have been
noticed so far that often lead toward a simplification of the known patterns and
developed models, as well as the stronger influence of symbolism. Because of
this local comprehension of artistic solutions and pictorial content, scenes with
figural motifs of servants depicted with various gifts to the deceased need to
be elaborated and explained through the lens of a dual perspective on funeral
rites of the time. The basis for this research are scenes from the territory of
today’s Serbia, which are compared to ichnographically or symbolically rendered
scenes mostly known from the Eastern Mediterranean.
PB  - Resita :  Muzeul Banatului Montan
T2  - Banatica
T1  - Funeral banquet, procession or an offering scene – a few remarks on Roman provincial painting
EP  - 296
IS  - 30
SP  - 271
VL  - 1
UR  - https://hdl.handle.net/21.15107/rcub_rai_922
ER  - 

@article{
author = "Gavrilović, Dragana and Anđelković Grašar, Jelena",
year = "2020",
abstract = "Research on Roman funerary painting is inevitably associated with the
reminiscences of real-life events – customs, practices and rites, and shaped by
the overall concept of the philosophy of death and artistic traditions. In the
case of provincial funerary painting, specific, local interpretations have been
noticed so far that often lead toward a simplification of the known patterns and
developed models, as well as the stronger influence of symbolism. Because of
this local comprehension of artistic solutions and pictorial content, scenes with
figural motifs of servants depicted with various gifts to the deceased need to
be elaborated and explained through the lens of a dual perspective on funeral
rites of the time. The basis for this research are scenes from the territory of
today’s Serbia, which are compared to ichnographically or symbolically rendered
scenes mostly known from the Eastern Mediterranean.",
publisher = "Resita :  Muzeul Banatului Montan",
journal = "Banatica",
title = "Funeral banquet, procession or an offering scene – a few remarks on Roman provincial painting",
pages = "296-271",
number = "30",
volume = "1",
url = "https://hdl.handle.net/21.15107/rcub_rai_922"
}

Gavrilović, D.,& Anđelković Grašar, J.. (2020). Funeral banquet, procession or an offering scene – a few remarks on Roman provincial painting. in Banatica
Resita :  Muzeul Banatului Montan., 1(30), 271-296.
https://hdl.handle.net/21.15107/rcub_rai_922

Gavrilović D, Anđelković Grašar J. Funeral banquet, procession or an offering scene – a few remarks on Roman provincial painting. in Banatica. 2020;1(30):271-296.
https://hdl.handle.net/21.15107/rcub_rai_922 .

Gavrilović, Dragana, Anđelković Grašar, Jelena, "Funeral banquet, procession or an offering scene – a few remarks on Roman provincial painting" in Banatica, 1, no. 30 (2020):271-296,
https://hdl.handle.net/21.15107/rcub_rai_922 .

TY  - JOUR
AU  - Vujović, Miroslav
AU  - Gavrilović, Dragana
AU  - Gajić-Kvaščev, Maja
PY  - 2020
UR  - http://rai.ai.ac.rs/handle/123456789/920
AB  - Rad je posvećen minijaturnoj kamenoj ikoni koja se čuva u Muzeju grada Beograda bez preciznih podataka o mestu i uslovima nalaza. Ikonica je rezana u vidu trapezoidne pločice od belog mermera sa polukružno završenom gornjom ivicom. Na prednjoj strani urezana je kultna predstava u plitkom reljefu podeljena na dve zone. U gornjoj zoni prikazana su dva sučeljena jahača na propetim konjima što je navelo autore da ikonicu pripišu kultu Podunavskih konjanika. U skladu sa ovim tumačenjem nekoliko jedva prepoznatljivih formi urezanih u donjoj zoni pretpostavljeni su krajnje svedeni prikazi simbola i sakralnih predmeta uobičajenih na ikonicama ovog kulta (ptica, žrtvenik, ovan ili lav). Tragovi pigmenta oker, ružičaste i plave boje ukazuju da su, uprkos sumarnoj modelaciji kamena i plitkom reljefu, polihromnim i kontrastnim oslikavanjem istaknuti detalji, naglašene forme, pozadina i bordure.

Uradene su analize pigmenata uz pomoć EDXRF metode. Na osnovu izbora i kompozicije prikazanih motiva autori opredeljuju ovu ikonicu u period 3-4. veka, doba najintenzivnijeg širenja ovog kulta. Postoje indicije da ikonica potiče sa prostora Srema, odnosno, dela donjopanonskog limesa na Dunavu, možda iz okoline Starog Slankamena (Acumincum).
PB  - Beograd : Srpsko arheološko društvo
T2  - Ancient Cult in Balkans Trough Archaeological Findings and Iconography
T1  - Mermerna ikonica kulta podunavskih konjanika iz Muzeja grada Beograda
EP  - 130
SP  - 117
UR  - https://hdl.handle.net/21.15107/rcub_rai_920
ER  - 

@article{
author = "Vujović, Miroslav and Gavrilović, Dragana and Gajić-Kvaščev, Maja",
year = "2020",
abstract = "Rad je posvećen minijaturnoj kamenoj ikoni koja se čuva u Muzeju grada Beograda bez preciznih podataka o mestu i uslovima nalaza. Ikonica je rezana u vidu trapezoidne pločice od belog mermera sa polukružno završenom gornjom ivicom. Na prednjoj strani urezana je kultna predstava u plitkom reljefu podeljena na dve zone. U gornjoj zoni prikazana su dva sučeljena jahača na propetim konjima što je navelo autore da ikonicu pripišu kultu Podunavskih konjanika. U skladu sa ovim tumačenjem nekoliko jedva prepoznatljivih formi urezanih u donjoj zoni pretpostavljeni su krajnje svedeni prikazi simbola i sakralnih predmeta uobičajenih na ikonicama ovog kulta (ptica, žrtvenik, ovan ili lav). Tragovi pigmenta oker, ružičaste i plave boje ukazuju da su, uprkos sumarnoj modelaciji kamena i plitkom reljefu, polihromnim i kontrastnim oslikavanjem istaknuti detalji, naglašene forme, pozadina i bordure.

Uradene su analize pigmenata uz pomoć EDXRF metode. Na osnovu izbora i kompozicije prikazanih motiva autori opredeljuju ovu ikonicu u period 3-4. veka, doba najintenzivnijeg širenja ovog kulta. Postoje indicije da ikonica potiče sa prostora Srema, odnosno, dela donjopanonskog limesa na Dunavu, možda iz okoline Starog Slankamena (Acumincum).",
publisher = "Beograd : Srpsko arheološko društvo",
journal = "Ancient Cult in Balkans Trough Archaeological Findings and Iconography",
title = "Mermerna ikonica kulta podunavskih konjanika iz Muzeja grada Beograda",
pages = "130-117",
url = "https://hdl.handle.net/21.15107/rcub_rai_920"
}

Vujović, M., Gavrilović, D.,& Gajić-Kvaščev, M.. (2020). Mermerna ikonica kulta podunavskih konjanika iz Muzeja grada Beograda. in Ancient Cult in Balkans Trough Archaeological Findings and Iconography
Beograd : Srpsko arheološko društvo., 117-130.
https://hdl.handle.net/21.15107/rcub_rai_920

Vujović M, Gavrilović D, Gajić-Kvaščev M. Mermerna ikonica kulta podunavskih konjanika iz Muzeja grada Beograda. in Ancient Cult in Balkans Trough Archaeological Findings and Iconography. 2020;:117-130.
https://hdl.handle.net/21.15107/rcub_rai_920 .

Vujović, Miroslav, Gavrilović, Dragana, Gajić-Kvaščev, Maja, "Mermerna ikonica kulta podunavskih konjanika iz Muzeja grada Beograda" in Ancient Cult in Balkans Trough Archaeological Findings and Iconography (2020):117-130,
https://hdl.handle.net/21.15107/rcub_rai_920 .

TY  - JOUR
AU  - Gavrilović, Dragana
AU  - Ponjavić, Kristina
PY  - 2020
UR  - http://rai.ai.ac.rs/handle/123456789/346
AB  - Rad se bavi rekonzervacijom fragmenata rimske zidne slike kao i novom interpretacijom njenog ikonografskog sadržaja. Konzervacija ovih fragmenata započeta je tokom devedesetih godina prošlog veka i tada nije bila završena. U međuvremenu je celina polomljena, jer nije imala potporni nosač, te je ponovna konzervacija izvedena 2018. godine. Značaj ove rekonzervacije ogleda se ne samo u tome što je sprečeno dalje propadanje eksponata izvođenjem adekvatne zaštite već i u tome što su pojedini fragmenti vraćeni na svoja mesta, poput stopala koje je bilo postavljeno pored lica, što je kompozicija znatno sužena i što su delovi haljine raspoređeni u logičnu celinu. U literaturi je navedeno da je figuralna predstava u kratkoj tunici, a ponovnom obradom materijala došlo se do zaključka da je ona u dugoj haljini. Takođe, pomenuta je traka koja ide oko glave, ali pažljivom analizom ona nije uočena. Za stopalo koje je bilo postavljeno pored lica pretpostavljeno je da je u pitanju mesečev srp. Iako se za ovu predstavu do sada smatralo da prikazuje Dijanu ili Atalantu, ona bi u stvari mogla da predstavlja Menadu - koja bi mogla držati elegantni tirs i daire u rukama dok igra, na šta sugeriše vrtlog pokreta ruku i haljine. Najbliže paralele nalazimo u mozaiku iz Stare Zagore, kao i na fresci sa lokaliteta Murecine ili Moregine.
AB  - This paper deals with the re-conservation of an old conserved unit and the new iconographic analysis of a wall painting that was kept in the Museum of Srem's (Sremska Mitrovica, Serbia) storage depot. Experts from the Provincial Institute for the Protection of Cultural Monuments started but did not finish the reconstruction in the 1990s, which has led to its further deterioration. Their conservation and restoration work on these fragments were extensive and offered a wealth of extraordinary technological and iconographic information.
PB  - Arheološki institut, Beograd
T2  - Starinar
T1  - Rekonzervacija i reinterpretacija rimske freske iz Sirmijuma
T1  - Re-conservation and reinterpretation of a Roman fresco from Sirmium
EP  - 237
IS  - 70
SP  - 225
DO  - 10.2298/STA2070225G
ER  - 

@article{
author = "Gavrilović, Dragana and Ponjavić, Kristina",
year = "2020",
abstract = "Rad se bavi rekonzervacijom fragmenata rimske zidne slike kao i novom interpretacijom njenog ikonografskog sadržaja. Konzervacija ovih fragmenata započeta je tokom devedesetih godina prošlog veka i tada nije bila završena. U međuvremenu je celina polomljena, jer nije imala potporni nosač, te je ponovna konzervacija izvedena 2018. godine. Značaj ove rekonzervacije ogleda se ne samo u tome što je sprečeno dalje propadanje eksponata izvođenjem adekvatne zaštite već i u tome što su pojedini fragmenti vraćeni na svoja mesta, poput stopala koje je bilo postavljeno pored lica, što je kompozicija znatno sužena i što su delovi haljine raspoređeni u logičnu celinu. U literaturi je navedeno da je figuralna predstava u kratkoj tunici, a ponovnom obradom materijala došlo se do zaključka da je ona u dugoj haljini. Takođe, pomenuta je traka koja ide oko glave, ali pažljivom analizom ona nije uočena. Za stopalo koje je bilo postavljeno pored lica pretpostavljeno je da je u pitanju mesečev srp. Iako se za ovu predstavu do sada smatralo da prikazuje Dijanu ili Atalantu, ona bi u stvari mogla da predstavlja Menadu - koja bi mogla držati elegantni tirs i daire u rukama dok igra, na šta sugeriše vrtlog pokreta ruku i haljine. Najbliže paralele nalazimo u mozaiku iz Stare Zagore, kao i na fresci sa lokaliteta Murecine ili Moregine., This paper deals with the re-conservation of an old conserved unit and the new iconographic analysis of a wall painting that was kept in the Museum of Srem's (Sremska Mitrovica, Serbia) storage depot. Experts from the Provincial Institute for the Protection of Cultural Monuments started but did not finish the reconstruction in the 1990s, which has led to its further deterioration. Their conservation and restoration work on these fragments were extensive and offered a wealth of extraordinary technological and iconographic information.",
publisher = "Arheološki institut, Beograd",
journal = "Starinar",
title = "Rekonzervacija i reinterpretacija rimske freske iz Sirmijuma, Re-conservation and reinterpretation of a Roman fresco from Sirmium",
pages = "237-225",
number = "70",
doi = "10.2298/STA2070225G"
}

Gavrilović, D.,& Ponjavić, K.. (2020). Rekonzervacija i reinterpretacija rimske freske iz Sirmijuma. in Starinar
Arheološki institut, Beograd.(70), 225-237.
https://doi.org/10.2298/STA2070225G

Gavrilović D, Ponjavić K. Rekonzervacija i reinterpretacija rimske freske iz Sirmijuma. in Starinar. 2020;(70):225-237.
doi:10.2298/STA2070225G .

Gavrilović, Dragana, Ponjavić, Kristina, "Rekonzervacija i reinterpretacija rimske freske iz Sirmijuma" in Starinar, no. 70 (2020):225-237,
https://doi.org/10.2298/STA2070225G . .

TY  - CHAP
AU  - Redžić, Saša
AU  - Jovičić, Mladen
AU  - Mrđić, Nemanja
AU  - Rogić, Dragana
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/457
AB  - Lokalitet Pećine nalazi se jugozapadno od antičkog grada Viminacijuma, sa desne strane
reke Mlave, u krugu današnje Termoelektrane Kostolac B. Istraživanja rimske nekropole na
ovom nalazištu započeta su još krajem 19. veka od strane Mihaila Valtrovića, a nastavljena su
sedamdesetih i osamdesetih godina 20. veka. Tada su obavljena obimna iskopavanja koja su rezultirala
otkrićem više hiljada grobova (Korać, Mikić 2014). Tokom 2015. godine na Pećinama
su izvedena i prva obimnija iskopavanja u 21. stoleću, tokom kojih su otkrivena 153 inhumirana
groba, kao i jedna kremacija (Jovičić et al. 2017). Iskopavanja vršena 2016.
godine predstavljaju deo obimnih
zaštitnih radova koji su uslovljeni
izgradnjom trećeg bloka Termoelektrane
Kostolac B (sl. 1). Lokacija
se nalazi približno 600 m južno
od bedema grada Viminacijuma
(sl. 2). Veliki problem predstavljalo
je to što je osamdesetih godina
prošlog veka izvršena nivelacija terena
koja je u velikoj meri uništila
kulturni sloj i otežala sagledavanje
situacije. Uz to, veći deo platoa na
kome su vršena iskopavanja pokrivale su instalacije i objekti Termoelektrane. Istraživanja su
započeta u oktobru 2015. godine i vršena su tokom cele 2016. godine.2 U 2016. godini istražena
je ukupna površina od 16.000 m2 u okviru 110 sondi, a istraživana je antička nekropola, kasnoantička
memorija, deo radioničkog centra i opekarska peć, kao i srednjovekovna nekropola.
PB  - Beograd : Arheološki institut
T2  - Arheologija u Srbiji : projekti Arheološkog instituta u 2016. godini
T1  - Zaštitna arheološka istraživanja na lokalitetu Pećine (Viminacijum) 2016. godine
EP  - 90
SP  - 79
UR  - https://hdl.handle.net/21.15107/rcub_rai_457
ER  - 

@inbook{
author = "Redžić, Saša and Jovičić, Mladen and Mrđić, Nemanja and Rogić, Dragana",
year = "2018",
abstract = "Lokalitet Pećine nalazi se jugozapadno od antičkog grada Viminacijuma, sa desne strane
reke Mlave, u krugu današnje Termoelektrane Kostolac B. Istraživanja rimske nekropole na
ovom nalazištu započeta su još krajem 19. veka od strane Mihaila Valtrovića, a nastavljena su
sedamdesetih i osamdesetih godina 20. veka. Tada su obavljena obimna iskopavanja koja su rezultirala
otkrićem više hiljada grobova (Korać, Mikić 2014). Tokom 2015. godine na Pećinama
su izvedena i prva obimnija iskopavanja u 21. stoleću, tokom kojih su otkrivena 153 inhumirana
groba, kao i jedna kremacija (Jovičić et al. 2017). Iskopavanja vršena 2016.
godine predstavljaju deo obimnih
zaštitnih radova koji su uslovljeni
izgradnjom trećeg bloka Termoelektrane
Kostolac B (sl. 1). Lokacija
se nalazi približno 600 m južno
od bedema grada Viminacijuma
(sl. 2). Veliki problem predstavljalo
je to što je osamdesetih godina
prošlog veka izvršena nivelacija terena
koja je u velikoj meri uništila
kulturni sloj i otežala sagledavanje
situacije. Uz to, veći deo platoa na
kome su vršena iskopavanja pokrivale su instalacije i objekti Termoelektrane. Istraživanja su
započeta u oktobru 2015. godine i vršena su tokom cele 2016. godine.2 U 2016. godini istražena
je ukupna površina od 16.000 m2 u okviru 110 sondi, a istraživana je antička nekropola, kasnoantička
memorija, deo radioničkog centra i opekarska peć, kao i srednjovekovna nekropola.",
publisher = "Beograd : Arheološki institut",
journal = "Arheologija u Srbiji : projekti Arheološkog instituta u 2016. godini",
booktitle = "Zaštitna arheološka istraživanja na lokalitetu Pećine (Viminacijum) 2016. godine",
pages = "90-79",
url = "https://hdl.handle.net/21.15107/rcub_rai_457"
}

Redžić, S., Jovičić, M., Mrđić, N.,& Rogić, D.. (2018). Zaštitna arheološka istraživanja na lokalitetu Pećine (Viminacijum) 2016. godine. in Arheologija u Srbiji : projekti Arheološkog instituta u 2016. godini
Beograd : Arheološki institut., 79-90.
https://hdl.handle.net/21.15107/rcub_rai_457

Redžić S, Jovičić M, Mrđić N, Rogić D. Zaštitna arheološka istraživanja na lokalitetu Pećine (Viminacijum) 2016. godine. in Arheologija u Srbiji : projekti Arheološkog instituta u 2016. godini. 2018;:79-90.
https://hdl.handle.net/21.15107/rcub_rai_457 .

Redžić, Saša, Jovičić, Mladen, Mrđić, Nemanja, Rogić, Dragana, "Zaštitna arheološka istraživanja na lokalitetu Pećine (Viminacijum) 2016. godine" in Arheologija u Srbiji : projekti Arheološkog instituta u 2016. godini (2018):79-90,
https://hdl.handle.net/21.15107/rcub_rai_457 .

TY  - CHAP
AU  - Bogdanović, Ivan
AU  - Rogić, Dragana
AU  - Vuković-Bogdanović, Sonja
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/924
AB  - Amphitheatres are typically Roman buildings of large dimensions, with ellipsoid or oval basis,
consisting of a fighting pit (arena), in the middle part, and seating tiers (cavea), rising around
the arena. Th ese objects are one of the symbols of the Antique civilisation, and gladiator fights
(munus gladiatorum), wild animals’ fights and hunts (venatio), naval battles (naumachia), executions
of prisoners (damnatio ad bestias) and other shows were performed in them. Th e earliest
amphi theatres were built in Southern Italy, and with the spreading of the Roman state they were
erected in various areas, most prominently in urban centres and in the vicinity of military fortresses. In cases when they were built by the state in newly conquered areas, they represented a manifestation
of the Romanisation; however, they were also built by prominent individuals, in order to
increase their personal gain. According to their architectural properties, they can be divided into
wooden and masonry amphitheatres, those located on flat terrain or leaning onto natural slopes and
artificial mounds, and there are also certain
objects of specific shape which have all the
characteristics of an amphitheatre.
AB  - Амфитеатри су типично римске грађевине великих димензија, елипсасте или овалне основе, које се састоје од борилишта (arena), у средишњем делу, и трибина (cavea), које су уздижу око арене. Ови објекти су један од симбола античке цивилизације, а у њима су одржаване гладијаторске борбе (munus gladiatorum), борбе дивљих животиња и лов на животиње (venatio), поморске битке (naumachia), егзекуције осуђеника (damnatio ad bestias) и друге представе. Најранији амфитеатри изграђени су у јужној Италији, а са ширењем римске државе подизани су у разним областима, пре свега у урбаним центрима и у близини војних утврђења. Они су представљали израз романизације, када их је подизала држава у новоосвојеним областима, али су их градили и истакнути појединци како би увећали личну добит. Према архитектонским карактерстикама, разликују се дрвени и зидани амфитеатри, који се налазе на равном терену или се ослањају на природне косине и вештачке насипе, а постоје и објекти специфичног изгледа, са свим одликама амфитеатра.
PB  - Beograd : Arheološki institut
PB  - Beograd : Galerija Srpske akademije nauka i umetnosti
T2  - Римски лимес и градови на тлу Србије / Roman Limes and Cities on the Territory of Serbia
T1  - Виминацијумски амфитеатар
T1  - The Amphitheatre of Viminacium
EP  - 49
SP  - 45
UR  - https://hdl.handle.net/21.15107/rcub_rai_924
ER  - 

@inbook{
author = "Bogdanović, Ivan and Rogić, Dragana and Vuković-Bogdanović, Sonja",
year = "2018",
abstract = "Amphitheatres are typically Roman buildings of large dimensions, with ellipsoid or oval basis,
consisting of a fighting pit (arena), in the middle part, and seating tiers (cavea), rising around
the arena. Th ese objects are one of the symbols of the Antique civilisation, and gladiator fights
(munus gladiatorum), wild animals’ fights and hunts (venatio), naval battles (naumachia), executions
of prisoners (damnatio ad bestias) and other shows were performed in them. Th e earliest
amphi theatres were built in Southern Italy, and with the spreading of the Roman state they were
erected in various areas, most prominently in urban centres and in the vicinity of military fortresses. In cases when they were built by the state in newly conquered areas, they represented a manifestation
of the Romanisation; however, they were also built by prominent individuals, in order to
increase their personal gain. According to their architectural properties, they can be divided into
wooden and masonry amphitheatres, those located on flat terrain or leaning onto natural slopes and
artificial mounds, and there are also certain
objects of specific shape which have all the
characteristics of an amphitheatre., Амфитеатри су типично римске грађевине великих димензија, елипсасте или овалне основе, које се састоје од борилишта (arena), у средишњем делу, и трибина (cavea), које су уздижу око арене. Ови објекти су један од симбола античке цивилизације, а у њима су одржаване гладијаторске борбе (munus gladiatorum), борбе дивљих животиња и лов на животиње (venatio), поморске битке (naumachia), егзекуције осуђеника (damnatio ad bestias) и друге представе. Најранији амфитеатри изграђени су у јужној Италији, а са ширењем римске државе подизани су у разним областима, пре свега у урбаним центрима и у близини војних утврђења. Они су представљали израз романизације, када их је подизала држава у новоосвојеним областима, али су их градили и истакнути појединци како би увећали личну добит. Према архитектонским карактерстикама, разликују се дрвени и зидани амфитеатри, који се налазе на равном терену или се ослањају на природне косине и вештачке насипе, а постоје и објекти специфичног изгледа, са свим одликама амфитеатра.",
publisher = "Beograd : Arheološki institut, Beograd : Galerija Srpske akademije nauka i umetnosti",
journal = "Римски лимес и градови на тлу Србије / Roman Limes and Cities on the Territory of Serbia",
booktitle = "Виминацијумски амфитеатар, The Amphitheatre of Viminacium",
pages = "49-45",
url = "https://hdl.handle.net/21.15107/rcub_rai_924"
}

Bogdanović, I., Rogić, D.,& Vuković-Bogdanović, S.. (2018). Виминацијумски амфитеатар. in Римски лимес и градови на тлу Србије / Roman Limes and Cities on the Territory of Serbia
Beograd : Arheološki institut., 45-49.
https://hdl.handle.net/21.15107/rcub_rai_924

Bogdanović I, Rogić D, Vuković-Bogdanović S. Виминацијумски амфитеатар. in Римски лимес и градови на тлу Србије / Roman Limes and Cities on the Territory of Serbia. 2018;:45-49.
https://hdl.handle.net/21.15107/rcub_rai_924 .

Bogdanović, Ivan, Rogić, Dragana, Vuković-Bogdanović, Sonja, "Виминацијумски амфитеатар" in Римски лимес и градови на тлу Србије / Roman Limes and Cities on the Territory of Serbia (2018):45-49,
https://hdl.handle.net/21.15107/rcub_rai_924 .

TY  - JOUR
AU  - Nikolić, Emilija
AU  - Rogić, Dragana
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/499
AB  - During the last decade, laboratory research of different types of ancient Viminacium lime mortars was conducted. It included research of core, bedding, pointing and rendering mortars with or without paintings, originating from the amphitheatre, the small structures beneath its auditorium and the city wall surrounding it, but also from the graves excavated near the Mausoleum central burial structure. Results of the research have led to a variety of discussions regarding the materials used for mortar preparation in Viminacium, but also about its preparation technology. One of the discussions was connected to the possible hydraulicity of Viminacium mortars.
PB  - Center for New Technology Viminacium
PB  - Institute of Archaeology Belgrade
T2  - Archaeology and Science / Arheologija i prirodne nauke
T1  - Short Observations on the Possible Hydraulicity of Viminacium Lime Mortars based on the Results of Laboratory Research
T1  - Kratka zapažanja o mogućoj hidrauličnosti krečnih maltera Viminacijuma zasnovana na rezultatima laboratorijskih istraživanja
EP  - 49
SP  - 39
VL  - 14
DO  - 10.18485/arhe_apn.2018.14.4
UR  - https://hdl.handle.net/21.15107/rcub_rai_499
ER  - 

@article{
author = "Nikolić, Emilija and Rogić, Dragana",
year = "2018",
abstract = "During the last decade, laboratory research of different types of ancient Viminacium lime mortars was conducted. It included research of core, bedding, pointing and rendering mortars with or without paintings, originating from the amphitheatre, the small structures beneath its auditorium and the city wall surrounding it, but also from the graves excavated near the Mausoleum central burial structure. Results of the research have led to a variety of discussions regarding the materials used for mortar preparation in Viminacium, but also about its preparation technology. One of the discussions was connected to the possible hydraulicity of Viminacium mortars.",
publisher = "Center for New Technology Viminacium, Institute of Archaeology Belgrade",
journal = "Archaeology and Science / Arheologija i prirodne nauke",
title = "Short Observations on the Possible Hydraulicity of Viminacium Lime Mortars based on the Results of Laboratory Research, Kratka zapažanja o mogućoj hidrauličnosti krečnih maltera Viminacijuma zasnovana na rezultatima laboratorijskih istraživanja",
pages = "49-39",
volume = "14",
doi = "10.18485/arhe_apn.2018.14.4",
url = "https://hdl.handle.net/21.15107/rcub_rai_499"
}

Nikolić, E.,& Rogić, D.. (2018). Short Observations on the Possible Hydraulicity of Viminacium Lime Mortars based on the Results of Laboratory Research. in Archaeology and Science / Arheologija i prirodne nauke
Center for New Technology Viminacium., 14, 39-49.
https://doi.org/10.18485/arhe_apn.2018.14.4
https://hdl.handle.net/21.15107/rcub_rai_499

Nikolić E, Rogić D. Short Observations on the Possible Hydraulicity of Viminacium Lime Mortars based on the Results of Laboratory Research. in Archaeology and Science / Arheologija i prirodne nauke. 2018;14:39-49.
doi:10.18485/arhe_apn.2018.14.4
https://hdl.handle.net/21.15107/rcub_rai_499 .

Nikolić, Emilija, Rogić, Dragana, "Short Observations on the Possible Hydraulicity of Viminacium Lime Mortars based on the Results of Laboratory Research" in Archaeology and Science / Arheologija i prirodne nauke, 14 (2018):39-49,
https://doi.org/10.18485/arhe_apn.2018.14.4 .,
https://hdl.handle.net/21.15107/rcub_rai_499 .

TY  - CHAP
AU  - Nikolić, Emilija
AU  - Rogić, Dragana
AU  - Anđelković Grašar, Jelena
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/410
AB  - Previous scientific research of the Roman tomb in the village of Brestovik, on the
Danube near Belgrade, was focused on its architectural structure. The painted decoration
is described in detail only in the work of Mihailo Valtrović, who recorded
what he saw during excavations at the end of the 19th century. Although there is an
assumption that all the rooms of the tomb were once painted, today the decoration
exists only in the room with graves, and in a very poor state of preservation.
Discussed in this paper is the treatment of space in the wall painting of the tomb,
with the use of imitations of architectural techniques and elements. Apart from the
imitation of the opus sectile technique on the walls of the tomb, as well as the coffered
ceiling painted on its vault, special attention will be devoted to the three-dimensional
presentation of the beams on the walls, since in the ancient painting in the territory
of today’s Serbia, it has been found only in the tomb in Brestovik.
PB  - Belgrade : Institute of Archaeology
T2  - Vivere Militare Est : From Populus to Emperors - Living on the Frontier
T1  - Architectural Space in the Wall Painting of the Roman Tomb in Brestovik
EP  - 268
SP  - 195
VL  - 2
UR  - https://hdl.handle.net/21.15107/rcub_rai_410
ER  - 

@inbook{
author = "Nikolić, Emilija and Rogić, Dragana and Anđelković Grašar, Jelena",
year = "2018",
abstract = "Previous scientific research of the Roman tomb in the village of Brestovik, on the
Danube near Belgrade, was focused on its architectural structure. The painted decoration
is described in detail only in the work of Mihailo Valtrović, who recorded
what he saw during excavations at the end of the 19th century. Although there is an
assumption that all the rooms of the tomb were once painted, today the decoration
exists only in the room with graves, and in a very poor state of preservation.
Discussed in this paper is the treatment of space in the wall painting of the tomb,
with the use of imitations of architectural techniques and elements. Apart from the
imitation of the opus sectile technique on the walls of the tomb, as well as the coffered
ceiling painted on its vault, special attention will be devoted to the three-dimensional
presentation of the beams on the walls, since in the ancient painting in the territory
of today’s Serbia, it has been found only in the tomb in Brestovik.",
publisher = "Belgrade : Institute of Archaeology",
journal = "Vivere Militare Est : From Populus to Emperors - Living on the Frontier",
booktitle = "Architectural Space in the Wall Painting of the Roman Tomb in Brestovik",
pages = "268-195",
volume = "2",
url = "https://hdl.handle.net/21.15107/rcub_rai_410"
}

Nikolić, E., Rogić, D.,& Anđelković Grašar, J.. (2018). Architectural Space in the Wall Painting of the Roman Tomb in Brestovik. in Vivere Militare Est : From Populus to Emperors - Living on the Frontier
Belgrade : Institute of Archaeology., 2, 195-268.
https://hdl.handle.net/21.15107/rcub_rai_410

Nikolić E, Rogić D, Anđelković Grašar J. Architectural Space in the Wall Painting of the Roman Tomb in Brestovik. in Vivere Militare Est : From Populus to Emperors - Living on the Frontier. 2018;2:195-268.
https://hdl.handle.net/21.15107/rcub_rai_410 .

Nikolić, Emilija, Rogić, Dragana, Anđelković Grašar, Jelena, "Architectural Space in the Wall Painting of the Roman Tomb in Brestovik" in Vivere Militare Est : From Populus to Emperors - Living on the Frontier, 2 (2018):195-268,
https://hdl.handle.net/21.15107/rcub_rai_410 .

TY  - CHAP
AU  - Rogić, Dragana
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/409
AB  - This paper addresses the technological and iconographic aspects of the wall painting
of tomb 3130. The tomb differs from most tombs with preserved wall painting in Viminacium
by its vaulted architectural construction. During the conservation of the
wall painting in 2017, significant technological and iconographic conclusions were
reached. An attempt was made to identify the stone panels of the lateral sides and the
motifs on the frontal sides of the tomb by iconographic interpretation.
PB  - Belgrade : Institute of Archaeology
T2  - Vivere Militare Est : From Populus to Emperors - Living on the Frontier
T1  - Painted Decoration from a Viminacium Tomb
EP  - 193
SP  - 163
VL  - 2
UR  - https://hdl.handle.net/21.15107/rcub_rai_409
ER  - 

@inbook{
author = "Rogić, Dragana",
year = "2018",
abstract = "This paper addresses the technological and iconographic aspects of the wall painting
of tomb 3130. The tomb differs from most tombs with preserved wall painting in Viminacium
by its vaulted architectural construction. During the conservation of the
wall painting in 2017, significant technological and iconographic conclusions were
reached. An attempt was made to identify the stone panels of the lateral sides and the
motifs on the frontal sides of the tomb by iconographic interpretation.",
publisher = "Belgrade : Institute of Archaeology",
journal = "Vivere Militare Est : From Populus to Emperors - Living on the Frontier",
booktitle = "Painted Decoration from a Viminacium Tomb",
pages = "193-163",
volume = "2",
url = "https://hdl.handle.net/21.15107/rcub_rai_409"
}

Rogić, D.. (2018). Painted Decoration from a Viminacium Tomb. in Vivere Militare Est : From Populus to Emperors - Living on the Frontier
Belgrade : Institute of Archaeology., 2, 163-193.
https://hdl.handle.net/21.15107/rcub_rai_409

Rogić D. Painted Decoration from a Viminacium Tomb. in Vivere Militare Est : From Populus to Emperors - Living on the Frontier. 2018;2:163-193.
https://hdl.handle.net/21.15107/rcub_rai_409 .

Rogić, Dragana, "Painted Decoration from a Viminacium Tomb" in Vivere Militare Est : From Populus to Emperors - Living on the Frontier, 2 (2018):163-193,
https://hdl.handle.net/21.15107/rcub_rai_409 .

TY  - CONF
AU  - Milovanović, Bebina
AU  - Nikolić, Emilija
AU  - Rogić, Dragana
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/803
AB  - Viminacium baths, excavated from 1973 to 1974 and from 2004 to 2007, were in use from the second half of the 1st century AD until the end of the 4th century AD. Periods of the building life are confirmed by changes in masonry techniques and the existence of wall paintings with multiple layers, as well as by dating of pottery and numismatic finds. The aim of this paper is to analyze all these pieces of evidence, trying to find common causes for their occurrence.
PB  - Belgrade: Institute of Archaeology
C3  - 24. Limes Congress Serbia 02–09 September 2018 Belgrade – Viminacium, Book of Abstracts
T1  - Body Function and Life Process of a Roman Building: Viminacium Baths
EP  - 141
EP  - 142
UR  - https://hdl.handle.net/21.15107/rcub_rai_803
ER  - 

@conference{
author = "Milovanović, Bebina and Nikolić, Emilija and Rogić, Dragana",
year = "2018",
abstract = "Viminacium baths, excavated from 1973 to 1974 and from 2004 to 2007, were in use from the second half of the 1st century AD until the end of the 4th century AD. Periods of the building life are confirmed by changes in masonry techniques and the existence of wall paintings with multiple layers, as well as by dating of pottery and numismatic finds. The aim of this paper is to analyze all these pieces of evidence, trying to find common causes for their occurrence.",
publisher = "Belgrade: Institute of Archaeology",
journal = "24. Limes Congress Serbia 02–09 September 2018 Belgrade – Viminacium, Book of Abstracts",
title = "Body Function and Life Process of a Roman Building: Viminacium Baths",
pages = "141-142",
url = "https://hdl.handle.net/21.15107/rcub_rai_803"
}

Milovanović, B., Nikolić, E.,& Rogić, D.. (2018). Body Function and Life Process of a Roman Building: Viminacium Baths. in 24. Limes Congress Serbia 02–09 September 2018 Belgrade – Viminacium, Book of Abstracts
Belgrade: Institute of Archaeology..
https://hdl.handle.net/21.15107/rcub_rai_803

Milovanović B, Nikolić E, Rogić D. Body Function and Life Process of a Roman Building: Viminacium Baths. in 24. Limes Congress Serbia 02–09 September 2018 Belgrade – Viminacium, Book of Abstracts. 2018;:null-141.
https://hdl.handle.net/21.15107/rcub_rai_803 .

Milovanović, Bebina, Nikolić, Emilija, Rogić, Dragana, "Body Function and Life Process of a Roman Building: Viminacium Baths" in 24. Limes Congress Serbia 02–09 September 2018 Belgrade – Viminacium, Book of Abstracts (2018),
https://hdl.handle.net/21.15107/rcub_rai_803 .

TY  - JOUR
AU  - Rogić, Dragana
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/928
AB  - The archaeological research of Viminacium, the biggest city of the Roman provinces of
Moesia Superior and Moesia Prima in Late Antiquity, (which has been in progress for
over a century) resulted in numerous exceptional finds among which were wall paintings.
The Viminacium officina was active from the 2nd to the 5th century AD, and works of art
different by their topics as well as by the quality of production originated from it.
The wall paintings come from different locations; in this paper, those from public buildings – the Amphitheatre and Thermae – as well as tomb painting, will be presented. The
heritage of the officina of Viminacium can be understood through the painting of the Late
Antique tombs (built between the 3rd and 5th centuries). In the area of the city necropolis of
Viminacium, over thirty painted tombs were found. This paper will present a review of the
painting of the tombs with trapezoidal section.
Both the unpublished and the already published examples will be analysed in order to
present new conclusions. The archaeometric research, as well as the visual observation, prove
that certain tombs originated from the same painting officina.
PB  - Basel : Archéologie Suisse
T2  - Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la Peinture Murale Antique (AIPMA) Université de Lausanne, 12-16 September 2016
T1  - Viminacium’s painting officina
EP  - 903
SP  - 897
UR  - https://hdl.handle.net/21.15107/rcub_rai_928
ER  - 

@article{
author = "Rogić, Dragana",
year = "2018",
abstract = "The archaeological research of Viminacium, the biggest city of the Roman provinces of
Moesia Superior and Moesia Prima in Late Antiquity, (which has been in progress for
over a century) resulted in numerous exceptional finds among which were wall paintings.
The Viminacium officina was active from the 2nd to the 5th century AD, and works of art
different by their topics as well as by the quality of production originated from it.
The wall paintings come from different locations; in this paper, those from public buildings – the Amphitheatre and Thermae – as well as tomb painting, will be presented. The
heritage of the officina of Viminacium can be understood through the painting of the Late
Antique tombs (built between the 3rd and 5th centuries). In the area of the city necropolis of
Viminacium, over thirty painted tombs were found. This paper will present a review of the
painting of the tombs with trapezoidal section.
Both the unpublished and the already published examples will be analysed in order to
present new conclusions. The archaeometric research, as well as the visual observation, prove
that certain tombs originated from the same painting officina.",
publisher = "Basel : Archéologie Suisse",
journal = "Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la Peinture Murale Antique (AIPMA) Université de Lausanne, 12-16 September 2016",
title = "Viminacium’s painting officina",
pages = "903-897",
url = "https://hdl.handle.net/21.15107/rcub_rai_928"
}

Rogić, D.. (2018). Viminacium’s painting officina. in Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la Peinture Murale Antique (AIPMA) Université de Lausanne, 12-16 September 2016
Basel : Archéologie Suisse., 897-903.
https://hdl.handle.net/21.15107/rcub_rai_928

Rogić D. Viminacium’s painting officina. in Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la Peinture Murale Antique (AIPMA) Université de Lausanne, 12-16 September 2016. 2018;:897-903.
https://hdl.handle.net/21.15107/rcub_rai_928 .

Rogić, Dragana, "Viminacium’s painting officina" in Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la Peinture Murale Antique (AIPMA) Université de Lausanne, 12-16 September 2016 (2018):897-903,
https://hdl.handle.net/21.15107/rcub_rai_928 .

TY  - JOUR
AU  - Rogić, Dragana
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/923
AB  - A large number of wall paintings discovered in Sirmium testify about the luxurious decoration
of this important Roman city, once situated in the province of Pannonia Inferior. Its
remains lie under the present-day town of Sremska Mitrovica, making it the richest archaeological site in Serbia regarding wall paintings. The paintings originate from thirteen different
sites, being discovered in Roman private and public buildings, but also in the imperial
palace complex and many tombs.
Motifs in Sirmium wall paintings are diverse. Apart from the great number of anthropomorphic images that characterize Sirmium workshop, images of animals (horses, dolphins
and birds) can also be seen in the paintings. Among the presented objects and structures,
one can see different architectural constructions and decorations (candelabra, coffered ceilings,
transennas, medallions, astragals, ovolos, jewels), but also various geometric decorations,
as well as imitations of marble. Vegetative motifs include stylized grapevine, ivy leaves,
flowers, branches, trees, garlands and shrubs.
The Sirmium workshop operated during the period from the 2nd until the end of the
4th century. Analogous examples can be seen in the paintings originating from the provinces
of Pannonia Inferior, Italia, Gallia Narbonensis, Germania Superior, Noricum, and
Pannonia Superior, but also in the wall paintings from the tombs found in Thessalonica
(Provincia Macedoniae) and the residential objects in Ephesus (Asia).
PB  - Basel : Archéologie Suisse
T2  - Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la PeintureMurale Antique (AIPMA) Université de Lausanne, 12-16 September 2016
T1  - Some examples of wall paintings from Sirmium
EP  - 911
SP  - 905
UR  - https://hdl.handle.net/21.15107/rcub_rai_923
ER  - 

@article{
author = "Rogić, Dragana",
year = "2018",
abstract = "A large number of wall paintings discovered in Sirmium testify about the luxurious decoration
of this important Roman city, once situated in the province of Pannonia Inferior. Its
remains lie under the present-day town of Sremska Mitrovica, making it the richest archaeological site in Serbia regarding wall paintings. The paintings originate from thirteen different
sites, being discovered in Roman private and public buildings, but also in the imperial
palace complex and many tombs.
Motifs in Sirmium wall paintings are diverse. Apart from the great number of anthropomorphic images that characterize Sirmium workshop, images of animals (horses, dolphins
and birds) can also be seen in the paintings. Among the presented objects and structures,
one can see different architectural constructions and decorations (candelabra, coffered ceilings,
transennas, medallions, astragals, ovolos, jewels), but also various geometric decorations,
as well as imitations of marble. Vegetative motifs include stylized grapevine, ivy leaves,
flowers, branches, trees, garlands and shrubs.
The Sirmium workshop operated during the period from the 2nd until the end of the
4th century. Analogous examples can be seen in the paintings originating from the provinces
of Pannonia Inferior, Italia, Gallia Narbonensis, Germania Superior, Noricum, and
Pannonia Superior, but also in the wall paintings from the tombs found in Thessalonica
(Provincia Macedoniae) and the residential objects in Ephesus (Asia).",
publisher = "Basel : Archéologie Suisse",
journal = "Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la PeintureMurale Antique (AIPMA) Université de Lausanne, 12-16 September 2016",
title = "Some examples of wall paintings from Sirmium",
pages = "911-905",
url = "https://hdl.handle.net/21.15107/rcub_rai_923"
}

Rogić, D.. (2018). Some examples of wall paintings from Sirmium. in Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la PeintureMurale Antique (AIPMA) Université de Lausanne, 12-16 September 2016
Basel : Archéologie Suisse., 905-911.
https://hdl.handle.net/21.15107/rcub_rai_923

Rogić D. Some examples of wall paintings from Sirmium. in Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la PeintureMurale Antique (AIPMA) Université de Lausanne, 12-16 September 2016. 2018;:905-911.
https://hdl.handle.net/21.15107/rcub_rai_923 .

Rogić, Dragana, "Some examples of wall paintings from Sirmium" in Pictores per provincias II – Status quaestionis - XIII Kolloquium der Association Internationale pour la PeintureMurale Antique (AIPMA) Université de Lausanne, 12-16 September 2016 (2018):905-911,
https://hdl.handle.net/21.15107/rcub_rai_923 .

TY  - JOUR
AU  - Николић, Емилија
AU  - Рогић, Драгана
AU  - Анђелковић Грашар, Јелена
PY  - 2017
UR  - http://rai.ai.ac.rs/handle/123456789/500
AB  - Motiv meandra poznat je u antičkoj, ali i srednjovekovnoj umetnosti. Karakterističan je za skulpturalnu i mozaičku dekoraciju, dok se u zidnom slikarstvu ređe sreće. Na prostoru današnje Srbije, meandar je oslikan u trodimenzonalnom prikazu u dva kasnoantička groba iz Beške i Viminacijuma. Cilj ovog rada je definisanje ovog prikaza i njegovih korelacija sa kontekstima u kojima se pojavljuje.
PB  - Београд : Српско археолошко друштво
T2  - Гласник Српског археолошког друштва
T1  - Мотив меандра и његови прикази на касноантичким зидним сликама у Србији
EP  - 216
SP  - 175
VL  - 33
UR  - https://hdl.handle.net/21.15107/rcub_rai_500
ER  - 

@article{
author = "Николић, Емилија and Рогић, Драгана and Анђелковић Грашар, Јелена",
year = "2017",
abstract = "Motiv meandra poznat je u antičkoj, ali i srednjovekovnoj umetnosti. Karakterističan je za skulpturalnu i mozaičku dekoraciju, dok se u zidnom slikarstvu ređe sreće. Na prostoru današnje Srbije, meandar je oslikan u trodimenzonalnom prikazu u dva kasnoantička groba iz Beške i Viminacijuma. Cilj ovog rada je definisanje ovog prikaza i njegovih korelacija sa kontekstima u kojima se pojavljuje.",
publisher = "Београд : Српско археолошко друштво",
journal = "Гласник Српског археолошког друштва",
title = "Мотив меандра и његови прикази на касноантичким зидним сликама у Србији",
pages = "216-175",
volume = "33",
url = "https://hdl.handle.net/21.15107/rcub_rai_500"
}

Николић, Е., Рогић, Д.,& Анђелковић Грашар, Ј.. (2017). Мотив меандра и његови прикази на касноантичким зидним сликама у Србији. in Гласник Српског археолошког друштва
Београд : Српско археолошко друштво., 33, 175-216.
https://hdl.handle.net/21.15107/rcub_rai_500

Николић Е, Рогић Д, Анђелковић Грашар Ј. Мотив меандра и његови прикази на касноантичким зидним сликама у Србији. in Гласник Српског археолошког друштва. 2017;33:175-216.
https://hdl.handle.net/21.15107/rcub_rai_500 .

Николић, Емилија, Рогић, Драгана, Анђелковић Грашар, Јелена, "Мотив меандра и његови прикази на касноантичким зидним сликама у Србији" in Гласник Српског археолошког друштва, 33 (2017):175-216,
https://hdl.handle.net/21.15107/rcub_rai_500 .

TY  - CONF
AU  - Anđelković Grašar, Jelena
AU  - Nikolić, Emilija
AU  - Rogić, Dragana
PY  - 2017
UR  - http://rai.ai.ac.rs/handle/123456789/791
AB  - The aim of the paper is to determine which pictorial elements and principles were dominant in the compositions of Viminacium paintings, based on preserved tomb frescoes. Many of the pictorial elements and principles used played a symbolic role in the content or narrative context. Since the painting of the above-ground structures of ancient Viminacium is preserved only as fragments, the similar use of line, space, and colour, or balance, rhythm, and proportion in tomb paintings could be useful for the future reconstruction and understanding of the particular styles of the artists who were based in Viminacium.
PB  - Peeters Publishers, Leuven - Paris - Bristol, CT
C3  - Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013.
T1  - Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings
EP  - 521
SP  - 515
UR  - https://hdl.handle.net/21.15107/rcub_rai_791
ER  - 

@conference{
author = "Anđelković Grašar, Jelena and Nikolić, Emilija and Rogić, Dragana",
year = "2017",
abstract = "The aim of the paper is to determine which pictorial elements and principles were dominant in the compositions of Viminacium paintings, based on preserved tomb frescoes. Many of the pictorial elements and principles used played a symbolic role in the content or narrative context. Since the painting of the above-ground structures of ancient Viminacium is preserved only as fragments, the similar use of line, space, and colour, or balance, rhythm, and proportion in tomb paintings could be useful for the future reconstruction and understanding of the particular styles of the artists who were based in Viminacium.",
publisher = "Peeters Publishers, Leuven - Paris - Bristol, CT",
journal = "Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013.",
title = "Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings",
pages = "521-515",
url = "https://hdl.handle.net/21.15107/rcub_rai_791"
}

Anđelković Grašar, J., Nikolić, E.,& Rogić, D.. (2017). Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings. in Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013.
Peeters Publishers, Leuven - Paris - Bristol, CT., 515-521.
https://hdl.handle.net/21.15107/rcub_rai_791

Anđelković Grašar J, Nikolić E, Rogić D. Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings. in Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013.. 2017;:515-521.
https://hdl.handle.net/21.15107/rcub_rai_791 .

Anđelković Grašar, Jelena, Nikolić, Emilija, Rogić, Dragana, "Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings" in Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013. (2017):515-521,
https://hdl.handle.net/21.15107/rcub_rai_791 .

TY  - CHAP
AU  - Nikolić, Emilija
AU  - Anđelković Grašar, Jelena
AU  - Rogić, Dragana
PY  - 2017
UR  - http://rai.ai.ac.rs/handle/123456789/503
AB  - From 2015, the former capital of the Roman province of Moesia Superior, Viminacium, in present day Serbia, has been a part of the UNESCO World Heritage Tentative list within the multinational and single largest cultural heritage monument in Europe, ‘Frontiers of the Roman Empire – WHS FRE’. Will the possible future inscription to the World Heritage List bring recognition of Viminacium’s true significance? The hope of the Viminacium research team is for a better understanding of this site by international bodies, as well as scientists, state institutions, the
local community and visitors.
PB  - CALEIDOSCÓPIO – EDIÇÃO E ARTES GRÁFICAS, SA
T2  - Preserving Transcultural Heritage: Your Way or My Way? Questions on Authenticity, Identity and Patrimonial Proceedings in the Safeguarding of Architectural Heritage Created in the Meeting of Cultures
T1  - Viminacium. Research, Protection and Recognition
EP  - 583
SP  - 573
DO  - https://doi.org/10.30618/978-989-658-467-2_52
ER  - 

@inbook{
author = "Nikolić, Emilija and Anđelković Grašar, Jelena and Rogić, Dragana",
year = "2017",
abstract = "From 2015, the former capital of the Roman province of Moesia Superior, Viminacium, in present day Serbia, has been a part of the UNESCO World Heritage Tentative list within the multinational and single largest cultural heritage monument in Europe, ‘Frontiers of the Roman Empire – WHS FRE’. Will the possible future inscription to the World Heritage List bring recognition of Viminacium’s true significance? The hope of the Viminacium research team is for a better understanding of this site by international bodies, as well as scientists, state institutions, the
local community and visitors.",
publisher = "CALEIDOSCÓPIO – EDIÇÃO E ARTES GRÁFICAS, SA",
journal = "Preserving Transcultural Heritage: Your Way or My Way? Questions on Authenticity, Identity and Patrimonial Proceedings in the Safeguarding of Architectural Heritage Created in the Meeting of Cultures",
booktitle = "Viminacium. Research, Protection and Recognition",
pages = "583-573",
doi = "https://doi.org/10.30618/978-989-658-467-2_52"
}

Nikolić, E., Anđelković Grašar, J.,& Rogić, D.. (2017). Viminacium. Research, Protection and Recognition. in Preserving Transcultural Heritage: Your Way or My Way? Questions on Authenticity, Identity and Patrimonial Proceedings in the Safeguarding of Architectural Heritage Created in the Meeting of Cultures
CALEIDOSCÓPIO – EDIÇÃO E ARTES GRÁFICAS, SA., 573-583.
https://doi.org/https://doi.org/10.30618/978-989-658-467-2_52

Nikolić E, Anđelković Grašar J, Rogić D. Viminacium. Research, Protection and Recognition. in Preserving Transcultural Heritage: Your Way or My Way? Questions on Authenticity, Identity and Patrimonial Proceedings in the Safeguarding of Architectural Heritage Created in the Meeting of Cultures. 2017;:573-583.
doi:https://doi.org/10.30618/978-989-658-467-2_52 .

Nikolić, Emilija, Anđelković Grašar, Jelena, Rogić, Dragana, "Viminacium. Research, Protection and Recognition" in Preserving Transcultural Heritage: Your Way or My Way? Questions on Authenticity, Identity and Patrimonial Proceedings in the Safeguarding of Architectural Heritage Created in the Meeting of Cultures (2017):573-583,
https://doi.org/https://doi.org/10.30618/978-989-658-467-2_52 . .

TY  - CHAP
AU  - Nikolić, Snežana
AU  - Jevtović, Ljubomir
AU  - Stojić, Goran
AU  - Rogić, Dragana
PY  - 2017
UR  - http://rai.ai.ac.rs/handle/123456789/653
AB  - Sistematska arheološka istraživanja amfiteatra vrše se u kontinuitetu od 2007. godine. Cilj iskopavanja vođenih u 2015. godini je bio da se istraže u potpunosti celine otkrivene tokom prethodne kampanje (Nikolić et al. u štampi), te su radovi u manjem obimu bili vršeni u jugozapadnom delu amfiteatra, dok je većim delom istraživan prostor jugoistočno od objekta (sl. 1).2
PB  - Beograd : Arheološki Institut
T2  - Arheologija u Srbiji. Projekti Arheološkog instituta u 2015. godini
T1  - Arheološka istraživanja prostora viminacijumskog amfiteatra u 2015. godini
EP  - 70
SP  - 62
UR  - https://hdl.handle.net/21.15107/rcub_rai_653
ER  - 

@inbook{
author = "Nikolić, Snežana and Jevtović, Ljubomir and Stojić, Goran and Rogić, Dragana",
year = "2017",
abstract = "Sistematska arheološka istraživanja amfiteatra vrše se u kontinuitetu od 2007. godine. Cilj iskopavanja vođenih u 2015. godini je bio da se istraže u potpunosti celine otkrivene tokom prethodne kampanje (Nikolić et al. u štampi), te su radovi u manjem obimu bili vršeni u jugozapadnom delu amfiteatra, dok je većim delom istraživan prostor jugoistočno od objekta (sl. 1).2",
publisher = "Beograd : Arheološki Institut",
journal = "Arheologija u Srbiji. Projekti Arheološkog instituta u 2015. godini",
booktitle = "Arheološka istraživanja prostora viminacijumskog amfiteatra u 2015. godini",
pages = "70-62",
url = "https://hdl.handle.net/21.15107/rcub_rai_653"
}

Nikolić, S., Jevtović, L., Stojić, G.,& Rogić, D.. (2017). Arheološka istraživanja prostora viminacijumskog amfiteatra u 2015. godini. in Arheologija u Srbiji. Projekti Arheološkog instituta u 2015. godini
Beograd : Arheološki Institut., 62-70.
https://hdl.handle.net/21.15107/rcub_rai_653

Nikolić S, Jevtović L, Stojić G, Rogić D. Arheološka istraživanja prostora viminacijumskog amfiteatra u 2015. godini. in Arheologija u Srbiji. Projekti Arheološkog instituta u 2015. godini. 2017;:62-70.
https://hdl.handle.net/21.15107/rcub_rai_653 .

Nikolić, Snežana, Jevtović, Ljubomir, Stojić, Goran, Rogić, Dragana, "Arheološka istraživanja prostora viminacijumskog amfiteatra u 2015. godini" in Arheologija u Srbiji. Projekti Arheološkog instituta u 2015. godini (2017):62-70,
https://hdl.handle.net/21.15107/rcub_rai_653 .

TY  - CHAP
AU  - Rogić, Dragana
PY  - 2017
UR  - http://rai.ai.ac.rs/handle/123456789/918
AB  - In this chapter, the conserved units of wall paintings, as well as the fragments
which are attributed to the same room by the composition of plaster and the texture of
the painted layer are described. The plaster on the wall paintings contains grey arriccio
with sieved sand aggregate and intonaco made of very fine brick powder (see figure
50a).
PB  - Belgrade : Institute of Archaeology
T2  - Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21) = WALL Painting of Sirmium. 1, Public and Residential Structures next to the Northern City Rampart (Site 21)
T1  - New insights about wall painting of the Room of Muses
EP  - 82
SP  - 47
UR  - https://hdl.handle.net/21.15107/rcub_rai_918
ER  - 

@inbook{
author = "Rogić, Dragana",
year = "2017",
abstract = "In this chapter, the conserved units of wall paintings, as well as the fragments
which are attributed to the same room by the composition of plaster and the texture of
the painted layer are described. The plaster on the wall paintings contains grey arriccio
with sieved sand aggregate and intonaco made of very fine brick powder (see figure
50a).",
publisher = "Belgrade : Institute of Archaeology",
journal = "Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21) = WALL Painting of Sirmium. 1, Public and Residential Structures next to the Northern City Rampart (Site 21)",
booktitle = "New insights about wall painting of the Room of Muses",
pages = "82-47",
url = "https://hdl.handle.net/21.15107/rcub_rai_918"
}

Rogić, D.. (2017). New insights about wall painting of the Room of Muses. in Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21) = WALL Painting of Sirmium. 1, Public and Residential Structures next to the Northern City Rampart (Site 21)
Belgrade : Institute of Archaeology., 47-82.
https://hdl.handle.net/21.15107/rcub_rai_918

Rogić D. New insights about wall painting of the Room of Muses. in Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21) = WALL Painting of Sirmium. 1, Public and Residential Structures next to the Northern City Rampart (Site 21). 2017;:47-82.
https://hdl.handle.net/21.15107/rcub_rai_918 .

Rogić, Dragana, "New insights about wall painting of the Room of Muses" in Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21) = WALL Painting of Sirmium. 1, Public and Residential Structures next to the Northern City Rampart (Site 21) (2017):47-82,
https://hdl.handle.net/21.15107/rcub_rai_918 .

TY  - CHAP
AU  - Rogić, Dragana
PY  - 2017
UR  - http://rai.ai.ac.rs/handle/123456789/919
AB  - All the visual entities that will be analyzed further on in this work have one
common characteristic – they are all rendered on a white intonaco background1 (fig.
54), unlike the wall painting from the “Room of Muses“ which was rendered on red
intonaco background. The predominant colors are mostly bright, and the white
intonaco background is visible. Apart from the results obtained in the course of the
project “Processing of the fragments of Roman wall painting from the archaeological
site of Sirmium“ in 2010, this paper will also present the new insights into the already
published wall paintings.
PB  - Belgrade : Institute of Archaeology
T2  - Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21)
T1  - Compositions rendered on white intonaco
EP  - 120
SP  - 83
UR  - https://hdl.handle.net/21.15107/rcub_rai_919
ER  - 

@inbook{
author = "Rogić, Dragana",
year = "2017",
abstract = "All the visual entities that will be analyzed further on in this work have one
common characteristic – they are all rendered on a white intonaco background1 (fig.
54), unlike the wall painting from the “Room of Muses“ which was rendered on red
intonaco background. The predominant colors are mostly bright, and the white
intonaco background is visible. Apart from the results obtained in the course of the
project “Processing of the fragments of Roman wall painting from the archaeological
site of Sirmium“ in 2010, this paper will also present the new insights into the already
published wall paintings.",
publisher = "Belgrade : Institute of Archaeology",
journal = "Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21)",
booktitle = "Compositions rendered on white intonaco",
pages = "120-83",
url = "https://hdl.handle.net/21.15107/rcub_rai_919"
}

Rogić, D.. (2017). Compositions rendered on white intonaco. in Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21)
Belgrade : Institute of Archaeology., 83-120.
https://hdl.handle.net/21.15107/rcub_rai_919

Rogić D. Compositions rendered on white intonaco. in Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21). 2017;:83-120.
https://hdl.handle.net/21.15107/rcub_rai_919 .

Rogić, Dragana, "Compositions rendered on white intonaco" in Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21) (2017):83-120,
https://hdl.handle.net/21.15107/rcub_rai_919 .

TY  - JOUR
AU  - Rogić, Dragana
AU  - Nikolić, Emilija
PY  - 2016
UR  - http://rai.ai.ac.rs/handle/123456789/833
AB  - Among the fragments of Sirmium wall paintings from the Museum of Srem in Sremska Mitrovica,
Serbia, there are those on which elements of architectural structures, otherwise performed in stone and stucco as differently shaped decorations, as well as whole building entities, are depicted. They originate from private and public buildings dated to the period from the 2nd to the 4th century AD. The most interesting one is the architectural scene with a kantharos, which has not been fully restored yet. Its importance lies in the fact that no Roman wall paintings with architectural scenes have been found in the territory of Serbia, or at least have not been published until now.
PB  - Consiliul Judeţean Caraş-Severin. Muzeul Judeţean de Etnografie şi al Regimentului de Graniţă Caransebes
T2  - Tibiscvm
T1  - Architectural Elements in Sirmium Wall Paintings
EP  - 93
SP  - 81
VL  - n.s. 6/2016
UR  - https://hdl.handle.net/21.15107/rcub_rai_833
ER  - 

@article{
author = "Rogić, Dragana and Nikolić, Emilija",
year = "2016",
abstract = "Among the fragments of Sirmium wall paintings from the Museum of Srem in Sremska Mitrovica,
Serbia, there are those on which elements of architectural structures, otherwise performed in stone and stucco as differently shaped decorations, as well as whole building entities, are depicted. They originate from private and public buildings dated to the period from the 2nd to the 4th century AD. The most interesting one is the architectural scene with a kantharos, which has not been fully restored yet. Its importance lies in the fact that no Roman wall paintings with architectural scenes have been found in the territory of Serbia, or at least have not been published until now.",
publisher = "Consiliul Judeţean Caraş-Severin. Muzeul Judeţean de Etnografie şi al Regimentului de Graniţă Caransebes",
journal = "Tibiscvm",
title = "Architectural Elements in Sirmium Wall Paintings",
pages = "93-81",
volume = "n.s. 6/2016",
url = "https://hdl.handle.net/21.15107/rcub_rai_833"
}

Rogić, D.,& Nikolić, E.. (2016). Architectural Elements in Sirmium Wall Paintings. in Tibiscvm
Consiliul Judeţean Caraş-Severin. Muzeul Judeţean de Etnografie şi al Regimentului de Graniţă Caransebes., n.s. 6/2016, 81-93.
https://hdl.handle.net/21.15107/rcub_rai_833

Rogić D, Nikolić E. Architectural Elements in Sirmium Wall Paintings. in Tibiscvm. 2016;n.s. 6/2016:81-93.
https://hdl.handle.net/21.15107/rcub_rai_833 .

Rogić, Dragana, Nikolić, Emilija, "Architectural Elements in Sirmium Wall Paintings" in Tibiscvm, n.s. 6/2016 (2016):81-93,
https://hdl.handle.net/21.15107/rcub_rai_833 .

TY  - CONF
AU  - Nikolić, Emilija
AU  - Radivojević, Ana
AU  - Delić-Nikolić, Ivana
AU  - Rogić, Dragana
PY  - 2016
UR  - http://rai.ai.ac.rs/handle/123456789/589
AB  - Although the first archaeological excavations of Viminacium, the capital of the
Roman province Moesia Superior, today's Serbia, began in 1882, only a small amount of laboratory research on applied building materials has been conducted so far. he grandeur and uniqueness of the building of the Roman amphitheatre now being excavated, and the need for its conservation, required the start of the research on the lime mortars used in this building. Some of the results of this particular research are presented in this paper.
PB  - Thessaloniki: Laboratory of Building Materials. Department of Civil Engineering. Aristotle University of Thessaloniki
C3  - Proceedings of the 4th Historic Mortars Conference (HMC 2016), Santorini, Greece
T1  - Roman Mortars from the Amphitheatre of Viminacium
EP  - 144
SP  - 137
UR  - https://hdl.handle.net/21.15107/rcub_rai_589
ER  - 

@conference{
author = "Nikolić, Emilija and Radivojević, Ana and Delić-Nikolić, Ivana and Rogić, Dragana",
year = "2016",
abstract = "Although the first archaeological excavations of Viminacium, the capital of the
Roman province Moesia Superior, today's Serbia, began in 1882, only a small amount of laboratory research on applied building materials has been conducted so far. he grandeur and uniqueness of the building of the Roman amphitheatre now being excavated, and the need for its conservation, required the start of the research on the lime mortars used in this building. Some of the results of this particular research are presented in this paper.",
publisher = "Thessaloniki: Laboratory of Building Materials. Department of Civil Engineering. Aristotle University of Thessaloniki",
journal = "Proceedings of the 4th Historic Mortars Conference (HMC 2016), Santorini, Greece",
title = "Roman Mortars from the Amphitheatre of Viminacium",
pages = "144-137",
url = "https://hdl.handle.net/21.15107/rcub_rai_589"
}

Nikolić, E., Radivojević, A., Delić-Nikolić, I.,& Rogić, D.. (2016). Roman Mortars from the Amphitheatre of Viminacium. in Proceedings of the 4th Historic Mortars Conference (HMC 2016), Santorini, Greece
Thessaloniki: Laboratory of Building Materials. Department of Civil Engineering. Aristotle University of Thessaloniki., 137-144.
https://hdl.handle.net/21.15107/rcub_rai_589

Nikolić E, Radivojević A, Delić-Nikolić I, Rogić D. Roman Mortars from the Amphitheatre of Viminacium. in Proceedings of the 4th Historic Mortars Conference (HMC 2016), Santorini, Greece. 2016;:137-144.
https://hdl.handle.net/21.15107/rcub_rai_589 .

Nikolić, Emilija, Radivojević, Ana, Delić-Nikolić, Ivana, Rogić, Dragana, "Roman Mortars from the Amphitheatre of Viminacium" in Proceedings of the 4th Historic Mortars Conference (HMC 2016), Santorini, Greece (2016):137-144,
https://hdl.handle.net/21.15107/rcub_rai_589 .

TY  - JOUR
AU  - Nikolić, Emilija
AU  - Rogić, Dragana
AU  - Milovanović, Bebina
PY  - 2015
UR  - http://rai.ai.ac.rs/handle/123456789/502
AB  - The hydraulicity of the Viminacium mortars is still somewhat unknown, but with laboratory analyses, performed on a small number of samples, and similar research performed worldwide, some conclusions can be drawn. These bring us closer to this topic, which again contribute to our becoming acquainted with the Viminacium building materials, their usage, behaviour in constructions and their mutual relationships. Throughout history, artificial products of soil, specifically bricks and ceramics, represent some of
the most commonly used materials with pozzolanic features in the creation of hydraulic lime mortars.
In accordance with their function, the Viminacium thermae represent a place with high levels of humidity in the air and water in a large number of rooms, thereby representing a suitable example for analysing the use of hydraulic mortars, which above all needed to be waterproof. This was achieved with the use of bricks, a material produced locally in Viminacium.
Fragmentarily preserved remains of wall paintings from the Viminacium thermae are not only numerous and various, but they spatially also include almost all parts of the building. This paper includes the remains of decorative mortars discovered during archaeological research in 2004 and 2007 that had bricks in their structure, which was confirmed with a visual review of mortar cross-sections when brick was used in fragments. It was also suspected due to the reddish colour of some of the layers, most likely connected to the use of brick dust.
PB  - Center for New Technology Viminacium
PB  - Institute of Archaeology Belgrade
T2  - Archaeology and Science / Arheologija i prirodne nauke
T1  - The Role of Brick in Hydraulicity of Viminacium Mortars: Decorative Mortars from the Thermae
T1  - Uloga opeke u hidrauličnosti maltera Viminacijuma: dekorativni malteri građevine termi
EP  - 92
SP  - 71
VL  - 10(2014)
DO  - 10.18485/arhe_apn.2014.10.4
UR  - https://hdl.handle.net/21.15107/rcub_rai_502
ER  - 

@article{
author = "Nikolić, Emilija and Rogić, Dragana and Milovanović, Bebina",
year = "2015",
abstract = "The hydraulicity of the Viminacium mortars is still somewhat unknown, but with laboratory analyses, performed on a small number of samples, and similar research performed worldwide, some conclusions can be drawn. These bring us closer to this topic, which again contribute to our becoming acquainted with the Viminacium building materials, their usage, behaviour in constructions and their mutual relationships. Throughout history, artificial products of soil, specifically bricks and ceramics, represent some of
the most commonly used materials with pozzolanic features in the creation of hydraulic lime mortars.
In accordance with their function, the Viminacium thermae represent a place with high levels of humidity in the air and water in a large number of rooms, thereby representing a suitable example for analysing the use of hydraulic mortars, which above all needed to be waterproof. This was achieved with the use of bricks, a material produced locally in Viminacium.
Fragmentarily preserved remains of wall paintings from the Viminacium thermae are not only numerous and various, but they spatially also include almost all parts of the building. This paper includes the remains of decorative mortars discovered during archaeological research in 2004 and 2007 that had bricks in their structure, which was confirmed with a visual review of mortar cross-sections when brick was used in fragments. It was also suspected due to the reddish colour of some of the layers, most likely connected to the use of brick dust.",
publisher = "Center for New Technology Viminacium, Institute of Archaeology Belgrade",
journal = "Archaeology and Science / Arheologija i prirodne nauke",
title = "The Role of Brick in Hydraulicity of Viminacium Mortars: Decorative Mortars from the Thermae, Uloga opeke u hidrauličnosti maltera Viminacijuma: dekorativni malteri građevine termi",
pages = "92-71",
volume = "10(2014)",
doi = "10.18485/arhe_apn.2014.10.4",
url = "https://hdl.handle.net/21.15107/rcub_rai_502"
}

Nikolić, E., Rogić, D.,& Milovanović, B.. (2015). The Role of Brick in Hydraulicity of Viminacium Mortars: Decorative Mortars from the Thermae. in Archaeology and Science / Arheologija i prirodne nauke
Center for New Technology Viminacium., 10(2014), 71-92.
https://doi.org/10.18485/arhe_apn.2014.10.4
https://hdl.handle.net/21.15107/rcub_rai_502

Nikolić E, Rogić D, Milovanović B. The Role of Brick in Hydraulicity of Viminacium Mortars: Decorative Mortars from the Thermae. in Archaeology and Science / Arheologija i prirodne nauke. 2015;10(2014):71-92.
doi:10.18485/arhe_apn.2014.10.4
https://hdl.handle.net/21.15107/rcub_rai_502 .

Nikolić, Emilija, Rogić, Dragana, Milovanović, Bebina, "The Role of Brick in Hydraulicity of Viminacium Mortars: Decorative Mortars from the Thermae" in Archaeology and Science / Arheologija i prirodne nauke, 10(2014) (2015):71-92,
https://doi.org/10.18485/arhe_apn.2014.10.4 .,
https://hdl.handle.net/21.15107/rcub_rai_502 .

TY  - JOUR
AU  - Anđelković-Grašar, Jelena
AU  - Nikolić, Emilija
AU  - Rogić, Dragana
PY  - 2013
UR  - http://rai.ai.ac.rs/handle/123456789/194
AB  - Fresko oslikana grobnica G-160, poznata je kao 'Grobnica sa kupidonima', zbog predstave kupidona na istočnom zidu. Otkrivena je 2003. godine na viminacijumskoj nekropoli 'Pirivoj', gde se i danas prezentuje javnosti in situ. Konstrukcija grobnice ima trapezni presek. U okviru analize konstrukcije grobnice, u ovom, kao i u ostalim fresko oslikanim grobnicama, vidimo geometrije koje su bliske idealnom slučaju upisivanja trapeznog preseka u jednakokraki trougao sa uglom od 72°. Ove geometrije mogu biti povezane sa zlatnim presekom, što naglašava mogućnost njegovog postojanja i u okviru slikarstva jedne grobnice. Čeoni zidovi grobnice G-160 (zapadni i istočni) imaju oblik trapeza, dok su podužni, iskošeni zidovi (severni i južni) u obliku pravougaonika. Freske zapadnog zida nisu sačuvane, ali u okviru tumačenja ikonografije i simetrije, mogući zaključak je da su prikazivale portrete pokojnika. Istočni zid sadrži scenu sa kupidonima, kalatosom, girlandama i cvetom. Južni i severni zid imaju isti raspored polja i scena i, u odnosu na zapadni zid, postavljeni su u simetriji leve i desne ruke, odnosno kao u ogledalu. Među motivima ovih zidova su paunovi, ptice interpretirane kao golubice/prepelice/jarebice, vinova loza i scena sa prinošenjem darova (sluškinja na južnom i sluga na severnom zidu). Prema analogijama, a u okviru konteksta prostora grobnice, ovi motivi su jasna aluzija na raj i drugi život, kojem pokojnici pristupaju vođeni kupidonima i obezbeđeni darovima slugu. Eklektički manir slikanja, ukazuje na majstore lokalne radionice, koji su za uzor koristili dominirajuće stilove prekonstantinske i konstantinske umetnosti, što slikarstvo ove grobnice stavlja u sam početak IV veka.
AB  - The tomb G-160, known as the 'Tomb with Cupids', was discovered in 2003, during the excavations at the Pirivoj - Viminacium necropolis. The tomb has a trapezial section, characteristic for Viminacium tombs of the late antique period, and its interior was painted using the fresco technique. Scenes and motives are set on all four walls of the tomb. Since the western wall is damaged, the tomb is named after the depiction of cupids on the eastern wall. The wealth of the iconographic repertoire, together with an analysis of the geometry and symmetry, allowed the reconstruction of the conceptual context and it can be concluded that the tomb was dedicated to Venus, or Dionysus. The tomb painting could be dated to the beginning of the 4th century, owing to the analysis of the style, which combines an eclectic Eastern expressionism, classicism and illusionism of the Constantine era.
PB  - Arheološki institut, Beograd
T2  - Starinar
T1  - 'Tomb with cupids' from Viminacium: A contribution to research of construction, iconography and style
T1  - 'Grobnica sa kupidonima' iz Viminacijuma - prilog proučavanju konstrukcije, ikonografije i stila
EP  - 100
IS  - 63
SP  - 73
DO  - 10.2298/STA1363073A
ER  - 

@article{
author = "Anđelković-Grašar, Jelena and Nikolić, Emilija and Rogić, Dragana",
year = "2013",
abstract = "Fresko oslikana grobnica G-160, poznata je kao 'Grobnica sa kupidonima', zbog predstave kupidona na istočnom zidu. Otkrivena je 2003. godine na viminacijumskoj nekropoli 'Pirivoj', gde se i danas prezentuje javnosti in situ. Konstrukcija grobnice ima trapezni presek. U okviru analize konstrukcije grobnice, u ovom, kao i u ostalim fresko oslikanim grobnicama, vidimo geometrije koje su bliske idealnom slučaju upisivanja trapeznog preseka u jednakokraki trougao sa uglom od 72°. Ove geometrije mogu biti povezane sa zlatnim presekom, što naglašava mogućnost njegovog postojanja i u okviru slikarstva jedne grobnice. Čeoni zidovi grobnice G-160 (zapadni i istočni) imaju oblik trapeza, dok su podužni, iskošeni zidovi (severni i južni) u obliku pravougaonika. Freske zapadnog zida nisu sačuvane, ali u okviru tumačenja ikonografije i simetrije, mogući zaključak je da su prikazivale portrete pokojnika. Istočni zid sadrži scenu sa kupidonima, kalatosom, girlandama i cvetom. Južni i severni zid imaju isti raspored polja i scena i, u odnosu na zapadni zid, postavljeni su u simetriji leve i desne ruke, odnosno kao u ogledalu. Među motivima ovih zidova su paunovi, ptice interpretirane kao golubice/prepelice/jarebice, vinova loza i scena sa prinošenjem darova (sluškinja na južnom i sluga na severnom zidu). Prema analogijama, a u okviru konteksta prostora grobnice, ovi motivi su jasna aluzija na raj i drugi život, kojem pokojnici pristupaju vođeni kupidonima i obezbeđeni darovima slugu. Eklektički manir slikanja, ukazuje na majstore lokalne radionice, koji su za uzor koristili dominirajuće stilove prekonstantinske i konstantinske umetnosti, što slikarstvo ove grobnice stavlja u sam početak IV veka., The tomb G-160, known as the 'Tomb with Cupids', was discovered in 2003, during the excavations at the Pirivoj - Viminacium necropolis. The tomb has a trapezial section, characteristic for Viminacium tombs of the late antique period, and its interior was painted using the fresco technique. Scenes and motives are set on all four walls of the tomb. Since the western wall is damaged, the tomb is named after the depiction of cupids on the eastern wall. The wealth of the iconographic repertoire, together with an analysis of the geometry and symmetry, allowed the reconstruction of the conceptual context and it can be concluded that the tomb was dedicated to Venus, or Dionysus. The tomb painting could be dated to the beginning of the 4th century, owing to the analysis of the style, which combines an eclectic Eastern expressionism, classicism and illusionism of the Constantine era.",
publisher = "Arheološki institut, Beograd",
journal = "Starinar",
title = "'Tomb with cupids' from Viminacium: A contribution to research of construction, iconography and style, 'Grobnica sa kupidonima' iz Viminacijuma - prilog proučavanju konstrukcije, ikonografije i stila",
pages = "100-73",
number = "63",
doi = "10.2298/STA1363073A"
}

Anđelković-Grašar, J., Nikolić, E.,& Rogić, D.. (2013). 'Tomb with cupids' from Viminacium: A contribution to research of construction, iconography and style. in Starinar
Arheološki institut, Beograd.(63), 73-100.
https://doi.org/10.2298/STA1363073A

Anđelković-Grašar J, Nikolić E, Rogić D. 'Tomb with cupids' from Viminacium: A contribution to research of construction, iconography and style. in Starinar. 2013;(63):73-100.
doi:10.2298/STA1363073A .

Anđelković-Grašar, Jelena, Nikolić, Emilija, Rogić, Dragana, "'Tomb with cupids' from Viminacium: A contribution to research of construction, iconography and style" in Starinar, no. 63 (2013):73-100,
https://doi.org/10.2298/STA1363073A . .