Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings
Аутори
Anđelković Grašar, JelenaNikolić, Emilija
Rogić, Dragana
Остала ауторства
Mols, Stephan T.A.M.Moormann, Eric M.
Конференцијски прилог (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
The aim of the paper is to determine which pictorial elements and principles were dominant in the compositions of Viminacium paintings, based on preserved tomb frescoes. Many of the pictorial elements and principles used played a symbolic role in the content or narrative context. Since the painting of the above-ground structures of ancient Viminacium is preserved only as fragments, the similar use of line, space, and colour, or balance, rhythm, and proportion in tomb paintings could be useful for the future reconstruction and understanding of the particular styles of the artists who were based in Viminacium.
Кључне речи:
Viminacium / pictorial element / pictorial principle / Roman art / Roman funerary painting / Roman wall paintingИзвор:
Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013., 2017, 515-521Издавач:
- Peeters Publishers, Leuven - Paris - Bristol, CT
Финансирање / пројекти:
- ИРС - Виминацијум, римски град и легијски војни логор - истраживање материјалне и духовне културе, становништва, применом најсавременијих технологија даљинске детекције, геофизике, GIS-а, дигитализације и 3D визуализације (RS-MESTD-Integrated and Interdisciplinary Research (IIR or III)-47018)
Институција/група
Археолошки институт / Institute of ArchaeologyTY - CONF AU - Anđelković Grašar, Jelena AU - Nikolić, Emilija AU - Rogić, Dragana PY - 2017 UR - http://rai.ai.ac.rs/handle/123456789/791 AB - The aim of the paper is to determine which pictorial elements and principles were dominant in the compositions of Viminacium paintings, based on preserved tomb frescoes. Many of the pictorial elements and principles used played a symbolic role in the content or narrative context. Since the painting of the above-ground structures of ancient Viminacium is preserved only as fragments, the similar use of line, space, and colour, or balance, rhythm, and proportion in tomb paintings could be useful for the future reconstruction and understanding of the particular styles of the artists who were based in Viminacium. PB - Peeters Publishers, Leuven - Paris - Bristol, CT C3 - Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013. T1 - Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings EP - 521 SP - 515 UR - https://hdl.handle.net/21.15107/rcub_rai_791 ER -
@conference{ author = "Anđelković Grašar, Jelena and Nikolić, Emilija and Rogić, Dragana", year = "2017", abstract = "The aim of the paper is to determine which pictorial elements and principles were dominant in the compositions of Viminacium paintings, based on preserved tomb frescoes. Many of the pictorial elements and principles used played a symbolic role in the content or narrative context. Since the painting of the above-ground structures of ancient Viminacium is preserved only as fragments, the similar use of line, space, and colour, or balance, rhythm, and proportion in tomb paintings could be useful for the future reconstruction and understanding of the particular styles of the artists who were based in Viminacium.", publisher = "Peeters Publishers, Leuven - Paris - Bristol, CT", journal = "Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013.", title = "Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings", pages = "521-515", url = "https://hdl.handle.net/21.15107/rcub_rai_791" }
Anđelković Grašar, J., Nikolić, E.,& Rogić, D.. (2017). Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings. in Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013. Peeters Publishers, Leuven - Paris - Bristol, CT., 515-521. https://hdl.handle.net/21.15107/rcub_rai_791
Anđelković Grašar J, Nikolić E, Rogić D. Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings. in Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013.. 2017;:515-521. https://hdl.handle.net/21.15107/rcub_rai_791 .
Anđelković Grašar, Jelena, Nikolić, Emilija, Rogić, Dragana, "Pictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintings" in Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013. (2017):515-521, https://hdl.handle.net/21.15107/rcub_rai_791 .