Compositions rendered on white intonaco
Апстракт
All the visual entities that will be analyzed further on in this work have one
common characteristic – they are all rendered on a white intonaco background1 (fig.
54), unlike the wall painting from the “Room of Muses“ which was rendered on red
intonaco background. The predominant colors are mostly bright, and the white
intonaco background is visible. Apart from the results obtained in the course of the
project “Processing of the fragments of Roman wall painting from the archaeological
site of Sirmium“ in 2010, this paper will also present the new insights into the already
published wall paintings.
Кључне речи:
Wall Painting / Sirmium / Conservation / Reconstruction / IntonacoИзвор:
Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21), 2017, 83-120Издавач:
- Belgrade : Institute of Archaeology
Финансирање / пројекти:
- Покрајински секретаријат за културу, Обрада фрагмената римског зидног сликарства са археолошког налазишта Сирмијум, 2010. године.
- Министарство културе и информисања, Обрада фрагмената римског зидног сликарства са археолошког налазишта Сирмијум, 2012. године.
- Романизација, урбанизација и трансформација урбаних центара цивилног војног и резиденцијалног карактера у римским провинцијама на тлу Србије (RS-MESTD-Basic Research (BR or ON)-177007)
- Друштво, духовно-материјална култура и комуникације на Балкану у протоисторији и раној историји (RS-MESTD-MPN2006-2010-147018)
Институција/група
Археолошки институт / Institute of ArchaeologyTY - CHAP AU - Rogić, Dragana PY - 2017 UR - http://rai.ai.ac.rs/handle/123456789/919 AB - All the visual entities that will be analyzed further on in this work have one common characteristic – they are all rendered on a white intonaco background1 (fig. 54), unlike the wall painting from the “Room of Muses“ which was rendered on red intonaco background. The predominant colors are mostly bright, and the white intonaco background is visible. Apart from the results obtained in the course of the project “Processing of the fragments of Roman wall painting from the archaeological site of Sirmium“ in 2010, this paper will also present the new insights into the already published wall paintings. PB - Belgrade : Institute of Archaeology T2 - Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21) T1 - Compositions rendered on white intonaco EP - 120 SP - 83 UR - https://hdl.handle.net/21.15107/rcub_rai_919 ER -
@inbook{ author = "Rogić, Dragana", year = "2017", abstract = "All the visual entities that will be analyzed further on in this work have one common characteristic – they are all rendered on a white intonaco background1 (fig. 54), unlike the wall painting from the “Room of Muses“ which was rendered on red intonaco background. The predominant colors are mostly bright, and the white intonaco background is visible. Apart from the results obtained in the course of the project “Processing of the fragments of Roman wall painting from the archaeological site of Sirmium“ in 2010, this paper will also present the new insights into the already published wall paintings.", publisher = "Belgrade : Institute of Archaeology", journal = "Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21)", booktitle = "Compositions rendered on white intonaco", pages = "120-83", url = "https://hdl.handle.net/21.15107/rcub_rai_919" }
Rogić, D.. (2017). Compositions rendered on white intonaco. in Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21) Belgrade : Institute of Archaeology., 83-120. https://hdl.handle.net/21.15107/rcub_rai_919
Rogić D. Compositions rendered on white intonaco. in Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21). 2017;:83-120. https://hdl.handle.net/21.15107/rcub_rai_919 .
Rogić, Dragana, "Compositions rendered on white intonaco" in Zidno slikarstvo Sirmijuma, I Javne i stambene građevine uz severni gradski bedem (lokalitet 21) (2017):83-120, https://hdl.handle.net/21.15107/rcub_rai_919 .