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dc.contributorMols, Stephan T.A.M.
dc.contributorMoormann, Eric M.
dc.creatorAnđelković Grašar, Jelena
dc.creatorNikolić, Emilija
dc.creatorRogić, Dragana
dc.date.accessioned2023-11-23T10:10:15Z
dc.date.available2023-11-23T10:10:15Z
dc.date.issued2017
dc.identifier.urihttp://rai.ai.ac.rs/handle/123456789/791
dc.description.abstractThe aim of the paper is to determine which pictorial elements and principles were dominant in the compositions of Viminacium paintings, based on preserved tomb frescoes. Many of the pictorial elements and principles used played a symbolic role in the content or narrative context. Since the painting of the above-ground structures of ancient Viminacium is preserved only as fragments, the similar use of line, space, and colour, or balance, rhythm, and proportion in tomb paintings could be useful for the future reconstruction and understanding of the particular styles of the artists who were based in Viminacium.sr
dc.language.isoensr
dc.publisherPeeters Publishers, Leuven - Paris - Bristol, CTsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Integrated and Interdisciplinary Research (IIR or III)/47018/RS//sr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceContext and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013.sr
dc.subjectViminaciumsr
dc.subjectpictorial elementsr
dc.subjectpictorial principlesr
dc.subjectRoman artsr
dc.subjectRoman funerary paintingsr
dc.subjectRoman wall paintingsr
dc.titlePictorial Elements and Principles in the Creation of the Ancient Image Using the Example of Viminacium Funerary Paintingssr
dc.typeconferenceObjectsr
dc.rights.licenseBY-NC-NDsr
dc.rights.holdersr
dc.citation.epage521
dc.citation.spage515
dc.identifier.fulltexthttp://rai.ai.ac.rs/bitstream/id/1728/bitstream_1728.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_rai_791
dc.type.versionpublishedVersionsr


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