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dc.creatorVranić, Ivan
dc.date.accessioned2023-11-27T11:37:52Z
dc.date.available2023-11-27T11:37:52Z
dc.date.issued2023
dc.identifier.isbn978-86-6427-212-4
dc.identifier.urihttp://rai.ai.ac.rs/handle/123456789/1049
dc.description.abstractThis chapter aims to present a short history of archaeological interest in style in ancient Greek black- and red-figure pottery – two distinct but related production techniques, which roughly date from the Archaic to the Early Hellenistic periods (c. 6th to early 3rd century BC) – and how this issue changed from initial culture-historical perspectives toward more recent epistemologies. A special focus is placed on consumption studies and some recent object-oriented approaches (e.g. I. Hodder’s concept of entanglement), and how these theoretical perspectives could benefit from a plethora of information about the nature of Greek ceramics and its production obtained by J. Beazley and other culturehistorical pottery specialists.sr
dc.language.isoensr
dc.publisherFaculty of Philosophy, University of Belgradesr
dc.rightsrestrictedAccesssr
dc.sourceArchaeological Theory at the Edge(s)sr
dc.subjectblack- and red-figure pottery, J. Beazley’s connoisseurship method, consumption studies, entanglement, Greek symposiumsr
dc.titleA changing place of Greek black– and red-figure pottery in archaeological method and theory: From evolution of style to entanglement and objects’ ontologysr
dc.typebookPartsr
dc.rights.licenseARRsr
dc.citation.epage88
dc.citation.spage71
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_rai_1049
dc.type.versionpublishedVersionsr


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