Free-Standing Medallions With Portraits In Upper Moesia

dc.creator	Pilipović, Sanja
dc.date.accessioned	2023-11-21T20:02:54Z
dc.date.available	2023-11-21T20:02:54Z
dc.date.issued	2012
dc.identifier.issn	00352004
dc.identifier.uri	http://rai.ai.ac.rs/handle/123456789/739
dc.description.abstract	The subject of this research paper presents Upper Moesian funerary monuments in the form of medallions. Their form and iconography have been analysed as well as the origin of the donors and the artists who made them. The examples of these medallions highlight the connections between Upper Moesia, Noricum and Pannonia. It also demonstrates that there was a link with the artistic centres of northern Italy on the one hand and with the province of Dacia on the other.	sr
dc.language.iso	en	sr
dc.publisher	l’Université Bordeaux Montaigne	sr
dc.relation	Društvo, duhovno-materijalna kultura i komunikacije u praistoriji i ranoj istoriji na Balkanu (177012)	sr
dc.rights	openAccess	sr
dc.source	Revue des Etudes Anciennes	sr
dc.subject	free-standing medallions	sr
dc.subject	portraits	sr
dc.subject	Moesia Superior	sr
dc.subject	Noricum	sr
dc.subject	Pannonia	sr
dc.subject	Danube	sr
dc.subject	Dacia	sr
dc.title	Free-Standing Medallions With Portraits In Upper Moesia	sr
dc.type	article	sr
dc.rights.license	ARR	sr
dc.citation.epage	116
dc.citation.issue	1
dc.citation.spage	101
dc.citation.volume	114
dc.identifier.fulltext	http://rai.ai.ac.rs/bitstream/id/1669/bitstream_1669.pdf
dc.identifier.rcub	https://hdl.handle.net/21.15107/rcub_rai_739
dc.type.version	publishedVersion	sr