Symmetry of the Iconography of Surfaces and Spaces from the Viminacium Tombs G 160, G 5517 and G 2624
Članak u časopisu (Objavljena verzija)
Metapodaci
Prikaz svih podataka o dokumentuApstrakt
As a pictorial principle, symmetry played an important role throughout the whole ancient period, and has remained a significant principle in art right into the modern era. With the knowledge that different artistic workshops consisted of real masters and their associates, it is certain that they had considerable artistic knowledge. In the familiar repertoire of ancient scenes and motifs, painters experimented with elements and principles not only to produce good art work, but also to reach different, or to reinforce existing, meanings. That is why symmetry was an integral part of complicated afterlife compositions from the late antique and early Christian tombs. In this paper, three tombs from
Viminacium will be explored as examples of various forms of symmetry, not only in the iconography of painted surfaces, but also in the tomb’s space, which, in the context of the afterlife, could be observed as an alternative reality, arranged using strict canons.
Ključne reči:
symmetry / iconography / space / tomb / Viminacium / paintingIzvor:
Archaeology and Science / Arheologija i prirodne nauke, 2012, 7/2011, 241-267Izdavač:
- Belgrade: Center for New Technology; Archaeological Institute Belgrade
Finansiranje / projekti:
- IRS - Viminacijum, rimski grad i legijski vojni logor - istraživanje materijalne i duhovne kulture, stanovništva, primenom najsavremenijih tehnologija daljinske detekcije, geofizike, GIS-a, digitalizacije i 3D vizualizacije (RS-MESTD-Integrated and Interdisciplinary Research (IIR or III)-47018)
Kolekcije
Institucija/grupa
Археолошки институт / Institute of ArchaeologyTY - JOUR AU - Anđelković Grašar, Jelena AU - Nikolić, Emilija AU - Rogić, Dragana PY - 2012 UR - http://rai.ai.ac.rs/handle/123456789/584 AB - As a pictorial principle, symmetry played an important role throughout the whole ancient period, and has remained a significant principle in art right into the modern era. With the knowledge that different artistic workshops consisted of real masters and their associates, it is certain that they had considerable artistic knowledge. In the familiar repertoire of ancient scenes and motifs, painters experimented with elements and principles not only to produce good art work, but also to reach different, or to reinforce existing, meanings. That is why symmetry was an integral part of complicated afterlife compositions from the late antique and early Christian tombs. In this paper, three tombs from Viminacium will be explored as examples of various forms of symmetry, not only in the iconography of painted surfaces, but also in the tomb’s space, which, in the context of the afterlife, could be observed as an alternative reality, arranged using strict canons. PB - Belgrade: Center for New Technology; Archaeological Institute Belgrade T2 - Archaeology and Science / Arheologija i prirodne nauke T1 - Symmetry of the Iconography of Surfaces and Spaces from the Viminacium Tombs G 160, G 5517 and G 2624 EP - 267 SP - 241 VL - 7/2011 DO - 10.18485/arhe_apn.2011.7.7 ER -
@article{ author = "Anđelković Grašar, Jelena and Nikolić, Emilija and Rogić, Dragana", year = "2012", abstract = "As a pictorial principle, symmetry played an important role throughout the whole ancient period, and has remained a significant principle in art right into the modern era. With the knowledge that different artistic workshops consisted of real masters and their associates, it is certain that they had considerable artistic knowledge. In the familiar repertoire of ancient scenes and motifs, painters experimented with elements and principles not only to produce good art work, but also to reach different, or to reinforce existing, meanings. That is why symmetry was an integral part of complicated afterlife compositions from the late antique and early Christian tombs. In this paper, three tombs from Viminacium will be explored as examples of various forms of symmetry, not only in the iconography of painted surfaces, but also in the tomb’s space, which, in the context of the afterlife, could be observed as an alternative reality, arranged using strict canons.", publisher = "Belgrade: Center for New Technology; Archaeological Institute Belgrade", journal = "Archaeology and Science / Arheologija i prirodne nauke", title = "Symmetry of the Iconography of Surfaces and Spaces from the Viminacium Tombs G 160, G 5517 and G 2624", pages = "267-241", volume = "7/2011", doi = "10.18485/arhe_apn.2011.7.7" }
Anđelković Grašar, J., Nikolić, E.,& Rogić, D.. (2012). Symmetry of the Iconography of Surfaces and Spaces from the Viminacium Tombs G 160, G 5517 and G 2624. in Archaeology and Science / Arheologija i prirodne nauke Belgrade: Center for New Technology; Archaeological Institute Belgrade., 7/2011, 241-267. https://doi.org/10.18485/arhe_apn.2011.7.7
Anđelković Grašar J, Nikolić E, Rogić D. Symmetry of the Iconography of Surfaces and Spaces from the Viminacium Tombs G 160, G 5517 and G 2624. in Archaeology and Science / Arheologija i prirodne nauke. 2012;7/2011:241-267. doi:10.18485/arhe_apn.2011.7.7 .
Anđelković Grašar, Jelena, Nikolić, Emilija, Rogić, Dragana, "Symmetry of the Iconography of Surfaces and Spaces from the Viminacium Tombs G 160, G 5517 and G 2624" in Archaeology and Science / Arheologija i prirodne nauke, 7/2011 (2012):241-267, https://doi.org/10.18485/arhe_apn.2011.7.7 . .