Free-Standing Medallions With Portraits In Upper Moesia
Апстракт
The subject of this research paper presents Upper Moesian funerary monuments in the form of medallions. Their form and iconography have been analysed as well as the origin of the donors and the artists who made them. The examples of these medallions highlight the connections between Upper Moesia, Noricum and Pannonia. It also demonstrates that there was a link with the artistic centres of northern Italy on the one hand and with the province of Dacia on the other.
Кључне речи:
free-standing medallions / portraits / Moesia Superior / Noricum / Pannonia / Danube / DaciaИзвор:
Revue des Etudes Anciennes, 2012, 114, 1, 101-116Издавач:
- l’Université Bordeaux Montaigne
Финансирање / пројекти:
- Društvo, duhovno-materijalna kultura i komunikacije u praistoriji i ranoj istoriji na Balkanu (177012)
Институција/група
Археолошки институт / Institute of ArchaeologyTY - JOUR AU - Pilipović, Sanja PY - 2012 UR - http://rai.ai.ac.rs/handle/123456789/739 AB - The subject of this research paper presents Upper Moesian funerary monuments in the form of medallions. Their form and iconography have been analysed as well as the origin of the donors and the artists who made them. The examples of these medallions highlight the connections between Upper Moesia, Noricum and Pannonia. It also demonstrates that there was a link with the artistic centres of northern Italy on the one hand and with the province of Dacia on the other. PB - l’Université Bordeaux Montaigne T2 - Revue des Etudes Anciennes T1 - Free-Standing Medallions With Portraits In Upper Moesia EP - 116 IS - 1 SP - 101 VL - 114 UR - https://hdl.handle.net/21.15107/rcub_rai_739 ER -
@article{ author = "Pilipović, Sanja", year = "2012", abstract = "The subject of this research paper presents Upper Moesian funerary monuments in the form of medallions. Their form and iconography have been analysed as well as the origin of the donors and the artists who made them. The examples of these medallions highlight the connections between Upper Moesia, Noricum and Pannonia. It also demonstrates that there was a link with the artistic centres of northern Italy on the one hand and with the province of Dacia on the other.", publisher = "l’Université Bordeaux Montaigne", journal = "Revue des Etudes Anciennes", title = "Free-Standing Medallions With Portraits In Upper Moesia", pages = "116-101", number = "1", volume = "114", url = "https://hdl.handle.net/21.15107/rcub_rai_739" }
Pilipović, S.. (2012). Free-Standing Medallions With Portraits In Upper Moesia. in Revue des Etudes Anciennes l’Université Bordeaux Montaigne., 114(1), 101-116. https://hdl.handle.net/21.15107/rcub_rai_739
Pilipović S. Free-Standing Medallions With Portraits In Upper Moesia. in Revue des Etudes Anciennes. 2012;114(1):101-116. https://hdl.handle.net/21.15107/rcub_rai_739 .
Pilipović, Sanja, "Free-Standing Medallions With Portraits In Upper Moesia" in Revue des Etudes Anciennes, 114, no. 1 (2012):101-116, https://hdl.handle.net/21.15107/rcub_rai_739 .