A changing place of Greek black– and red-figure pottery in archaeological method and theory: From evolution of style to entanglement and objects’ ontology
Само за регистроване кориснике
2023
Поглавље у монографији (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
This chapter aims to present a short history of archaeological interest
in style in ancient Greek black- and red-figure pottery – two distinct but related
production techniques, which roughly date from the Archaic to the Early Hellenistic
periods (c. 6th to early 3rd century BC) – and how this issue changed
from initial culture-historical perspectives toward more recent epistemologies. A
special focus is placed on consumption studies and some recent object-oriented
approaches (e.g. I. Hodder’s concept of entanglement), and how these theoretical
perspectives could benefit from a plethora of information about the nature
of Greek ceramics and its production obtained by J. Beazley and other culturehistorical
pottery specialists.
Кључне речи:
black- and red-figure pottery, J. Beazley’s connoisseurship method, consumption studies, entanglement, Greek symposiumИзвор:
Archaeological Theory at the Edge(s), 2023, 71-88Издавач:
- Faculty of Philosophy, University of Belgrade
Институција/група
Археолошки институт / Institute of ArchaeologyTY - CHAP AU - Vranić, Ivan PY - 2023 UR - http://rai.ai.ac.rs/handle/123456789/1049 AB - This chapter aims to present a short history of archaeological interest in style in ancient Greek black- and red-figure pottery – two distinct but related production techniques, which roughly date from the Archaic to the Early Hellenistic periods (c. 6th to early 3rd century BC) – and how this issue changed from initial culture-historical perspectives toward more recent epistemologies. A special focus is placed on consumption studies and some recent object-oriented approaches (e.g. I. Hodder’s concept of entanglement), and how these theoretical perspectives could benefit from a plethora of information about the nature of Greek ceramics and its production obtained by J. Beazley and other culturehistorical pottery specialists. PB - Faculty of Philosophy, University of Belgrade T2 - Archaeological Theory at the Edge(s) T1 - A changing place of Greek black– and red-figure pottery in archaeological method and theory: From evolution of style to entanglement and objects’ ontology EP - 88 SP - 71 UR - https://hdl.handle.net/21.15107/rcub_rai_1049 ER -
@inbook{ author = "Vranić, Ivan", year = "2023", abstract = "This chapter aims to present a short history of archaeological interest in style in ancient Greek black- and red-figure pottery – two distinct but related production techniques, which roughly date from the Archaic to the Early Hellenistic periods (c. 6th to early 3rd century BC) – and how this issue changed from initial culture-historical perspectives toward more recent epistemologies. A special focus is placed on consumption studies and some recent object-oriented approaches (e.g. I. Hodder’s concept of entanglement), and how these theoretical perspectives could benefit from a plethora of information about the nature of Greek ceramics and its production obtained by J. Beazley and other culturehistorical pottery specialists.", publisher = "Faculty of Philosophy, University of Belgrade", journal = "Archaeological Theory at the Edge(s)", booktitle = "A changing place of Greek black– and red-figure pottery in archaeological method and theory: From evolution of style to entanglement and objects’ ontology", pages = "88-71", url = "https://hdl.handle.net/21.15107/rcub_rai_1049" }
Vranić, I.. (2023). A changing place of Greek black– and red-figure pottery in archaeological method and theory: From evolution of style to entanglement and objects’ ontology. in Archaeological Theory at the Edge(s) Faculty of Philosophy, University of Belgrade., 71-88. https://hdl.handle.net/21.15107/rcub_rai_1049
Vranić I. A changing place of Greek black– and red-figure pottery in archaeological method and theory: From evolution of style to entanglement and objects’ ontology. in Archaeological Theory at the Edge(s). 2023;:71-88. https://hdl.handle.net/21.15107/rcub_rai_1049 .
Vranić, Ivan, "A changing place of Greek black– and red-figure pottery in archaeological method and theory: From evolution of style to entanglement and objects’ ontology" in Archaeological Theory at the Edge(s) (2023):71-88, https://hdl.handle.net/21.15107/rcub_rai_1049 .