TY  - JOUR
AU  - Pilipović, Sanja
AU  - Milanović, Ljubomir
PY  - 2023
UR  - http://rai.ai.ac.rs/handle/123456789/1028
AB  - The Jonah sarcophagus from Singidunum belongs to a group of Budakalász
travertine sarcophagi. These types of sarcophagi were produced in Budakalász quarry(
ies) and in Aquincum workshops and then exported via the Danube, before being
finished in local workshops. This paper uses the Jonah sarcophagus as a case study to
examine the integration of traditional tombstones into Early Christian cultural and social
contexts.
PB  - Narodni muzej Srbije
T2  - Zbornik Narodnog muzeja Srbije -  Arheologija
T1  - The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum
EP  - 278
IS  - 1
SP  - 261
VL  - 26
DO  - https://doi.org/10.18485/znms_arh.2023.26.1.12
ER  - 

@article{
author = "Pilipović, Sanja and Milanović, Ljubomir",
year = "2023",
abstract = "The Jonah sarcophagus from Singidunum belongs to a group of Budakalász
travertine sarcophagi. These types of sarcophagi were produced in Budakalász quarry(
ies) and in Aquincum workshops and then exported via the Danube, before being
finished in local workshops. This paper uses the Jonah sarcophagus as a case study to
examine the integration of traditional tombstones into Early Christian cultural and social
contexts.",
publisher = "Narodni muzej Srbije",
journal = "Zbornik Narodnog muzeja Srbije -  Arheologija",
title = "The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum",
pages = "278-261",
number = "1",
volume = "26",
doi = "https://doi.org/10.18485/znms_arh.2023.26.1.12"
}

Pilipović, S.,& Milanović, L.. (2023). The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum. in Zbornik Narodnog muzeja Srbije -  Arheologija
Narodni muzej Srbije., 26(1), 261-278.
https://doi.org/https://doi.org/10.18485/znms_arh.2023.26.1.12

Pilipović S, Milanović L. The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum. in Zbornik Narodnog muzeja Srbije -  Arheologija. 2023;26(1):261-278.
doi:https://doi.org/10.18485/znms_arh.2023.26.1.12 .

Pilipović, Sanja, Milanović, Ljubomir, "The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum" in Zbornik Narodnog muzeja Srbije -  Arheologija, 26, no. 1 (2023):261-278,
https://doi.org/https://doi.org/10.18485/znms_arh.2023.26.1.12 . .

TY  - JOUR
AU  - Pilipović, Sanja
AU  - Milanović, Ljubomir
PY  - 2020
UR  - http://rai.ai.ac.rs/handle/123456789/480
AB  - This paper offers a new iconographic reading of a fragment of a Roman funerary stele. The fragment consists of a pediment with acroteria that was embedded as a piece of spolia in the south wall of the church of the Rukumija monastery. The fragment likely originates from the site of Viminacium, the capital of the province of Upper Moesia. The main part of the pediment was decorated with a relief depicting a Medusa’s head, while the reliefs on its acroteria have been identifi ed by scholars as horsemen. Following an iconographic analysis and comparison with stelai from Viminacium, as well as from Noricum and Pannonia, the figures on the acroteria are interpreted as Dioscuri. Based on this interpretation, the fragment presents an example of funerary iconography that is rare not only in Viminacium and Upper Moesia, but also in the surrounding provinces. The fragment from Rukumija contributes to a better understanding of the iconography of the divine twins as symbols of immortality and thee psychopompe, as well as companions of the deceased in the afterlife. Until now, their representation on the acroteria of Roman funerary stelae was unknown, making the fragment of the stele from Rukumija unique.
PB  - Praha : Centre for Classical Studies at the Institute of Philosophy of the Czech Academy of Sciences
T2  - Eirene. Studia Graeca et Latina
T1  - I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium
T1  - The Dioscuri in funerary art : an unusual fragment of a stele from Viminacium
EP  - 322
IS  - 56
SP  - 299
UR  - https://hdl.handle.net/21.15107/rcub_rai_480
ER  - 

@article{
author = "Pilipović, Sanja and Milanović, Ljubomir",
year = "2020",
abstract = "This paper offers a new iconographic reading of a fragment of a Roman funerary stele. The fragment consists of a pediment with acroteria that was embedded as a piece of spolia in the south wall of the church of the Rukumija monastery. The fragment likely originates from the site of Viminacium, the capital of the province of Upper Moesia. The main part of the pediment was decorated with a relief depicting a Medusa’s head, while the reliefs on its acroteria have been identifi ed by scholars as horsemen. Following an iconographic analysis and comparison with stelai from Viminacium, as well as from Noricum and Pannonia, the figures on the acroteria are interpreted as Dioscuri. Based on this interpretation, the fragment presents an example of funerary iconography that is rare not only in Viminacium and Upper Moesia, but also in the surrounding provinces. The fragment from Rukumija contributes to a better understanding of the iconography of the divine twins as symbols of immortality and thee psychopompe, as well as companions of the deceased in the afterlife. Until now, their representation on the acroteria of Roman funerary stelae was unknown, making the fragment of the stele from Rukumija unique.",
publisher = "Praha : Centre for Classical Studies at the Institute of Philosophy of the Czech Academy of Sciences",
journal = "Eirene. Studia Graeca et Latina",
title = "I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium, The Dioscuri in funerary art : an unusual fragment of a stele from Viminacium",
pages = "322-299",
number = "56",
url = "https://hdl.handle.net/21.15107/rcub_rai_480"
}

Pilipović, S.,& Milanović, L.. (2020). I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium. in Eirene. Studia Graeca et Latina
Praha : Centre for Classical Studies at the Institute of Philosophy of the Czech Academy of Sciences.(56), 299-322.
https://hdl.handle.net/21.15107/rcub_rai_480

Pilipović S, Milanović L. I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium. in Eirene. Studia Graeca et Latina. 2020;(56):299-322.
https://hdl.handle.net/21.15107/rcub_rai_480 .

Pilipović, Sanja, Milanović, Ljubomir, "I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium" in Eirene. Studia Graeca et Latina, no. 56 (2020):299-322,
https://hdl.handle.net/21.15107/rcub_rai_480 .

TY  - CHAP
AU  - Milanović, Ljubomir
AU  - Pilipović, Sanja
PY  - 2019
UR  - http://rai.ai.ac.rs/handle/123456789/486
AB  - A gold ring with a gem, made of multi-layered opal, with a representation of Pegasus and Bellerophon originates from Porodin near Aleksinac. Today, the ring is kept in the National Museum in Belgrade. The paper studies the presented motif, and importance of the archaeological site Gradište in the village of Porodin, from where this exceptional work of Roman jewelry.
The motif of Bellerophon capturing, that is, taming Pegasus, is a theme that was not common in Roman art, where this mythological hero most often was depicted in the scene of killing the Chimera. The expensive gold ring probably belonged to a high-ranking soldier, an officer, who stayed in Porodin, a fortified military-strategic point, and who could afford such a luxurious piece of jewelry. The choice of the depicted victorious motif on the gem, as an expression of virtus, could support this thesis about the military career of the owner of the ring.
PB  - Svrljig : Centar za turizam, kulturu i sport
T2  - Etno-kulturološki zbornik
T1  - Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca
EP  - 19
IS  - 22
SP  - 9
UR  - https://hdl.handle.net/21.15107/rcub_rai_486
ER  - 

@inbook{
author = "Milanović, Ljubomir and Pilipović, Sanja",
year = "2019",
abstract = "A gold ring with a gem, made of multi-layered opal, with a representation of Pegasus and Bellerophon originates from Porodin near Aleksinac. Today, the ring is kept in the National Museum in Belgrade. The paper studies the presented motif, and importance of the archaeological site Gradište in the village of Porodin, from where this exceptional work of Roman jewelry.
The motif of Bellerophon capturing, that is, taming Pegasus, is a theme that was not common in Roman art, where this mythological hero most often was depicted in the scene of killing the Chimera. The expensive gold ring probably belonged to a high-ranking soldier, an officer, who stayed in Porodin, a fortified military-strategic point, and who could afford such a luxurious piece of jewelry. The choice of the depicted victorious motif on the gem, as an expression of virtus, could support this thesis about the military career of the owner of the ring.",
publisher = "Svrljig : Centar za turizam, kulturu i sport",
journal = "Etno-kulturološki zbornik",
booktitle = "Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca",
pages = "19-9",
number = "22",
url = "https://hdl.handle.net/21.15107/rcub_rai_486"
}

Milanović, L.,& Pilipović, S.. (2019). Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca. in Etno-kulturološki zbornik
Svrljig : Centar za turizam, kulturu i sport.(22), 9-19.
https://hdl.handle.net/21.15107/rcub_rai_486

Milanović L, Pilipović S. Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca. in Etno-kulturološki zbornik. 2019;(22):9-19.
https://hdl.handle.net/21.15107/rcub_rai_486 .

Milanović, Ljubomir, Pilipović, Sanja, "Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca" in Etno-kulturološki zbornik, no. 22 (2019):9-19,
https://hdl.handle.net/21.15107/rcub_rai_486 .

TY  - JOUR
AU  - Pilipović, Sanja
AU  - Milanović, Ljubomir
PY  - 2016
UR  - http://rai.ai.ac.rs/handle/123456789/490
AB  - The subject of the paper is the so-called Jonah sarcophagus from Singidunum (Belgrade). The sarcophagus belongs to the pagan, Pannonian type sarcophagi that were often decorated with Noric-Pannonian scrolls. What makes it unique in the region of Moesia is its relief decoration on the front side. In the field usually used for an inscription, one finds carved scenes from the Old Testament story of Jonah and the Good Shepherd. The sarcophagus is considered in the context of the growing Early Christian community in Singidunum and surrounding area. At that time, Singidunum was already a growing Episcopal seat and witnessing the formation of cults of early martyrs. The iconography is discussed in close proximity with analogous images of Early Christian art that may have impacted the development of its iconographic program.
PB  - Iaşi : Alexandru Ioan Cuza University of Iaşi
T2  - Classica et Christiana
T1  - The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans
EP  - 245
IS  - 11
SP  - 219
UR  - https://hdl.handle.net/21.15107/rcub_rai_490
ER  - 

@article{
author = "Pilipović, Sanja and Milanović, Ljubomir",
year = "2016",
abstract = "The subject of the paper is the so-called Jonah sarcophagus from Singidunum (Belgrade). The sarcophagus belongs to the pagan, Pannonian type sarcophagi that were often decorated with Noric-Pannonian scrolls. What makes it unique in the region of Moesia is its relief decoration on the front side. In the field usually used for an inscription, one finds carved scenes from the Old Testament story of Jonah and the Good Shepherd. The sarcophagus is considered in the context of the growing Early Christian community in Singidunum and surrounding area. At that time, Singidunum was already a growing Episcopal seat and witnessing the formation of cults of early martyrs. The iconography is discussed in close proximity with analogous images of Early Christian art that may have impacted the development of its iconographic program.",
publisher = "Iaşi : Alexandru Ioan Cuza University of Iaşi",
journal = "Classica et Christiana",
title = "The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans",
pages = "245-219",
number = "11",
url = "https://hdl.handle.net/21.15107/rcub_rai_490"
}

Pilipović, S.,& Milanović, L.. (2016). The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans. in Classica et Christiana
Iaşi : Alexandru Ioan Cuza University of Iaşi.(11), 219-245.
https://hdl.handle.net/21.15107/rcub_rai_490

Pilipović S, Milanović L. The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans. in Classica et Christiana. 2016;(11):219-245.
https://hdl.handle.net/21.15107/rcub_rai_490 .

Pilipović, Sanja, Milanović, Ljubomir, "The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans" in Classica et Christiana, no. 11 (2016):219-245,
https://hdl.handle.net/21.15107/rcub_rai_490 .

TY  - JOUR
AU  - Pilipović, Sanja
AU  - Milanović, Ljubomir
PY  - 2015
UR  - http://rai.ai.ac.rs/handle/123456789/491
AB  - This paper examines the role of Helios as an all-seeing deity in scenes of the adultery of Venus and Mars based on classical literary sources and mythological reliefs in Roman funerary art, and also elucidates its afterlife in Christianity. Few Roman examples survive that explicitly show this act of infidelity, therefore particular emphasis is placed on a relief from a mirror from Viminacium, the province of Upper Moesia, and the altar Ara Casali, now in the Vatican Museums. The paper traces the general development of the symbolic roles of Helios in different thematic representations and the context in which Helios as an all-seeing God is represented in Early Christian and Medieval art. The myth and the role of Helios in it could be understood in different contexts: as an inter alia neo-Pythagorean, celestial, and in moralizing. The role of Helios in the moralizing context is, however, indisputable. This aspect will be a key motivation in the transformation of the myth in the Middle Ages and Renaissance, not only in literary sources but in visual art as well.
PB  - Iaşi : Alexandru Ioan Cuza University of Iaşi
T2  - Classica et Christiana
T1  - All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife
EP  - 499
IS  - 10
SP  - 479
UR  - https://hdl.handle.net/21.15107/rcub_rai_491
ER  - 

@article{
author = "Pilipović, Sanja and Milanović, Ljubomir",
year = "2015",
abstract = "This paper examines the role of Helios as an all-seeing deity in scenes of the adultery of Venus and Mars based on classical literary sources and mythological reliefs in Roman funerary art, and also elucidates its afterlife in Christianity. Few Roman examples survive that explicitly show this act of infidelity, therefore particular emphasis is placed on a relief from a mirror from Viminacium, the province of Upper Moesia, and the altar Ara Casali, now in the Vatican Museums. The paper traces the general development of the symbolic roles of Helios in different thematic representations and the context in which Helios as an all-seeing God is represented in Early Christian and Medieval art. The myth and the role of Helios in it could be understood in different contexts: as an inter alia neo-Pythagorean, celestial, and in moralizing. The role of Helios in the moralizing context is, however, indisputable. This aspect will be a key motivation in the transformation of the myth in the Middle Ages and Renaissance, not only in literary sources but in visual art as well.",
publisher = "Iaşi : Alexandru Ioan Cuza University of Iaşi",
journal = "Classica et Christiana",
title = "All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife",
pages = "499-479",
number = "10",
url = "https://hdl.handle.net/21.15107/rcub_rai_491"
}

Pilipović, S.,& Milanović, L.. (2015). All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife. in Classica et Christiana
Iaşi : Alexandru Ioan Cuza University of Iaşi.(10), 479-499.
https://hdl.handle.net/21.15107/rcub_rai_491

Pilipović S, Milanović L. All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife. in Classica et Christiana. 2015;(10):479-499.
https://hdl.handle.net/21.15107/rcub_rai_491 .

Pilipović, Sanja, Milanović, Ljubomir, "All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife" in Classica et Christiana, no. 10 (2015):479-499,
https://hdl.handle.net/21.15107/rcub_rai_491 .