TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2024
UR  - http://rai.ai.ac.rs/handle/123456789/1609
AB  - A fragment of a Roman marble monument with a relief of the head of
Medusa was incorporated as spolia into the church of St. Nicholas in the monastery
of Nimnik. In paper indicates the possibility that the spoil was part of the lid of a sarcophagus. The characteristics of this presumed sarcophagus are reviewed, as well as
analogies, the workshops in which it might have created, and its importance in relation
to other marble sarcophagi from Viminacium, preserved today.
PB  - NOUS Publishers LTD, Sofia
T2  - Archaeologia Bulgarica
T1  - A Marble Sarcophagus Lid Fragment with Gorgoneion: Viminacium Spoil in Nimnik Monastery
EP  - 40
IS  - 1
SP  - 27
VL  - 28
UR  - https://hdl.handle.net/21.15107/rcub_rai_1609
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2024",
abstract = "A fragment of a Roman marble monument with a relief of the head of
Medusa was incorporated as spolia into the church of St. Nicholas in the monastery
of Nimnik. In paper indicates the possibility that the spoil was part of the lid of a sarcophagus. The characteristics of this presumed sarcophagus are reviewed, as well as
analogies, the workshops in which it might have created, and its importance in relation
to other marble sarcophagi from Viminacium, preserved today.",
publisher = "NOUS Publishers LTD, Sofia",
journal = "Archaeologia Bulgarica",
title = "A Marble Sarcophagus Lid Fragment with Gorgoneion: Viminacium Spoil in Nimnik Monastery",
pages = "40-27",
number = "1",
volume = "28",
url = "https://hdl.handle.net/21.15107/rcub_rai_1609"
}

Pilipović, S.. (2024). A Marble Sarcophagus Lid Fragment with Gorgoneion: Viminacium Spoil in Nimnik Monastery. in Archaeologia Bulgarica
NOUS Publishers LTD, Sofia., 28(1), 27-40.
https://hdl.handle.net/21.15107/rcub_rai_1609

Pilipović S. A Marble Sarcophagus Lid Fragment with Gorgoneion: Viminacium Spoil in Nimnik Monastery. in Archaeologia Bulgarica. 2024;28(1):27-40.
https://hdl.handle.net/21.15107/rcub_rai_1609 .

Pilipović, Sanja, "A Marble Sarcophagus Lid Fragment with Gorgoneion: Viminacium Spoil in Nimnik Monastery" in Archaeologia Bulgarica, 28, no. 1 (2024):27-40,
https://hdl.handle.net/21.15107/rcub_rai_1609 .

TY  - CONF
AU  - Pilipović, Sanja
PY  - 2023
UR  - http://rai.ai.ac.rs/handle/123456789/990
AB  - The paper investigates the meaning and different context that the scroll (rotulus, volumen) and codex could have on the reliefs on one group of tombstones from Singidunum, Viminacium and Vinceia. The scroll is shown in the hand of the portrayed deceased as an attribute. A scroll appears as an attribute of P. Aelius Dionysius (IMS I 35), a veteran, ex-signifer of Legion IV Flavia, and T. Baebius Eutiches (Lupa 5431), an Augustalis of municipii Aelium Viminacium, and of other men about whom no more precise data exist. The scroll also appears as an attribute of the two women
of the hospita Domitia Ursa and Serenia Quarta (IMS I 52). The scroll and the codex were also shown within three scenes that referred to the occupation of the deceased. The scroll is shown in the hand of a speculator (IMS II 106) in a scene of traveling in an open car (rheda), also is shown in the hand of a sacral lictor next to sella curulis (IMS II 73) while both the scroll and the codex are shown in the scene of counting money “Kontorszene” (Lupa 6809). The aim of this paper is to examine the role of these manuscripts as an attribute of the deceased, both in the portrait
itself and in the scene related to his occupation. In addition to expressing belonging to the educated and cultural layer and emphasizing social status, an attempt was made to understand the more specific context that the scroll and the codex could have in the integrated system of iconography and inscriptions on these tombstones of the Upper Moesian Limes.
PB  - Archaeopress Publishing Ltd
C3  - Represenations of Writing Materials on Roman Funerary Monuments. Text, Image, Message
T1  - The Scroll and Codex on Funerary Steles in the Upper Moesian Limes
EP  - 179
SP  - 165
UR  - https://hdl.handle.net/21.15107/rcub_rai_990
ER  - 

@conference{
author = "Pilipović, Sanja",
year = "2023",
abstract = "The paper investigates the meaning and different context that the scroll (rotulus, volumen) and codex could have on the reliefs on one group of tombstones from Singidunum, Viminacium and Vinceia. The scroll is shown in the hand of the portrayed deceased as an attribute. A scroll appears as an attribute of P. Aelius Dionysius (IMS I 35), a veteran, ex-signifer of Legion IV Flavia, and T. Baebius Eutiches (Lupa 5431), an Augustalis of municipii Aelium Viminacium, and of other men about whom no more precise data exist. The scroll also appears as an attribute of the two women
of the hospita Domitia Ursa and Serenia Quarta (IMS I 52). The scroll and the codex were also shown within three scenes that referred to the occupation of the deceased. The scroll is shown in the hand of a speculator (IMS II 106) in a scene of traveling in an open car (rheda), also is shown in the hand of a sacral lictor next to sella curulis (IMS II 73) while both the scroll and the codex are shown in the scene of counting money “Kontorszene” (Lupa 6809). The aim of this paper is to examine the role of these manuscripts as an attribute of the deceased, both in the portrait
itself and in the scene related to his occupation. In addition to expressing belonging to the educated and cultural layer and emphasizing social status, an attempt was made to understand the more specific context that the scroll and the codex could have in the integrated system of iconography and inscriptions on these tombstones of the Upper Moesian Limes.",
publisher = "Archaeopress Publishing Ltd",
journal = "Represenations of Writing Materials on Roman Funerary Monuments. Text, Image, Message",
title = "The Scroll and Codex on Funerary Steles in the Upper Moesian Limes",
pages = "179-165",
url = "https://hdl.handle.net/21.15107/rcub_rai_990"
}

Pilipović, S.. (2023). The Scroll and Codex on Funerary Steles in the Upper Moesian Limes. in Represenations of Writing Materials on Roman Funerary Monuments. Text, Image, Message
Archaeopress Publishing Ltd., 165-179.
https://hdl.handle.net/21.15107/rcub_rai_990

Pilipović S. The Scroll and Codex on Funerary Steles in the Upper Moesian Limes. in Represenations of Writing Materials on Roman Funerary Monuments. Text, Image, Message. 2023;:165-179.
https://hdl.handle.net/21.15107/rcub_rai_990 .

Pilipović, Sanja, "The Scroll and Codex on Funerary Steles in the Upper Moesian Limes" in Represenations of Writing Materials on Roman Funerary Monuments. Text, Image, Message (2023):165-179,
https://hdl.handle.net/21.15107/rcub_rai_990 .

TY  - JOUR
AU  - Pilipović, Sanja
AU  - Milanović, Ljubomir
PY  - 2023
UR  - http://rai.ai.ac.rs/handle/123456789/1028
AB  - The Jonah sarcophagus from Singidunum belongs to a group of Budakalász
travertine sarcophagi. These types of sarcophagi were produced in Budakalász quarry(
ies) and in Aquincum workshops and then exported via the Danube, before being
finished in local workshops. This paper uses the Jonah sarcophagus as a case study to
examine the integration of traditional tombstones into Early Christian cultural and social
contexts.
PB  - Narodni muzej Srbije
T2  - Zbornik Narodnog muzeja Srbije -  Arheologija
T1  - The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum
EP  - 278
IS  - 1
SP  - 261
VL  - 26
DO  - https://doi.org/10.18485/znms_arh.2023.26.1.12
ER  - 

@article{
author = "Pilipović, Sanja and Milanović, Ljubomir",
year = "2023",
abstract = "The Jonah sarcophagus from Singidunum belongs to a group of Budakalász
travertine sarcophagi. These types of sarcophagi were produced in Budakalász quarry(
ies) and in Aquincum workshops and then exported via the Danube, before being
finished in local workshops. This paper uses the Jonah sarcophagus as a case study to
examine the integration of traditional tombstones into Early Christian cultural and social
contexts.",
publisher = "Narodni muzej Srbije",
journal = "Zbornik Narodnog muzeja Srbije -  Arheologija",
title = "The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum",
pages = "278-261",
number = "1",
volume = "26",
doi = "https://doi.org/10.18485/znms_arh.2023.26.1.12"
}

Pilipović, S.,& Milanović, L.. (2023). The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum. in Zbornik Narodnog muzeja Srbije -  Arheologija
Narodni muzej Srbije., 26(1), 261-278.
https://doi.org/https://doi.org/10.18485/znms_arh.2023.26.1.12

Pilipović S, Milanović L. The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum. in Zbornik Narodnog muzeja Srbije -  Arheologija. 2023;26(1):261-278.
doi:https://doi.org/10.18485/znms_arh.2023.26.1.12 .

Pilipović, Sanja, Milanović, Ljubomir, "The Traditional Model in the Early Christian Context: the Jonah Sarcophagus from Singidunum" in Zbornik Narodnog muzeja Srbije -  Arheologija, 26, no. 1 (2023):261-278,
https://doi.org/https://doi.org/10.18485/znms_arh.2023.26.1.12 . .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2022
UR  - http://rai.ai.ac.rs/handle/123456789/520
AB  - This paper offers a new iconographic reading of a fragment of a Roman funerary stele in marble from the village of Putinci, near Bassiane in Lower Pannonia. Today, the lower part of the funerary stele is preserved. The fragment consists of a metrical epitaph and a relief below it. On the relief are depicted two fighting figures and one building on the right side. Both the epitaph and the relief are partially preserved. The relief has been interpreted as Orestes killing Clytemnestra. Following a tipological and iconographic analysis and comparison with Roman sarcophagi as well as with funerary monuments from Noricum and Pannonia, it has been suggested that it is most likely a scene with Orestes and the Taurians beside the temple of Artemis. Based on this interpretation, the fragment could be understood as an example of funerary iconography that is completely compatible with Norico-Pannonian funerary arts. Based on a comparison with a group of funerary monuments of merchants with metrical epitaphs, it is possible to presume that this stele was erected for a well-to-do merchant too.
PB  - Prague : Centre for Classical Studies, Institute of Philosophy of the Czech Academy of Sciences
T2  - Eirene : Studia Graeca et Latina
T1  - La morte come liberazione (CIL III 10214 = CLE 1781): stele con un episodio della storia di Oreste dalla Pannonia Inferiore
EP  - 410
IS  - 1-2
SP  - 389
VL  - 58
UR  - https://hdl.handle.net/21.15107/rcub_rai_520
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2022",
abstract = "This paper offers a new iconographic reading of a fragment of a Roman funerary stele in marble from the village of Putinci, near Bassiane in Lower Pannonia. Today, the lower part of the funerary stele is preserved. The fragment consists of a metrical epitaph and a relief below it. On the relief are depicted two fighting figures and one building on the right side. Both the epitaph and the relief are partially preserved. The relief has been interpreted as Orestes killing Clytemnestra. Following a tipological and iconographic analysis and comparison with Roman sarcophagi as well as with funerary monuments from Noricum and Pannonia, it has been suggested that it is most likely a scene with Orestes and the Taurians beside the temple of Artemis. Based on this interpretation, the fragment could be understood as an example of funerary iconography that is completely compatible with Norico-Pannonian funerary arts. Based on a comparison with a group of funerary monuments of merchants with metrical epitaphs, it is possible to presume that this stele was erected for a well-to-do merchant too.",
publisher = "Prague : Centre for Classical Studies, Institute of Philosophy of the Czech Academy of Sciences",
journal = "Eirene : Studia Graeca et Latina",
title = "La morte come liberazione (CIL III 10214 = CLE 1781): stele con un episodio della storia di Oreste dalla Pannonia Inferiore",
pages = "410-389",
number = "1-2",
volume = "58",
url = "https://hdl.handle.net/21.15107/rcub_rai_520"
}

Pilipović, S.. (2022). La morte come liberazione (CIL III 10214 = CLE 1781): stele con un episodio della storia di Oreste dalla Pannonia Inferiore. in Eirene : Studia Graeca et Latina
Prague : Centre for Classical Studies, Institute of Philosophy of the Czech Academy of Sciences., 58(1-2), 389-410.
https://hdl.handle.net/21.15107/rcub_rai_520

Pilipović S. La morte come liberazione (CIL III 10214 = CLE 1781): stele con un episodio della storia di Oreste dalla Pannonia Inferiore. in Eirene : Studia Graeca et Latina. 2022;58(1-2):389-410.
https://hdl.handle.net/21.15107/rcub_rai_520 .

Pilipović, Sanja, "La morte come liberazione (CIL III 10214 = CLE 1781): stele con un episodio della storia di Oreste dalla Pannonia Inferiore" in Eirene : Studia Graeca et Latina, 58, no. 1-2 (2022):389-410,
https://hdl.handle.net/21.15107/rcub_rai_520 .

TY  - BOOK
AU  - Pilipović, Sanja
PY  - 2022
UR  - http://rai.ai.ac.rs/handle/123456789/505
AB  - A significant group of funerary steles originates from Viminacium, the largest urban settlement and an important Danube military center. Unfortunately, the largest number of steles are preserved fragmentarily. Some are only known from literature. They date to the period from the end of the 1st century and the beginning of the 2nd century right up to the time of Christian dominance, most often in the 2nd or 3rd centuries. Some of these stele belong to exceptional works of Roman provincial art. Viminacium was, thanks to its excellent geographical position, exceptionally well connected with the Eastern-Alpine (Gummern), Lower-Pannonian (Budakalász, Aquincum), as well as Dacian and Southern-Carpathian workshops (Bukova). Most probably, skeched, semi-finished, or finished products of marble and travertine from these quarries were delivered by waterways, via the Danube, Sava, or Drava, to Viminacium. Wealthy inhabitants ordered monuments from these prestigious Eastern-Alpine, Pannonian, and Dacian workshops. At the same time, domestic Moesian workshops also had to satisfy a developed market and the increased demand of prosperous clients. A significant number of the Viminacium steles were made of local or regional Neogene, Sarmatian, or Bedenian limestone from quarries situated in the Danube region of the province. Local workshops developed Moesian artistic models characteristic of these parts, both in their structure and decoration. Although the funerary steles of Viminacium are largely fragmentarily preserved, they have been an extremely important basis for understanding life in this Danube center.
PB  - Beograd : Arheološki institut
T1  - Nadgrobne stele Viminacijuma
UR  - https://hdl.handle.net/21.15107/rcub_rai_505
ER  - 

@book{
author = "Pilipović, Sanja",
year = "2022",
abstract = "A significant group of funerary steles originates from Viminacium, the largest urban settlement and an important Danube military center. Unfortunately, the largest number of steles are preserved fragmentarily. Some are only known from literature. They date to the period from the end of the 1st century and the beginning of the 2nd century right up to the time of Christian dominance, most often in the 2nd or 3rd centuries. Some of these stele belong to exceptional works of Roman provincial art. Viminacium was, thanks to its excellent geographical position, exceptionally well connected with the Eastern-Alpine (Gummern), Lower-Pannonian (Budakalász, Aquincum), as well as Dacian and Southern-Carpathian workshops (Bukova). Most probably, skeched, semi-finished, or finished products of marble and travertine from these quarries were delivered by waterways, via the Danube, Sava, or Drava, to Viminacium. Wealthy inhabitants ordered monuments from these prestigious Eastern-Alpine, Pannonian, and Dacian workshops. At the same time, domestic Moesian workshops also had to satisfy a developed market and the increased demand of prosperous clients. A significant number of the Viminacium steles were made of local or regional Neogene, Sarmatian, or Bedenian limestone from quarries situated in the Danube region of the province. Local workshops developed Moesian artistic models characteristic of these parts, both in their structure and decoration. Although the funerary steles of Viminacium are largely fragmentarily preserved, they have been an extremely important basis for understanding life in this Danube center.",
publisher = "Beograd : Arheološki institut",
title = "Nadgrobne stele Viminacijuma",
url = "https://hdl.handle.net/21.15107/rcub_rai_505"
}

Pilipović, S.. (2022). Nadgrobne stele Viminacijuma. 
Beograd : Arheološki institut..
https://hdl.handle.net/21.15107/rcub_rai_505

Pilipović S. Nadgrobne stele Viminacijuma. 2022;.
https://hdl.handle.net/21.15107/rcub_rai_505 .

Pilipović, Sanja, "Nadgrobne stele Viminacijuma" (2022),
https://hdl.handle.net/21.15107/rcub_rai_505 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2021
UR  - http://rai.ai.ac.rs/handle/123456789/487
AB  - The paper studies a fragment of a funerary stele kept in the Museum of Smederevo (inv. A-266). Only the upper part of the stele is preserved: the lower part of the lion top, the gable with acroteria, and the upper part of the central field with a relief. Stele topped by lions were not common on the Upper Moesian Limes. The only integrally preserved stele with a lion top is a stele of Marcus Aurelius Bitus from Singidunum. Steles surmounted by lions were particularly popular in Noric and Pannonia. However, the division of fields on the stele is not that common. One group of steles from Dacia has a similar division of fields. Unfortunately, only a fragment of the stele from Smederevo Museum is preserved, which makes it difficult to understand this exceptional stele. We hope that subsequent petrographic analysis of the marble will certainly contribute to a better understanding of this exceptional stele.
PB  - Smederevo : Muzej u Smederevu
T2  - Smederevski zbornik
T1  - Nadgrobna stela s kruništem iz Muzeja u Smederevu
EP  - 75
IS  - 7
SP  - 63
UR  - https://hdl.handle.net/21.15107/rcub_rai_487
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2021",
abstract = "The paper studies a fragment of a funerary stele kept in the Museum of Smederevo (inv. A-266). Only the upper part of the stele is preserved: the lower part of the lion top, the gable with acroteria, and the upper part of the central field with a relief. Stele topped by lions were not common on the Upper Moesian Limes. The only integrally preserved stele with a lion top is a stele of Marcus Aurelius Bitus from Singidunum. Steles surmounted by lions were particularly popular in Noric and Pannonia. However, the division of fields on the stele is not that common. One group of steles from Dacia has a similar division of fields. Unfortunately, only a fragment of the stele from Smederevo Museum is preserved, which makes it difficult to understand this exceptional stele. We hope that subsequent petrographic analysis of the marble will certainly contribute to a better understanding of this exceptional stele.",
publisher = "Smederevo : Muzej u Smederevu",
journal = "Smederevski zbornik",
title = "Nadgrobna stela s kruništem iz Muzeja u Smederevu",
pages = "75-63",
number = "7",
url = "https://hdl.handle.net/21.15107/rcub_rai_487"
}

Pilipović, S.. (2021). Nadgrobna stela s kruništem iz Muzeja u Smederevu. in Smederevski zbornik
Smederevo : Muzej u Smederevu.(7), 63-75.
https://hdl.handle.net/21.15107/rcub_rai_487

Pilipović S. Nadgrobna stela s kruništem iz Muzeja u Smederevu. in Smederevski zbornik. 2021;(7):63-75.
https://hdl.handle.net/21.15107/rcub_rai_487 .

Pilipović, Sanja, "Nadgrobna stela s kruništem iz Muzeja u Smederevu" in Smederevski zbornik, no. 7 (2021):63-75,
https://hdl.handle.net/21.15107/rcub_rai_487 .

TY  - JOUR
AU  - Milanović, L.
AU  - Pilipović, Sanja
PY  - 2021
UR  - http://rai.ai.ac.rs/handle/123456789/373
AB  - Situated in the vicinity of the medieval fortress on the site of the old city cemetery in Smederevo, the Church of the Assumption of the Blessed Virgin represents the only preserved sacral monument from the medieval town of Smederevo. The fortress in Smederevo was built during the reign of Despot Djuradj Brankovic between 1428-1456, as part of the capital of medieval Serbia. There are no written records that speak of the construction, function or ktetor (founder) of the church. The church is of a small dimension, with a narthex, nave, two conches on its north and south sides, and a polygonal apse. The uneven stone and brick construction technique found on the facade suggests that its builders were interrupted or in a hurry. On the basis of stylistic characteristics, it can certainly be concluded that it belongs to Moravian architecture and was built in the first half of the fifteenth century. What is particularly startling on the church's west façade is a roman spoil embedded in the upper north part of the wall, next to the main entrance to the church. The spoil consists of an upper part of a roman stele with a gable featuring a representation of Medusa's head en face with two birds in the corners. With limited evidence concerning the founder of the church and its exact date this paper will try to elucidate one possible reason for embedding the spoil in the church wall in Smederevo. Also, it will discuss the purpose of Medusa in Early Christian and Medieval art. The question that will be asked is was it simply a decorative element, or do it retain its ancient symbolism and meaning.
PB  - Alexandru Ioan Cuza University of Iasi
T2  - Classica et Christiana
T1  - About face: A medusal spoil in the church of the assumption of the blessed virgin in Smederevo
EP  - 283
SP  - 261
VL  - 16
UR  - https://hdl.handle.net/21.15107/rcub_rai_373
ER  - 

@article{
author = "Milanović, L. and Pilipović, Sanja",
year = "2021",
abstract = "Situated in the vicinity of the medieval fortress on the site of the old city cemetery in Smederevo, the Church of the Assumption of the Blessed Virgin represents the only preserved sacral monument from the medieval town of Smederevo. The fortress in Smederevo was built during the reign of Despot Djuradj Brankovic between 1428-1456, as part of the capital of medieval Serbia. There are no written records that speak of the construction, function or ktetor (founder) of the church. The church is of a small dimension, with a narthex, nave, two conches on its north and south sides, and a polygonal apse. The uneven stone and brick construction technique found on the facade suggests that its builders were interrupted or in a hurry. On the basis of stylistic characteristics, it can certainly be concluded that it belongs to Moravian architecture and was built in the first half of the fifteenth century. What is particularly startling on the church's west façade is a roman spoil embedded in the upper north part of the wall, next to the main entrance to the church. The spoil consists of an upper part of a roman stele with a gable featuring a representation of Medusa's head en face with two birds in the corners. With limited evidence concerning the founder of the church and its exact date this paper will try to elucidate one possible reason for embedding the spoil in the church wall in Smederevo. Also, it will discuss the purpose of Medusa in Early Christian and Medieval art. The question that will be asked is was it simply a decorative element, or do it retain its ancient symbolism and meaning.",
publisher = "Alexandru Ioan Cuza University of Iasi",
journal = "Classica et Christiana",
title = "About face: A medusal spoil in the church of the assumption of the blessed virgin in Smederevo",
pages = "283-261",
volume = "16",
url = "https://hdl.handle.net/21.15107/rcub_rai_373"
}

Milanović, L.,& Pilipović, S.. (2021). About face: A medusal spoil in the church of the assumption of the blessed virgin in Smederevo. in Classica et Christiana
Alexandru Ioan Cuza University of Iasi., 16, 261-283.
https://hdl.handle.net/21.15107/rcub_rai_373

Milanović L, Pilipović S. About face: A medusal spoil in the church of the assumption of the blessed virgin in Smederevo. in Classica et Christiana. 2021;16:261-283.
https://hdl.handle.net/21.15107/rcub_rai_373 .

Milanović, L., Pilipović, Sanja, "About face: A medusal spoil in the church of the assumption of the blessed virgin in Smederevo" in Classica et Christiana, 16 (2021):261-283,
https://hdl.handle.net/21.15107/rcub_rai_373 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2021
UR  - http://rai.ai.ac.rs/handle/123456789/384
AB  - The goal of this paper1 was to shed light on the existence of stelae from Viminacium in the province of Upper Moesia which can be classified as topped by the two reclining lions. This type of stelae, surmounted by two lions and one element between them, was well-known in Noricum and Pannonia. There was no archaeological evidence and previous studies did not point out that this type of stelae was present in Viminacium and Upper Moesia. The study has shown that stelae of M. Valerius Speratus, T. Baebius Eutyches, and most probably of C. Corneilus Rufus, although not preserved in integral form today, were surmounted by the pediment, most likely with two reclining lions.
PB  - Akademiai Kiado ZRt.
T2  - Acta Archaeologica Academiae Scientiarum Hungaricae
T1  - Stele con cimasa orizzontale con coppia di leoni da Viminacium
EP  - 76
IS  - 1
SP  - 67
VL  - 72
DO  - 10.1556/072.2021.00005
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2021",
abstract = "The goal of this paper1 was to shed light on the existence of stelae from Viminacium in the province of Upper Moesia which can be classified as topped by the two reclining lions. This type of stelae, surmounted by two lions and one element between them, was well-known in Noricum and Pannonia. There was no archaeological evidence and previous studies did not point out that this type of stelae was present in Viminacium and Upper Moesia. The study has shown that stelae of M. Valerius Speratus, T. Baebius Eutyches, and most probably of C. Corneilus Rufus, although not preserved in integral form today, were surmounted by the pediment, most likely with two reclining lions.",
publisher = "Akademiai Kiado ZRt.",
journal = "Acta Archaeologica Academiae Scientiarum Hungaricae",
title = "Stele con cimasa orizzontale con coppia di leoni da Viminacium",
pages = "76-67",
number = "1",
volume = "72",
doi = "10.1556/072.2021.00005"
}

Pilipović, S.. (2021). Stele con cimasa orizzontale con coppia di leoni da Viminacium. in Acta Archaeologica Academiae Scientiarum Hungaricae
Akademiai Kiado ZRt.., 72(1), 67-76.
https://doi.org/10.1556/072.2021.00005

Pilipović S. Stele con cimasa orizzontale con coppia di leoni da Viminacium. in Acta Archaeologica Academiae Scientiarum Hungaricae. 2021;72(1):67-76.
doi:10.1556/072.2021.00005 .

Pilipović, Sanja, "Stele con cimasa orizzontale con coppia di leoni da Viminacium" in Acta Archaeologica Academiae Scientiarum Hungaricae, 72, no. 1 (2021):67-76,
https://doi.org/10.1556/072.2021.00005 . .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2021
UR  - http://rai.ai.ac.rs/handle/123456789/371
AB  - Nadgrobna stela Marka Aurelija Bita, vojnika legije IV Flavia, pronađena je u Beogradu, u Palmotićevoj ulici tokom izvođenja građevinskih radova 1989-1990. godine. Stela pripada arhitektonskom tipu, a na njenom vrhu se nalazi krunište s lavovima. Koliko je danas poznato, ona je jedinstven primer integralno sačuvane stele s kruništem ne samo u Singidunumu već i na gornjomezijskom limesu. U radu je potvrđeno da je ovaj tip stele s kruništem bio dobro poznat i u samom Singidunumu i u njegovoj široj okolini. Pored toga, sagledane su i strukturalne i ikonografske odlike stele Marka Aurelija Bita, a razmatrano je i pitanje umetničkih uticaja iz Panonije i Norika, koji su doprineli njenom nastanku u lokalnoj radionici tadašnjeg Singidunuma.
AB  - The funerary stela of Marcus Aurelius Bitus, a soldier of the Legio IV Flavia Felix, was discovered in Palmotićeva Street, Belgrade, during construction work undertaken in 1989-1990. The stela is typologically classified as being of the architectural type, and is topped by a pediment decorated with lions. To date, it remains the only known example of an intact stela with a pediment not only in Singidunum, but also along the entire Upper Moesian Limes. This paper provides evidence of the fact that this type of stelawith-pediment was not uncommon, either within Singidunum itself or throughout its wider surroundings. Additionally, the structural and iconographic features of the stela of Marcus Aurelius Bitus are studied, and the issue of artistic influences from Pannonia and Noricum, which undoubtedly influenced the stela's creation in a local workshop in what was then Singidunum, are also considered
PB  - Zavod za zaštitu spomenika kulture grada Beograda, Beograd
T2  - Nasleđe
T1  - Nadgrobna stela s kruništem i lavovima iz Singidunuma
T1  - Funerary stela with lion-decorated pediment from Singidunum
EP  - 19
IS  - 22
SP  - 9
DO  - 10.5937/nasledje2122009P
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2021",
abstract = "Nadgrobna stela Marka Aurelija Bita, vojnika legije IV Flavia, pronađena je u Beogradu, u Palmotićevoj ulici tokom izvođenja građevinskih radova 1989-1990. godine. Stela pripada arhitektonskom tipu, a na njenom vrhu se nalazi krunište s lavovima. Koliko je danas poznato, ona je jedinstven primer integralno sačuvane stele s kruništem ne samo u Singidunumu već i na gornjomezijskom limesu. U radu je potvrđeno da je ovaj tip stele s kruništem bio dobro poznat i u samom Singidunumu i u njegovoj široj okolini. Pored toga, sagledane su i strukturalne i ikonografske odlike stele Marka Aurelija Bita, a razmatrano je i pitanje umetničkih uticaja iz Panonije i Norika, koji su doprineli njenom nastanku u lokalnoj radionici tadašnjeg Singidunuma., The funerary stela of Marcus Aurelius Bitus, a soldier of the Legio IV Flavia Felix, was discovered in Palmotićeva Street, Belgrade, during construction work undertaken in 1989-1990. The stela is typologically classified as being of the architectural type, and is topped by a pediment decorated with lions. To date, it remains the only known example of an intact stela with a pediment not only in Singidunum, but also along the entire Upper Moesian Limes. This paper provides evidence of the fact that this type of stelawith-pediment was not uncommon, either within Singidunum itself or throughout its wider surroundings. Additionally, the structural and iconographic features of the stela of Marcus Aurelius Bitus are studied, and the issue of artistic influences from Pannonia and Noricum, which undoubtedly influenced the stela's creation in a local workshop in what was then Singidunum, are also considered",
publisher = "Zavod za zaštitu spomenika kulture grada Beograda, Beograd",
journal = "Nasleđe",
title = "Nadgrobna stela s kruništem i lavovima iz Singidunuma, Funerary stela with lion-decorated pediment from Singidunum",
pages = "19-9",
number = "22",
doi = "10.5937/nasledje2122009P"
}

Pilipović, S.. (2021). Nadgrobna stela s kruništem i lavovima iz Singidunuma. in Nasleđe
Zavod za zaštitu spomenika kulture grada Beograda, Beograd.(22), 9-19.
https://doi.org/10.5937/nasledje2122009P

Pilipović S. Nadgrobna stela s kruništem i lavovima iz Singidunuma. in Nasleđe. 2021;(22):9-19.
doi:10.5937/nasledje2122009P .

Pilipović, Sanja, "Nadgrobna stela s kruništem i lavovima iz Singidunuma" in Nasleđe, no. 22 (2021):9-19,
https://doi.org/10.5937/nasledje2122009P . .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2020
UR  - http://rai.ai.ac.rs/handle/123456789/483
AB  - Scroll (rotulus, volumen) had not been often represented as an attribute of the deceased on the funerary steles at the limes of the Upper Moesia province. Therefore, it is significant that it was represented on three steles with portraits from Singidunum. On the monumenterected to his wife Larsinia Ingenua by P. Aelius Dionysius ,veteran and signifer of the IV Flavia legion, is depicted married couple in the dextrarum iunctio pose and the husband was represented holding the scroll (IMS I, 35). In the relief on the stele with double epigraphic panel are depicted two female figures, Domitia Ursa and Serenia Quarta, whose names are mentioned in the inscription (IMS I, 52). One of them most probably holds the scroll and the other some object resembling it. Also, in the relief with portraits of married couple carved on today fragmentary preserved stele, the male figure holds the scroll in his hand (IMS I, 62). Besides declaring belonging to the educated and cultural social class and emphasizing the social status, the scroll on these steles had more complex context. It is possible that on the stele of Larsinia Ingenua scroll in the hand of (her husband) veteran of Greek origin P. Aelius Dionysius should have emphasized the idea stated by the dextrarum iunctio gesture, i.e. final farewell of the couple, but it also declared the relatively significant position of this veteran. Scroll in the hand of one woman on stele with double epigraphic panel was intended to emphasize the social status of the portrayed woman and her belonging to the sphere of culture. Third stele was unfortunately preserved only in fragments and does not make possible more precise conclusions. Scroll, as we can see, had very complex role in the integrated system of iconography and inscriptions on the funerary monuments. Although it is often difficult to define precisely its symbolic meaning as an attribute a scroll is exceptionally important element in understanding the image, which the deceased wanted to emphasize by the portrait on his funerary monument.
PB  - Narodni muzej Beograd
T2  - Zbornik Narodnog muzeja - Arheologija
T1  - Svitak kao atribut pokojnika: nadgrobne stele sa portretima iz Singidunuma
EP  - 188
IS  - 24/1
SP  - 169
UR  - https://hdl.handle.net/21.15107/rcub_rai_483
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2020",
abstract = "Scroll (rotulus, volumen) had not been often represented as an attribute of the deceased on the funerary steles at the limes of the Upper Moesia province. Therefore, it is significant that it was represented on three steles with portraits from Singidunum. On the monumenterected to his wife Larsinia Ingenua by P. Aelius Dionysius ,veteran and signifer of the IV Flavia legion, is depicted married couple in the dextrarum iunctio pose and the husband was represented holding the scroll (IMS I, 35). In the relief on the stele with double epigraphic panel are depicted two female figures, Domitia Ursa and Serenia Quarta, whose names are mentioned in the inscription (IMS I, 52). One of them most probably holds the scroll and the other some object resembling it. Also, in the relief with portraits of married couple carved on today fragmentary preserved stele, the male figure holds the scroll in his hand (IMS I, 62). Besides declaring belonging to the educated and cultural social class and emphasizing the social status, the scroll on these steles had more complex context. It is possible that on the stele of Larsinia Ingenua scroll in the hand of (her husband) veteran of Greek origin P. Aelius Dionysius should have emphasized the idea stated by the dextrarum iunctio gesture, i.e. final farewell of the couple, but it also declared the relatively significant position of this veteran. Scroll in the hand of one woman on stele with double epigraphic panel was intended to emphasize the social status of the portrayed woman and her belonging to the sphere of culture. Third stele was unfortunately preserved only in fragments and does not make possible more precise conclusions. Scroll, as we can see, had very complex role in the integrated system of iconography and inscriptions on the funerary monuments. Although it is often difficult to define precisely its symbolic meaning as an attribute a scroll is exceptionally important element in understanding the image, which the deceased wanted to emphasize by the portrait on his funerary monument.",
publisher = "Narodni muzej Beograd",
journal = "Zbornik Narodnog muzeja - Arheologija",
title = "Svitak kao atribut pokojnika: nadgrobne stele sa portretima iz Singidunuma",
pages = "188-169",
number = "24/1",
url = "https://hdl.handle.net/21.15107/rcub_rai_483"
}

Pilipović, S.. (2020). Svitak kao atribut pokojnika: nadgrobne stele sa portretima iz Singidunuma. in Zbornik Narodnog muzeja - Arheologija
Narodni muzej Beograd.(24/1), 169-188.
https://hdl.handle.net/21.15107/rcub_rai_483

Pilipović S. Svitak kao atribut pokojnika: nadgrobne stele sa portretima iz Singidunuma. in Zbornik Narodnog muzeja - Arheologija. 2020;(24/1):169-188.
https://hdl.handle.net/21.15107/rcub_rai_483 .

Pilipović, Sanja, "Svitak kao atribut pokojnika: nadgrobne stele sa portretima iz Singidunuma" in Zbornik Narodnog muzeja - Arheologija, no. 24/1 (2020):169-188,
https://hdl.handle.net/21.15107/rcub_rai_483 .

TY  - JOUR
AU  - Pilipović, Sanja
AU  - Milanović, Ljubomir
PY  - 2020
UR  - http://rai.ai.ac.rs/handle/123456789/480
AB  - This paper offers a new iconographic reading of a fragment of a Roman funerary stele. The fragment consists of a pediment with acroteria that was embedded as a piece of spolia in the south wall of the church of the Rukumija monastery. The fragment likely originates from the site of Viminacium, the capital of the province of Upper Moesia. The main part of the pediment was decorated with a relief depicting a Medusa’s head, while the reliefs on its acroteria have been identifi ed by scholars as horsemen. Following an iconographic analysis and comparison with stelai from Viminacium, as well as from Noricum and Pannonia, the figures on the acroteria are interpreted as Dioscuri. Based on this interpretation, the fragment presents an example of funerary iconography that is rare not only in Viminacium and Upper Moesia, but also in the surrounding provinces. The fragment from Rukumija contributes to a better understanding of the iconography of the divine twins as symbols of immortality and thee psychopompe, as well as companions of the deceased in the afterlife. Until now, their representation on the acroteria of Roman funerary stelae was unknown, making the fragment of the stele from Rukumija unique.
PB  - Praha : Centre for Classical Studies at the Institute of Philosophy of the Czech Academy of Sciences
T2  - Eirene. Studia Graeca et Latina
T1  - I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium
T1  - The Dioscuri in funerary art : an unusual fragment of a stele from Viminacium
EP  - 322
IS  - 56
SP  - 299
UR  - https://hdl.handle.net/21.15107/rcub_rai_480
ER  - 

@article{
author = "Pilipović, Sanja and Milanović, Ljubomir",
year = "2020",
abstract = "This paper offers a new iconographic reading of a fragment of a Roman funerary stele. The fragment consists of a pediment with acroteria that was embedded as a piece of spolia in the south wall of the church of the Rukumija monastery. The fragment likely originates from the site of Viminacium, the capital of the province of Upper Moesia. The main part of the pediment was decorated with a relief depicting a Medusa’s head, while the reliefs on its acroteria have been identifi ed by scholars as horsemen. Following an iconographic analysis and comparison with stelai from Viminacium, as well as from Noricum and Pannonia, the figures on the acroteria are interpreted as Dioscuri. Based on this interpretation, the fragment presents an example of funerary iconography that is rare not only in Viminacium and Upper Moesia, but also in the surrounding provinces. The fragment from Rukumija contributes to a better understanding of the iconography of the divine twins as symbols of immortality and thee psychopompe, as well as companions of the deceased in the afterlife. Until now, their representation on the acroteria of Roman funerary stelae was unknown, making the fragment of the stele from Rukumija unique.",
publisher = "Praha : Centre for Classical Studies at the Institute of Philosophy of the Czech Academy of Sciences",
journal = "Eirene. Studia Graeca et Latina",
title = "I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium, The Dioscuri in funerary art : an unusual fragment of a stele from Viminacium",
pages = "322-299",
number = "56",
url = "https://hdl.handle.net/21.15107/rcub_rai_480"
}

Pilipović, S.,& Milanović, L.. (2020). I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium. in Eirene. Studia Graeca et Latina
Praha : Centre for Classical Studies at the Institute of Philosophy of the Czech Academy of Sciences.(56), 299-322.
https://hdl.handle.net/21.15107/rcub_rai_480

Pilipović S, Milanović L. I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium. in Eirene. Studia Graeca et Latina. 2020;(56):299-322.
https://hdl.handle.net/21.15107/rcub_rai_480 .

Pilipović, Sanja, Milanović, Ljubomir, "I Dioscuri nell’arte funeraria: insolito frammento della stele da Viminacium" in Eirene. Studia Graeca et Latina, no. 56 (2020):299-322,
https://hdl.handle.net/21.15107/rcub_rai_480 .

TY  - CHAP
AU  - Milanović, Ljubomir
AU  - Pilipović, Sanja
PY  - 2019
UR  - http://rai.ai.ac.rs/handle/123456789/486
AB  - A gold ring with a gem, made of multi-layered opal, with a representation of Pegasus and Bellerophon originates from Porodin near Aleksinac. Today, the ring is kept in the National Museum in Belgrade. The paper studies the presented motif, and importance of the archaeological site Gradište in the village of Porodin, from where this exceptional work of Roman jewelry.
The motif of Bellerophon capturing, that is, taming Pegasus, is a theme that was not common in Roman art, where this mythological hero most often was depicted in the scene of killing the Chimera. The expensive gold ring probably belonged to a high-ranking soldier, an officer, who stayed in Porodin, a fortified military-strategic point, and who could afford such a luxurious piece of jewelry. The choice of the depicted victorious motif on the gem, as an expression of virtus, could support this thesis about the military career of the owner of the ring.
PB  - Svrljig : Centar za turizam, kulturu i sport
T2  - Etno-kulturološki zbornik
T1  - Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca
EP  - 19
IS  - 22
SP  - 9
UR  - https://hdl.handle.net/21.15107/rcub_rai_486
ER  - 

@inbook{
author = "Milanović, Ljubomir and Pilipović, Sanja",
year = "2019",
abstract = "A gold ring with a gem, made of multi-layered opal, with a representation of Pegasus and Bellerophon originates from Porodin near Aleksinac. Today, the ring is kept in the National Museum in Belgrade. The paper studies the presented motif, and importance of the archaeological site Gradište in the village of Porodin, from where this exceptional work of Roman jewelry.
The motif of Bellerophon capturing, that is, taming Pegasus, is a theme that was not common in Roman art, where this mythological hero most often was depicted in the scene of killing the Chimera. The expensive gold ring probably belonged to a high-ranking soldier, an officer, who stayed in Porodin, a fortified military-strategic point, and who could afford such a luxurious piece of jewelry. The choice of the depicted victorious motif on the gem, as an expression of virtus, could support this thesis about the military career of the owner of the ring.",
publisher = "Svrljig : Centar za turizam, kulturu i sport",
journal = "Etno-kulturološki zbornik",
booktitle = "Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca",
pages = "19-9",
number = "22",
url = "https://hdl.handle.net/21.15107/rcub_rai_486"
}

Milanović, L.,& Pilipović, S.. (2019). Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca. in Etno-kulturološki zbornik
Svrljig : Centar za turizam, kulturu i sport.(22), 9-19.
https://hdl.handle.net/21.15107/rcub_rai_486

Milanović L, Pilipović S. Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca. in Etno-kulturološki zbornik. 2019;(22):9-19.
https://hdl.handle.net/21.15107/rcub_rai_486 .

Milanović, Ljubomir, Pilipović, Sanja, "Belerofont kroti Pegaza: zlatni prosten iz Porodina kod Aleksinca" in Etno-kulturološki zbornik, no. 22 (2019):9-19,
https://hdl.handle.net/21.15107/rcub_rai_486 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2019
UR  - http://rai.ai.ac.rs/handle/123456789/522
AB  - This research focuses on the monuments of the Augustales from Viminacium in the province of Upper Moesia. Five monuments are considered: four funerary steles and one monument dedicated to an emperor. Based on an analysis of epigraphic and iconographic sources, this paper aims to discover the origin and social status of the Augustales in Viminacium and the nature of their relationship to the ruling class of the city.
PB  - Budapest : Akadémiai Kiadó
T2  - Acta Archaeologica Academiae Scientiarum Hungaricae
T1  - Gli Augustales a Viminacium (Mesia Superiore): le testimonianze iconografiche ed iconografiche
EP  - 81
IS  - 1
SP  - 67
VL  - 70
DO  - 10.1556/072.2019.70.1.3
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2019",
abstract = "This research focuses on the monuments of the Augustales from Viminacium in the province of Upper Moesia. Five monuments are considered: four funerary steles and one monument dedicated to an emperor. Based on an analysis of epigraphic and iconographic sources, this paper aims to discover the origin and social status of the Augustales in Viminacium and the nature of their relationship to the ruling class of the city.",
publisher = "Budapest : Akadémiai Kiadó",
journal = "Acta Archaeologica Academiae Scientiarum Hungaricae",
title = "Gli Augustales a Viminacium (Mesia Superiore): le testimonianze iconografiche ed iconografiche",
pages = "81-67",
number = "1",
volume = "70",
doi = "10.1556/072.2019.70.1.3"
}

Pilipović, S.. (2019). Gli Augustales a Viminacium (Mesia Superiore): le testimonianze iconografiche ed iconografiche. in Acta Archaeologica Academiae Scientiarum Hungaricae
Budapest : Akadémiai Kiadó., 70(1), 67-81.
https://doi.org/10.1556/072.2019.70.1.3

Pilipović S. Gli Augustales a Viminacium (Mesia Superiore): le testimonianze iconografiche ed iconografiche. in Acta Archaeologica Academiae Scientiarum Hungaricae. 2019;70(1):67-81.
doi:10.1556/072.2019.70.1.3 .

Pilipović, Sanja, "Gli Augustales a Viminacium (Mesia Superiore): le testimonianze iconografiche ed iconografiche" in Acta Archaeologica Academiae Scientiarum Hungaricae, 70, no. 1 (2019):67-81,
https://doi.org/10.1556/072.2019.70.1.3 . .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/485
AB  - The stele of C. Cornelius Rufus, with the epitaph and the reliefs, offers significant data on the lives of the members of the ordo decurionum and of the priests of the municipality of Viminacium. The relief on the plinth of the stele with the sella curulis, two camillus, and two lictors underlines a sacred idea. The objects in the hands of the lictors, the double stick (doppelstäben), and the commoetaculum were the insignia of the flamines. In this way, it is made an allusion to C. Cornelius Pacatus, decurion and flamen of the municipium of Viminacium, who was mentioned on the epitaph. This type of iconography is rarely seen, and its closest analogies are on the monuments of the Noricum. The other relief in the central field could indicate the possible previous military career of the deceased. The theme of the relief, attributed to Helena and Menelaus or some other mythological couple, alludes to the spouses, C. Cornelius Rufus and his wife. The representation of a male figure in the lorica musculata, with pteryges, decorated with a gorgoneion on the chest, could indicate that the monument belonged to a high-ranking officer. It could be assumed that C. Cornelius Rufus began his career as a soldier, which allowed him to make easier progress in public life, i.e. in the civil service. It could be assumed that he was a veteran of Legion VII Claudia.
The epigraphic and archaeological finds allow us to note that among the members of the ordo decurionum and among the priests in the municipium of Viminacium, the family of the Cornelii with a decurion and augur, and a decurion and flamen, was one of the most important and powerful. The Cornelii belonged to the high social class and could afford this exsceptional marble monument.
PB  - Iaşi : Alexandru Ioan Cuza University of Iaşi
T2  - Classica et Christiana
T1  - Stele con sella curule e littori sacrali (CIL III 9733): ordo decurionum a Viminacium
EP  - 200
IS  - 13
SP  - 181
UR  - https://hdl.handle.net/21.15107/rcub_rai_485
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2018",
abstract = "The stele of C. Cornelius Rufus, with the epitaph and the reliefs, offers significant data on the lives of the members of the ordo decurionum and of the priests of the municipality of Viminacium. The relief on the plinth of the stele with the sella curulis, two camillus, and two lictors underlines a sacred idea. The objects in the hands of the lictors, the double stick (doppelstäben), and the commoetaculum were the insignia of the flamines. In this way, it is made an allusion to C. Cornelius Pacatus, decurion and flamen of the municipium of Viminacium, who was mentioned on the epitaph. This type of iconography is rarely seen, and its closest analogies are on the monuments of the Noricum. The other relief in the central field could indicate the possible previous military career of the deceased. The theme of the relief, attributed to Helena and Menelaus or some other mythological couple, alludes to the spouses, C. Cornelius Rufus and his wife. The representation of a male figure in the lorica musculata, with pteryges, decorated with a gorgoneion on the chest, could indicate that the monument belonged to a high-ranking officer. It could be assumed that C. Cornelius Rufus began his career as a soldier, which allowed him to make easier progress in public life, i.e. in the civil service. It could be assumed that he was a veteran of Legion VII Claudia.
The epigraphic and archaeological finds allow us to note that among the members of the ordo decurionum and among the priests in the municipium of Viminacium, the family of the Cornelii with a decurion and augur, and a decurion and flamen, was one of the most important and powerful. The Cornelii belonged to the high social class and could afford this exsceptional marble monument.",
publisher = "Iaşi : Alexandru Ioan Cuza University of Iaşi",
journal = "Classica et Christiana",
title = "Stele con sella curule e littori sacrali (CIL III 9733): ordo decurionum a Viminacium",
pages = "200-181",
number = "13",
url = "https://hdl.handle.net/21.15107/rcub_rai_485"
}

Pilipović, S.. (2018). Stele con sella curule e littori sacrali (CIL III 9733): ordo decurionum a Viminacium. in Classica et Christiana
Iaşi : Alexandru Ioan Cuza University of Iaşi.(13), 181-200.
https://hdl.handle.net/21.15107/rcub_rai_485

Pilipović S. Stele con sella curule e littori sacrali (CIL III 9733): ordo decurionum a Viminacium. in Classica et Christiana. 2018;(13):181-200.
https://hdl.handle.net/21.15107/rcub_rai_485 .

Pilipović, Sanja, "Stele con sella curule e littori sacrali (CIL III 9733): ordo decurionum a Viminacium" in Classica et Christiana, no. 13 (2018):181-200,
https://hdl.handle.net/21.15107/rcub_rai_485 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2018
UR  - http://rai.ai.ac.rs/handle/123456789/1446
AB  - U radu se istražuje danas izgubljeni počani natpis augustala, koji je bio uzidan u tvrđavu u Smederevu kao spolija. Radi se o jednom o retkih i dragocenih spominjanja augustala u Gornjoj Meziji.
PB  - Smederevo : Muzej u Smederevu
T2  - Smederevski zbornik
T1  - Počasni natpis augustala sa Smederevske tvrđave (IMS II 163)
EP  - 44
IS  - 6
SP  - 35
UR  - https://hdl.handle.net/21.15107/rcub_rai_1446
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2018",
abstract = "U radu se istražuje danas izgubljeni počani natpis augustala, koji je bio uzidan u tvrđavu u Smederevu kao spolija. Radi se o jednom o retkih i dragocenih spominjanja augustala u Gornjoj Meziji.",
publisher = "Smederevo : Muzej u Smederevu",
journal = "Smederevski zbornik",
title = "Počasni natpis augustala sa Smederevske tvrđave (IMS II 163)",
pages = "44-35",
number = "6",
url = "https://hdl.handle.net/21.15107/rcub_rai_1446"
}

Pilipović, S.. (2018). Počasni natpis augustala sa Smederevske tvrđave (IMS II 163). in Smederevski zbornik
Smederevo : Muzej u Smederevu.(6), 35-44.
https://hdl.handle.net/21.15107/rcub_rai_1446

Pilipović S. Počasni natpis augustala sa Smederevske tvrđave (IMS II 163). in Smederevski zbornik. 2018;(6):35-44.
https://hdl.handle.net/21.15107/rcub_rai_1446 .

Pilipović, Sanja, "Počasni natpis augustala sa Smederevske tvrđave (IMS II 163)" in Smederevski zbornik, no. 6 (2018):35-44,
https://hdl.handle.net/21.15107/rcub_rai_1446 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2018
UR  - https://dais.sanu.ac.rs/123456789/6205
UR  - http://rai.ai.ac.rs/handle/123456789/519
AB  - У раду је проучаван, данас изгубљен, почасни натпис једног аугустала који је некада био узидан у Смедеревску тврђаву. Ради се о једном од ретких помињања аугустала у Горњој Мезији. Сагледано је, колико је то било могуће, порекло, социјални статус, као и веза овог аугустала са административном управом града.
PB  - Смедерево : Народни музеј
T2  - Смедеревски зборник
T1  - Почасни натпис Аугустала са Смедеревске тврђаве (IMS II 63)
EP  - 45
IS  - 6
SP  - 35
UR  - https://hdl.handle.net/21.15107/rcub_dais_6205
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2018",
abstract = "У раду је проучаван, данас изгубљен, почасни натпис једног аугустала који је некада био узидан у Смедеревску тврђаву. Ради се о једном од ретких помињања аугустала у Горњој Мезији. Сагледано је, колико је то било могуће, порекло, социјални статус, као и веза овог аугустала са административном управом града.",
publisher = "Смедерево : Народни музеј",
journal = "Смедеревски зборник",
title = "Почасни натпис Аугустала са Смедеревске тврђаве (IMS II 63)",
pages = "45-35",
number = "6",
url = "https://hdl.handle.net/21.15107/rcub_dais_6205"
}

Pilipović, S.. (2018). Почасни натпис Аугустала са Смедеревске тврђаве (IMS II 63). in Смедеревски зборник
Смедерево : Народни музеј.(6), 35-45.
https://hdl.handle.net/21.15107/rcub_dais_6205

Pilipović S. Почасни натпис Аугустала са Смедеревске тврђаве (IMS II 63). in Смедеревски зборник. 2018;(6):35-45.
https://hdl.handle.net/21.15107/rcub_dais_6205 .

Pilipović, Sanja, "Почасни натпис Аугустала са Смедеревске тврђаве (IMS II 63)" in Смедеревски зборник, no. 6 (2018):35-45,
https://hdl.handle.net/21.15107/rcub_dais_6205 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2017
UR  - http://rai.ai.ac.rs/handle/123456789/484
AB  - The subject of the research is the cult of Silvanus in the Danube limes area in the Roman province of Upper Moesia. It has been analyzed eight votive inscriptions of which are preserved only four, and one votive relief related to the cult of this deity. The aim of the research is to elucidate the relationship between Silvanus and agricultural-pastoral world, its indigenous or Italic character and identity of the worshipers. In this work is also emphasized the significance of the impact from the neighboring provinces, especially the Lower Pannonia, in shaping of this cult in Upper Moesia.
PB  - Budapest : Akadémiai Kiadó
T2  - Acta Archaeologica Academiae Scientiarum Hungaricae
T1  - Il culto di Silvano nel limes della Mesia Superiore
EP  - 74
IS  - 68
SP  - 59
DO  - 10.1556/072.2017.68.1.3
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2017",
abstract = "The subject of the research is the cult of Silvanus in the Danube limes area in the Roman province of Upper Moesia. It has been analyzed eight votive inscriptions of which are preserved only four, and one votive relief related to the cult of this deity. The aim of the research is to elucidate the relationship between Silvanus and agricultural-pastoral world, its indigenous or Italic character and identity of the worshipers. In this work is also emphasized the significance of the impact from the neighboring provinces, especially the Lower Pannonia, in shaping of this cult in Upper Moesia.",
publisher = "Budapest : Akadémiai Kiadó",
journal = "Acta Archaeologica Academiae Scientiarum Hungaricae",
title = "Il culto di Silvano nel limes della Mesia Superiore",
pages = "74-59",
number = "68",
doi = "10.1556/072.2017.68.1.3"
}

Pilipović, S.. (2017). Il culto di Silvano nel limes della Mesia Superiore. in Acta Archaeologica Academiae Scientiarum Hungaricae
Budapest : Akadémiai Kiadó.(68), 59-74.
https://doi.org/10.1556/072.2017.68.1.3

Pilipović S. Il culto di Silvano nel limes della Mesia Superiore. in Acta Archaeologica Academiae Scientiarum Hungaricae. 2017;(68):59-74.
doi:10.1556/072.2017.68.1.3 .

Pilipović, Sanja, "Il culto di Silvano nel limes della Mesia Superiore" in Acta Archaeologica Academiae Scientiarum Hungaricae, no. 68 (2017):59-74,
https://doi.org/10.1556/072.2017.68.1.3 . .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2016
UR  - http://rai.ai.ac.rs/handle/123456789/521
AB  - This paper examines the votive relief with three deities that was built into the wall of the Smederevo Fortress. Relief is located in a hardly accessible place, which complicates its detailed review. Nevertheless, the study shows that Nikola Vulic has the right and that the relief represents Silvan and Jupiter. The attribution of the third figure, probably Mars, is difficult because of the absence of known analogies. Study has shown that the Smederevo relief was dedicated to Jupiter as the supreme god and to Silvan Domesticus in order to protect home and property. Silvan on this relief was represented in his italic form, most likely under the influences that came with the army from neighboring Pannonia. If the third figure on this relief is understood to be Mars, then Silvan could be interpreted as the defender of home, family, and property on the outskirts of some settlements but also as a tutor of finium in these border areas of the Empire.
PB  - Smederevo : Muzej u Smederevu
T2  - Smederevski zbornik
T1  - Silvan i njegova kultna zajednica : reljef uzidan u Smederevsku tvrđavu
EP  - 56
IS  - 5
SP  - 45
UR  - https://hdl.handle.net/21.15107/rcub_rai_521
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2016",
abstract = "This paper examines the votive relief with three deities that was built into the wall of the Smederevo Fortress. Relief is located in a hardly accessible place, which complicates its detailed review. Nevertheless, the study shows that Nikola Vulic has the right and that the relief represents Silvan and Jupiter. The attribution of the third figure, probably Mars, is difficult because of the absence of known analogies. Study has shown that the Smederevo relief was dedicated to Jupiter as the supreme god and to Silvan Domesticus in order to protect home and property. Silvan on this relief was represented in his italic form, most likely under the influences that came with the army from neighboring Pannonia. If the third figure on this relief is understood to be Mars, then Silvan could be interpreted as the defender of home, family, and property on the outskirts of some settlements but also as a tutor of finium in these border areas of the Empire.",
publisher = "Smederevo : Muzej u Smederevu",
journal = "Smederevski zbornik",
title = "Silvan i njegova kultna zajednica : reljef uzidan u Smederevsku tvrđavu",
pages = "56-45",
number = "5",
url = "https://hdl.handle.net/21.15107/rcub_rai_521"
}

Pilipović, S.. (2016). Silvan i njegova kultna zajednica : reljef uzidan u Smederevsku tvrđavu. in Smederevski zbornik
Smederevo : Muzej u Smederevu.(5), 45-56.
https://hdl.handle.net/21.15107/rcub_rai_521

Pilipović S. Silvan i njegova kultna zajednica : reljef uzidan u Smederevsku tvrđavu. in Smederevski zbornik. 2016;(5):45-56.
https://hdl.handle.net/21.15107/rcub_rai_521 .

Pilipović, Sanja, "Silvan i njegova kultna zajednica : reljef uzidan u Smederevsku tvrđavu" in Smederevski zbornik, no. 5 (2016):45-56,
https://hdl.handle.net/21.15107/rcub_rai_521 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2016
UR  - http://rai.ai.ac.rs/handle/123456789/492
AB  - The focus of the paper is on the travel scene depicted on the funerary stele of L. Blassius Nigellio (CIL III 1650), a speculator of legio VII Claudia, from Viminacium. Seeking to gain a more comprehensive understanding of this scene from the everyday professional life of a Roman speculator, it draws attention to an iconographic pattern shared by a group of monuments of Roman principales (speculatores, frumentarii, beneficiarii consularis), among which the scene from Viminacium holds a very important place. The speculator on the stele from Viminacium travelling in a carriage (rheda), possibly his own, apparently was on a military-related assignment the purpose of which was either to requisition supplies for the army or to exact the payment of the taxes intended for its upkeep. The paper also takes a look at the origin and social status of the Upper Moesian speculator who could afford such a costly tombstone.
PB  - Beograd : Balkanološki institut SANU
T2  - Balcanica
T1  - A Travelling Speculator (CIL III 1650). A Glimpse of the Everday life of the Principales through the Window of Roman Funerary Art
EP  - 24
IS  - 47
SP  - 7
DO  - 10.2298/BALC1647007P
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2016",
abstract = "The focus of the paper is on the travel scene depicted on the funerary stele of L. Blassius Nigellio (CIL III 1650), a speculator of legio VII Claudia, from Viminacium. Seeking to gain a more comprehensive understanding of this scene from the everyday professional life of a Roman speculator, it draws attention to an iconographic pattern shared by a group of monuments of Roman principales (speculatores, frumentarii, beneficiarii consularis), among which the scene from Viminacium holds a very important place. The speculator on the stele from Viminacium travelling in a carriage (rheda), possibly his own, apparently was on a military-related assignment the purpose of which was either to requisition supplies for the army or to exact the payment of the taxes intended for its upkeep. The paper also takes a look at the origin and social status of the Upper Moesian speculator who could afford such a costly tombstone.",
publisher = "Beograd : Balkanološki institut SANU",
journal = "Balcanica",
title = "A Travelling Speculator (CIL III 1650). A Glimpse of the Everday life of the Principales through the Window of Roman Funerary Art",
pages = "24-7",
number = "47",
doi = "10.2298/BALC1647007P"
}

Pilipović, S.. (2016). A Travelling Speculator (CIL III 1650). A Glimpse of the Everday life of the Principales through the Window of Roman Funerary Art. in Balcanica
Beograd : Balkanološki institut SANU.(47), 7-24.
https://doi.org/10.2298/BALC1647007P

Pilipović S. A Travelling Speculator (CIL III 1650). A Glimpse of the Everday life of the Principales through the Window of Roman Funerary Art. in Balcanica. 2016;(47):7-24.
doi:10.2298/BALC1647007P .

Pilipović, Sanja, "A Travelling Speculator (CIL III 1650). A Glimpse of the Everday life of the Principales through the Window of Roman Funerary Art" in Balcanica, no. 47 (2016):7-24,
https://doi.org/10.2298/BALC1647007P . .

TY  - JOUR
AU  - Pilipović, Sanja
AU  - Milanović, Ljubomir
PY  - 2016
UR  - http://rai.ai.ac.rs/handle/123456789/490
AB  - The subject of the paper is the so-called Jonah sarcophagus from Singidunum (Belgrade). The sarcophagus belongs to the pagan, Pannonian type sarcophagi that were often decorated with Noric-Pannonian scrolls. What makes it unique in the region of Moesia is its relief decoration on the front side. In the field usually used for an inscription, one finds carved scenes from the Old Testament story of Jonah and the Good Shepherd. The sarcophagus is considered in the context of the growing Early Christian community in Singidunum and surrounding area. At that time, Singidunum was already a growing Episcopal seat and witnessing the formation of cults of early martyrs. The iconography is discussed in close proximity with analogous images of Early Christian art that may have impacted the development of its iconographic program.
PB  - Iaşi : Alexandru Ioan Cuza University of Iaşi
T2  - Classica et Christiana
T1  - The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans
EP  - 245
IS  - 11
SP  - 219
UR  - https://hdl.handle.net/21.15107/rcub_rai_490
ER  - 

@article{
author = "Pilipović, Sanja and Milanović, Ljubomir",
year = "2016",
abstract = "The subject of the paper is the so-called Jonah sarcophagus from Singidunum (Belgrade). The sarcophagus belongs to the pagan, Pannonian type sarcophagi that were often decorated with Noric-Pannonian scrolls. What makes it unique in the region of Moesia is its relief decoration on the front side. In the field usually used for an inscription, one finds carved scenes from the Old Testament story of Jonah and the Good Shepherd. The sarcophagus is considered in the context of the growing Early Christian community in Singidunum and surrounding area. At that time, Singidunum was already a growing Episcopal seat and witnessing the formation of cults of early martyrs. The iconography is discussed in close proximity with analogous images of Early Christian art that may have impacted the development of its iconographic program.",
publisher = "Iaşi : Alexandru Ioan Cuza University of Iaşi",
journal = "Classica et Christiana",
title = "The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans",
pages = "245-219",
number = "11",
url = "https://hdl.handle.net/21.15107/rcub_rai_490"
}

Pilipović, S.,& Milanović, L.. (2016). The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans. in Classica et Christiana
Iaşi : Alexandru Ioan Cuza University of Iaşi.(11), 219-245.
https://hdl.handle.net/21.15107/rcub_rai_490

Pilipović S, Milanović L. The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans. in Classica et Christiana. 2016;(11):219-245.
https://hdl.handle.net/21.15107/rcub_rai_490 .

Pilipović, Sanja, Milanović, Ljubomir, "The Jonah Sarcophagus from Singidunum: A Contribution to the Stydy of Early Christian Art in the Balkans" in Classica et Christiana, no. 11 (2016):219-245,
https://hdl.handle.net/21.15107/rcub_rai_490 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2016
UR  - http://rai.ai.ac.rs/handle/123456789/488
AB  - The goal of this study is to shed light on the cult of Liber in Taurunum, today Zemun, in the Roman province of Lower Pannonia. The study attempts to understand and explain, as far as possible, the spread and characteristics of the veneration of Liber in Taurunum on the basis of the nine votive altars with reliefs and inscriptions, preserved in a fragmentary state. The dedications to Liber and the Dionysian reliefs of Taurunum most likely came from a sanctuary that would be one of the few in this part of the Danube limes. Taurunum, a well-known naval base, was located in the plain alluvial area of Pannonia, and with its fertile land, it was very suitable for agriculture and viticulture. It could be hypothesized that also in Taurunum, as in the places close to the Pannonian limes (Popovac, Almus Mons, Cibalae), as well as in the limes of Moesia Superiore (Singidunum, Smederevo, Aureus Mons), viticulture was part of the daily life of the inhabitants. Unfortunately, systematic archaeological excavations have never been carried out in Zemun, and this does not allow us to reach more in-depth conclusions.
PB  - Prague : Centre for Classical Studies, Institute of Philosophy of the Czech Academy of Sciences
T2  - Eirene. Studia Graeca et Latina
T1  - Il culto di Liber a Taurunum: un contributo allo studio della viticoltura nella Pannonia Inferiore
IS  - 1-2
SP  - 445
SP  - 470
VL  - 52
UR  - https://hdl.handle.net/21.15107/rcub_rai_488
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2016",
abstract = "The goal of this study is to shed light on the cult of Liber in Taurunum, today Zemun, in the Roman province of Lower Pannonia. The study attempts to understand and explain, as far as possible, the spread and characteristics of the veneration of Liber in Taurunum on the basis of the nine votive altars with reliefs and inscriptions, preserved in a fragmentary state. The dedications to Liber and the Dionysian reliefs of Taurunum most likely came from a sanctuary that would be one of the few in this part of the Danube limes. Taurunum, a well-known naval base, was located in the plain alluvial area of Pannonia, and with its fertile land, it was very suitable for agriculture and viticulture. It could be hypothesized that also in Taurunum, as in the places close to the Pannonian limes (Popovac, Almus Mons, Cibalae), as well as in the limes of Moesia Superiore (Singidunum, Smederevo, Aureus Mons), viticulture was part of the daily life of the inhabitants. Unfortunately, systematic archaeological excavations have never been carried out in Zemun, and this does not allow us to reach more in-depth conclusions.",
publisher = "Prague : Centre for Classical Studies, Institute of Philosophy of the Czech Academy of Sciences",
journal = "Eirene. Studia Graeca et Latina",
title = "Il culto di Liber a Taurunum: un contributo allo studio della viticoltura nella Pannonia Inferiore",
number = "1-2",
pages = "445-470",
volume = "52",
url = "https://hdl.handle.net/21.15107/rcub_rai_488"
}

Pilipović, S.. (2016). Il culto di Liber a Taurunum: un contributo allo studio della viticoltura nella Pannonia Inferiore. in Eirene. Studia Graeca et Latina
Prague : Centre for Classical Studies, Institute of Philosophy of the Czech Academy of Sciences., 52(1-2), 445.
https://hdl.handle.net/21.15107/rcub_rai_488

Pilipović S. Il culto di Liber a Taurunum: un contributo allo studio della viticoltura nella Pannonia Inferiore. in Eirene. Studia Graeca et Latina. 2016;52(1-2):445.
https://hdl.handle.net/21.15107/rcub_rai_488 .

Pilipović, Sanja, "Il culto di Liber a Taurunum: un contributo allo studio della viticoltura nella Pannonia Inferiore" in Eirene. Studia Graeca et Latina, 52, no. 1-2 (2016):445,
https://hdl.handle.net/21.15107/rcub_rai_488 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2015
UR  - http://rai.ai.ac.rs/handle/123456789/493
AB  - The paper attempts to understand two aspects of everyday life in Roman Singidunum,agriculture and the worship of agricultural deities, based on epigraphic and archaeological evidence. The inhabitants of the castrum and the civil settlement of Singidunum continuously cultivated the land and worshiped the deities. Numerous rural estates on the edge of the city territory and the wider periphery were pointed out. Confirmations of agricultural activities mostly date from the 3rd and 4th centuries, while confirmations of cult activity are mostly dated to the slightly earlier period of the 2nd and 3rd centuries. Bacchus, Liber, and Libera are honored as well as Silvano, Terra Mater, and Priapus. In addition to the explicit attestations of the cult, inscriptions, and sculptures, there are everyday objects such as gems or lamps also. Archaeological and epigraphic findings did not show a significant correlation between the confirmation of land cultivation and the veneration of the patron deities of this activity.
PB  - Beograd : Balkanološki institut SANU
T2  - Balcanica
T1  - Agriculture and Worship. A Contribution to the Study of Daily Life in Roman Singidunum and its Environs
EP  - 59
IS  - 46
SP  - 41
DO  - 10.2298/BALC1546041P
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2015",
abstract = "The paper attempts to understand two aspects of everyday life in Roman Singidunum,agriculture and the worship of agricultural deities, based on epigraphic and archaeological evidence. The inhabitants of the castrum and the civil settlement of Singidunum continuously cultivated the land and worshiped the deities. Numerous rural estates on the edge of the city territory and the wider periphery were pointed out. Confirmations of agricultural activities mostly date from the 3rd and 4th centuries, while confirmations of cult activity are mostly dated to the slightly earlier period of the 2nd and 3rd centuries. Bacchus, Liber, and Libera are honored as well as Silvano, Terra Mater, and Priapus. In addition to the explicit attestations of the cult, inscriptions, and sculptures, there are everyday objects such as gems or lamps also. Archaeological and epigraphic findings did not show a significant correlation between the confirmation of land cultivation and the veneration of the patron deities of this activity.",
publisher = "Beograd : Balkanološki institut SANU",
journal = "Balcanica",
title = "Agriculture and Worship. A Contribution to the Study of Daily Life in Roman Singidunum and its Environs",
pages = "59-41",
number = "46",
doi = "10.2298/BALC1546041P"
}

Pilipović, S.. (2015). Agriculture and Worship. A Contribution to the Study of Daily Life in Roman Singidunum and its Environs. in Balcanica
Beograd : Balkanološki institut SANU.(46), 41-59.
https://doi.org/10.2298/BALC1546041P

Pilipović S. Agriculture and Worship. A Contribution to the Study of Daily Life in Roman Singidunum and its Environs. in Balcanica. 2015;(46):41-59.
doi:10.2298/BALC1546041P .

Pilipović, Sanja, "Agriculture and Worship. A Contribution to the Study of Daily Life in Roman Singidunum and its Environs" in Balcanica, no. 46 (2015):41-59,
https://doi.org/10.2298/BALC1546041P . .

TY  - JOUR
AU  - Pilipović, Sanja
AU  - Milanović, Ljubomir
PY  - 2015
UR  - http://rai.ai.ac.rs/handle/123456789/491
AB  - This paper examines the role of Helios as an all-seeing deity in scenes of the adultery of Venus and Mars based on classical literary sources and mythological reliefs in Roman funerary art, and also elucidates its afterlife in Christianity. Few Roman examples survive that explicitly show this act of infidelity, therefore particular emphasis is placed on a relief from a mirror from Viminacium, the province of Upper Moesia, and the altar Ara Casali, now in the Vatican Museums. The paper traces the general development of the symbolic roles of Helios in different thematic representations and the context in which Helios as an all-seeing God is represented in Early Christian and Medieval art. The myth and the role of Helios in it could be understood in different contexts: as an inter alia neo-Pythagorean, celestial, and in moralizing. The role of Helios in the moralizing context is, however, indisputable. This aspect will be a key motivation in the transformation of the myth in the Middle Ages and Renaissance, not only in literary sources but in visual art as well.
PB  - Iaşi : Alexandru Ioan Cuza University of Iaşi
T2  - Classica et Christiana
T1  - All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife
EP  - 499
IS  - 10
SP  - 479
UR  - https://hdl.handle.net/21.15107/rcub_rai_491
ER  - 

@article{
author = "Pilipović, Sanja and Milanović, Ljubomir",
year = "2015",
abstract = "This paper examines the role of Helios as an all-seeing deity in scenes of the adultery of Venus and Mars based on classical literary sources and mythological reliefs in Roman funerary art, and also elucidates its afterlife in Christianity. Few Roman examples survive that explicitly show this act of infidelity, therefore particular emphasis is placed on a relief from a mirror from Viminacium, the province of Upper Moesia, and the altar Ara Casali, now in the Vatican Museums. The paper traces the general development of the symbolic roles of Helios in different thematic representations and the context in which Helios as an all-seeing God is represented in Early Christian and Medieval art. The myth and the role of Helios in it could be understood in different contexts: as an inter alia neo-Pythagorean, celestial, and in moralizing. The role of Helios in the moralizing context is, however, indisputable. This aspect will be a key motivation in the transformation of the myth in the Middle Ages and Renaissance, not only in literary sources but in visual art as well.",
publisher = "Iaşi : Alexandru Ioan Cuza University of Iaşi",
journal = "Classica et Christiana",
title = "All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife",
pages = "499-479",
number = "10",
url = "https://hdl.handle.net/21.15107/rcub_rai_491"
}

Pilipović, S.,& Milanović, L.. (2015). All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife. in Classica et Christiana
Iaşi : Alexandru Ioan Cuza University of Iaşi.(10), 479-499.
https://hdl.handle.net/21.15107/rcub_rai_491

Pilipović S, Milanović L. All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife. in Classica et Christiana. 2015;(10):479-499.
https://hdl.handle.net/21.15107/rcub_rai_491 .

Pilipović, Sanja, Milanović, Ljubomir, "All-Seeing Helios in the Adultery of Venus: the Image and Contex in Roman art and its Christian Afterlife" in Classica et Christiana, no. 10 (2015):479-499,
https://hdl.handle.net/21.15107/rcub_rai_491 .

TY  - JOUR
AU  - Pilipović, Sanja
PY  - 2014
UR  - http://rai.ai.ac.rs/handle/123456789/489
AB  - The study attempts to shed light on the decoration of the breastplate from Castra Tricornia (modern Ritopek), the mutatio in the limes of the Roman province of Upper Moesia, and to revise previous radinig. The study attempts to comprehend and explain the context of this representation of seven deities on a military toreutic masterpiece. The new analogies from a distant part of the Roman Empire allowed for a more reliable attribution of the iconography. It is a Gallo-Roman vexillium with an almost identical representation of seven deities, which is now kept by the Laténium Museum in Switzerland. In addition to the cosmic, represented iconography can have a religious connotation without detracting from the military-historical value of the breastplate armor itself. The paper presents the most famous representations of the seven deities from the Septizonium of Septimius Severus and others. The central relief on the breastplate from Ritopek is viewed in the context of reading two acts from the Iliad, where the stone is used to attack the enemy, Aeneas and Diomedes or Ajanto and Hector, in each case a scene of a heroic act that gives a heroic character to the representation of the deities on the breastplate.
PB  - Prague : Centre for Classical Studies, Institute of Philosophy of the Czech Academy of Sciences
T2  - Eirene. Studia Graeca et Latina
T1  - Sette divinità planetarie: esempio di corazza da parata da Castra Tricornia (Mesia Superiore)
IS  - 1-2
SP  - 266
SP  - 284
VL  - 50
UR  - https://hdl.handle.net/21.15107/rcub_rai_489
ER  - 

@article{
author = "Pilipović, Sanja",
year = "2014",
abstract = "The study attempts to shed light on the decoration of the breastplate from Castra Tricornia (modern Ritopek), the mutatio in the limes of the Roman province of Upper Moesia, and to revise previous radinig. The study attempts to comprehend and explain the context of this representation of seven deities on a military toreutic masterpiece. The new analogies from a distant part of the Roman Empire allowed for a more reliable attribution of the iconography. It is a Gallo-Roman vexillium with an almost identical representation of seven deities, which is now kept by the Laténium Museum in Switzerland. In addition to the cosmic, represented iconography can have a religious connotation without detracting from the military-historical value of the breastplate armor itself. The paper presents the most famous representations of the seven deities from the Septizonium of Septimius Severus and others. The central relief on the breastplate from Ritopek is viewed in the context of reading two acts from the Iliad, where the stone is used to attack the enemy, Aeneas and Diomedes or Ajanto and Hector, in each case a scene of a heroic act that gives a heroic character to the representation of the deities on the breastplate.",
publisher = "Prague : Centre for Classical Studies, Institute of Philosophy of the Czech Academy of Sciences",
journal = "Eirene. Studia Graeca et Latina",
title = "Sette divinità planetarie: esempio di corazza da parata da Castra Tricornia (Mesia Superiore)",
number = "1-2",
pages = "266-284",
volume = "50",
url = "https://hdl.handle.net/21.15107/rcub_rai_489"
}

Pilipović, S.. (2014). Sette divinità planetarie: esempio di corazza da parata da Castra Tricornia (Mesia Superiore). in Eirene. Studia Graeca et Latina
Prague : Centre for Classical Studies, Institute of Philosophy of the Czech Academy of Sciences., 50(1-2), 266.
https://hdl.handle.net/21.15107/rcub_rai_489

Pilipović S. Sette divinità planetarie: esempio di corazza da parata da Castra Tricornia (Mesia Superiore). in Eirene. Studia Graeca et Latina. 2014;50(1-2):266.
https://hdl.handle.net/21.15107/rcub_rai_489 .

Pilipović, Sanja, "Sette divinità planetarie: esempio di corazza da parata da Castra Tricornia (Mesia Superiore)" in Eirene. Studia Graeca et Latina, 50, no. 1-2 (2014):266,
https://hdl.handle.net/21.15107/rcub_rai_489 .

TY  - CHAP
AU  - Pilipović, Sanja
PY  - 2013
UR  - http://rai.ai.ac.rs/handle/123456789/749
AB  - The subject of the research in the paper is the area of the White Timok, i.e. agriculture in the
antique times. Archaeological material, art performances, tools and dishes were preserved, and they
investigated to understand the significance of agriculture and wine growing in that area.
PB  - Etno-kulturološka radionica Svrljig
T2  - Etno-kulturološki zbornik
T1  - Prilog proučavanju poljoprivrede u dolini Belog Timoka u Antici
EP  - 46
IS  - 17
SP  - 39
UR  - https://hdl.handle.net/21.15107/rcub_rai_749
ER  - 

@inbook{
author = "Pilipović, Sanja",
year = "2013",
abstract = "The subject of the research in the paper is the area of the White Timok, i.e. agriculture in the
antique times. Archaeological material, art performances, tools and dishes were preserved, and they
investigated to understand the significance of agriculture and wine growing in that area.",
publisher = "Etno-kulturološka radionica Svrljig",
journal = "Etno-kulturološki zbornik",
booktitle = "Prilog proučavanju poljoprivrede u dolini Belog Timoka u Antici",
pages = "46-39",
number = "17",
url = "https://hdl.handle.net/21.15107/rcub_rai_749"
}

Pilipović, S.. (2013). Prilog proučavanju poljoprivrede u dolini Belog Timoka u Antici. in Etno-kulturološki zbornik
Etno-kulturološka radionica Svrljig.(17), 39-46.
https://hdl.handle.net/21.15107/rcub_rai_749

Pilipović S. Prilog proučavanju poljoprivrede u dolini Belog Timoka u Antici. in Etno-kulturološki zbornik. 2013;(17):39-46.
https://hdl.handle.net/21.15107/rcub_rai_749 .

Pilipović, Sanja, "Prilog proučavanju poljoprivrede u dolini Belog Timoka u Antici" in Etno-kulturološki zbornik, no. 17 (2013):39-46,
https://hdl.handle.net/21.15107/rcub_rai_749 .